In the Hot Summer months of 2000, three people met at Brushwood Folklore Center in New York, the home of the Sirius Rising and Starwood festivals. Among them were a singer, a vocalist, and a mandolin player. This father and son duo from Kansas combined with a single female vocalist from Missouri came together to form SONA. It was realized at once that these three had been searching for each other, and that the magick that was apparent between the three of them musically was rare.
Bittersweet angular indie rock from Middle America.
MORE INFO COMING SOON!
Through the fire of sleepless nights, uncertain futures, and countless miles on the road, Abandon Kansas emerges battle-hardened and tested with the highly celebrated Ad Astra Per Aspera. This, their first official retail release, is a right of passage for a band that has demonstrated over the past half-decade that they are more than prepared to lay claim to their own territory among the industry... elites.
This-the consummation of their vision to be more than just a band, more than just empty words or singles-is the opus that most bands only fantasize about. This is their time, their most crucial hour, as frontman Jeremy Spring explains: “Ad Astra Per Aspera is Latin meaning ‘to the stars through difficulty.’ The title is the Kansas state motto, and the concept for our new record. Nearly all of the songs refer to heaven, the sky, flight, the stars, and the challenges along the journey.. For every band there is that one record that outdoes all of the rest, and that record will always be your favorite. I have no idea what the future holds, but for me, this is going to be that record for us. Something has happened here, something bigger than four guys making noise with instruments and singing into microphones.”
This record is independent rock n’ roll that stirs the imagination and conjures deep optimism. The sound is ethereal, yet tangible. Spring’s voice harkens imagery of brisk fall evenings staring at distant stars, dreaming of hopeful futures, even amidst chaos. And the reverberation of Brad Foster’s echoing guitars will etch themselves into your memory as they gently carry you to the outer reaches of the atmosphere. Balanced by bassist Chet Keuffer and drummer Brian Scheideman the record paints in subtle strokes, communicating with deep feelings, rather than stringent riffs or unsettling beats. There is a unity to the instrumentation that can only come from a seasoned unit of men who understand that, in order to be great, the sum of the parts must equal a greater whole. Teaming up with producer Mark Lee Townsend to create a sound all their own, Ad Astra Per Aspera defies comparison, yet sounds all too familiar, as a memorable release should.
“This record is a story about where we are headed, without forgetting where we came from,” states Spring. “The stars aren’t fame and money. The stars represent heaven, or better yet, the presence of God. We are aiming for the stars, yet we seem to find ourselves in the middle of storm after storm. It is the story of how was have been able to maintain high spirits and use our valleys as fuel to create new music.”
Noteworthy tracks include the first single and album opener, “Heaven Come My Way,” the methodical, art-epic, “The Golden State,” and perhaps the catchiest tune in the band’s catalogue, “Like it Or Not.” But don’t make the mistake of thinking this is a record of a few radio tunes followed by filler, though. Rather than approach songwriting as most do, desperately attempting to manufacture hits, Abandon Kansas has delivered an entire, cohesive collection of songs with one measure of quality control. This is an album to be consumed in its entirety, absolutely. Lyrically, these songs are the templates for a culture that is battling through challenging circumstances. For example, on “Heaven Come My Way,” Spring’s vocals lay claim to bright futures when as he croons, I’ve always aimed higher; don’t let me off the hook. We wrote a chapter, haven’t finished the book. On “Where Else Can We Go?” he speaks into the problem of pain: If pain produces harmony, we all have a note. If God conducts the symphony, no one sings alone. Steeped with the wisdom of a crafty veteran, the band’s frontman has proven that eloquence is a given, as every single song contains nuggets of truth that will resonate, inspire, and even haunt the listener.
With such an extensive touring history (having shared the stage with the likes of House of Heroes, Run Kid Run, and The Classic Crime), Abandon Kansas has developed a special, cohesive show that is a must-see. Theirs is a tale of evolution, however, as Spring explains, “Every band grows between albums, but our band specifically grew a lot in how we present our music live. As our songwriting has matured, so has the way we present ourselves onstage. We have started adding television screens that run multimedia during our set. We’re trying to offer more of a presentation, or ‘show’ rather than just get on stage and play loud songs for thirty minutes.”
If the present is grey, and the future is uncertain, then only one thing remains: faith. And faith is the binding element, the constant for this band—a band fighting valiantly to emerge in the current musical and cultural context. Rather than rely on hype or politics or even the promise of a truly career-defining album such as Ad Astra Per Aspera, Abandon Kansas have placed their livelihoods in the hands of a creator who never fails, who never abandons us.
“At the end of the show we answer to our fans, at the end of the day we answer to our band-mates, at the end of the tour we answer to our label, and at the end of year we answer to our families and friends back home. But at the end of our lives we answer to God, and He expects us to follow through on what he has called us to do. God isn’t a businessman, and I don’t think He is interested in numbers. But I know he wants us to be good stewards of the talents he blessed us with and the time we spend on the road. I love the words from that old song “Be Thou My Vision” that say, riches I heed not, nor man’s empty praise."
ALL KILLER, NO FILLER
If you're a fan of obscure horror films, then you've experienced extreme boredom. You've sat through lame red herrings, endless chase scenes, shower scenes with NO nudity, and all the talking and talking and talking... just for those very rare magical moments that only these films can provide.
Horror Remix takes forgotten horror classics and slices them down to a power-packed themed anthology. We dig through hours and hours of cinema boredom to find those magical moments that make obscure horror so amazing.
Afrolicious is San Francisco based collective who perform live with a ten piece band and also as a dj duo with live percussionists and MCs.
Afrolicious has established itself as both one of the most legendary weekly parties in San Francisco, and of the top live/electronic bands on the scene. Started as a weekly dance party featuring DJ's and brothers Pleasuremaker and Señor Oz alongside percussionists, MC's and horn players, and an amazing crowd from day one. Over the years it has evolved as founding DJ/Producer Pleausremaker (Joe McGuire) alongside brother Señor Oz (Oz McGuire) hooked up with some of the most exciting personalities in the Bay Area music scene and started writing original music under the alias Afrolicious. Around 2010 the live Pleasuremaker band started including some of this new 'Afrolicious' material and added more of the percussionists and vocalists from the weekly party to form what is now the Afrolicious band. Between their weekly party and sound system shows that involve the brothers DJing alongside live percussion, they also have a 8-12 piece live band that emphasizes the organic elements, instrumentation, and energy of a live ensemble combined with club heavy beats and textures the weekly party has come to be known for.
Afrolicious band and sound system have performed at such legendary venues as Red Rocks, Sierra Nevada World Music Festival, Electric Forest Festival, Snow Globe, Burningman, Sea of Dreams, The Independent, Great American Music Hall, Elbo Room in San Francsico (5 plus years weekly residency), Cielo, Nublu, Bembe, Zanzibar, Silent Frisco
Afrolicious has played alongside such artists as:
Thievery Corporation, Jimmy Cliff, Fishbone, Balkan Beat Box, Rob Garza, Novalima, The Pimps of Joytime, Nickodemus, Johnny Osbourne, See-I, Ghostland Observatory, Beats Antique, J.Boogie, DJ Smash,
Afrolicious remixes and original productions can be found on labels such as ESL Music, Six Degrees Records, Akwaaba Music, Bagpak Music and more.
MORE INFO COMING SOON!
Skytree, aka Evan Snyder, started recording music at the age of 15, after the loan of a beaten Tascam tape deck cracked open the world of multi-track recording. Early “New Age” or synth-based albums by the likes of Tangerine Dream, as well as old pagan folk LPs from his parents’ record collection provided an early and profound influence. In the years hence, the Skytree name has appeared alongside artists such as Lotus, Bluetech, Phutureprimitive, Tipper, Bird of Prey, Excision and Bassnectar, among others, with many more to come. Skytree’s newest album entitled “Crystal Consciousness” was released on 11.11.11.
"In relation to tranformation, the tree symbolizes the ascent of the mind, or awareness, from the "earth" of matter-nature-body to the "sky" of spirit-god-consciousness. Like trees were are "rooted in darkness and crowned with light": our being is grounded in the unconscious darkness of matter, grows and extends itself throughout life, and reaches upward into the "higher" realms of consciousness. The tree stands as the preeminent symbol of growth, renewal, and transformation."
- Ralph Metzner
It was a dark night, like many before it in Memphis, Tennessee. Joshua Andrew Cosby walked home from rehearsal with his guitar, case-less, slung over his back. A local homeless man flagged him down, not for money but for a story. He explained to Cosby how he had written a song about his ex-wife Micey. There, on that dimly lit street occurred an exchange, two men playing each other songs of heartbreak and the ultimate sacrifice. Upon parting ways, this man revealed his name to be Star. That name became the fixture for one of Memphis’ most inventive bands: Star & Micey. Its core members are listed as two brothers without the same last name, Geoff Smith and Joshua Cosby. It was merely coincidence that Cosby later met Nick Redmond at a local pub and began a relationship based on music and above all, brotherhood.
Star & Micey’s self titled debut album features a revolving door of fantastic musicians including Luther Dickinson (The Black Crowes, North Mississippi Allstars), Jody Stephens (Big Star) and Rick Steff (Cat Power, Lucero), just to name a few. However, when the sun sets, it is Cosby, Smith, and Redmond that work relentlessly night after night. Hopefully, the music they make can transcend material possessions, and exhibit something that is always tangible between these three troubadours; that thing is love.
MORE INFO COMING SOON!
VAGO - Vago is a three piece band from Omaha, NE, rooted in the alt-rock tradition of artists like Bob Mould, Cracker, and Elvis Costello, sprinkled with elements of Americana and modern post-punk. Having shared the stage with Roger Clyne, Tommy Stinson, Will Hoge, Cursive, Desaparecidos, Bright Eyes, and more, Vago is making their own mark.
"...Trip Shakespeare, The Replacements, The Gear Daddies and Husker Du... ...I always though of Vago as our Version of that time and scene. They write good, pure rock songs... ...and live, they play honest rock n' roll shows that make you want to buy another beer." -Marq Manner, Shout Weekly
There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self… Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.
Growing up on rock and roll made back during a time when “rock and roll” mattered, and it wasn’t about fashion and packaging, Til strives to deliver substance in his own orchard of sound. A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion… This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma. He has headlined his own shows, as well as opening for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger. He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado.
He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings. In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.
Smackdown! Trivia
Think you’re smarter than everyone else? Now you have the chance to prove it.
Smackdown! Trivia began in 2000 and is the brainchild of Andy Morton, who also hosts local Channel 6’s “1 On 1 Trivia”, and was a recent contestant on VH1’s “Pop Culture.”
The premise is simple: answer the most questions right, and your team wins the cash prize. So gather your smartest friends, and head down to the Bottleneck where you have a chance to put your money where your mouth is. You know what else goes where your mouth is? $1.50 draws and $2.50 wells.
Sunday nights at 8 pm. $5 entry fee per person. In the event that there is a show that night, Smackdown! relocates to Conroy’s Pub (3115 W. 6th St.).
Karaoke Sundays
Don't miss the fun Sundays at the Bottleneck with our own twisted version of KARAOKE.
Deriving its name from two words, kara "empty/void", and okesutora "orchestra", karaoke has been taking the world by storm since it became popular in Japan in the early 1970's.
Come show off your singing skills (or lack thereof!) with your friends as you belt out "Back in Black", sing to your sweetie or test your vocal range with a little Nina Simone.
With our vast catalogue of music, there's something for everyone's taste and range. And don't worry, we'll help loosen those lips with cheap drink specials that'll have you crooning in no time! (Sundays at 11, after Smackdown! Trivia, unless previously scheduled event has been booked.)
Sunday is also our Service Industry Night. So all bartenders, waitresses, cooks, dishwashers, doormen & hostesses are encouraged to join in the FREE fun.
Karaoke is FREE for over 21 year olds and only $3 for under 21.
Drink specials: $1.75 draws, $2.50 well drinks
Live karaoke full of Emo and Pop Punk Music hosted by, SOVEREIGN STATES.
The Bottleneck's Monday-night house band, Sovereign States, remembers '90s rock for you — and with you. If you've ever wanted to sing a 10- or 15-year-old pop-punk hit in person with musicians, write the words on your hand and get up there. " 'Devotion and Desire' by Bayside, 'My Friends Over You' by New Found Glory and 'Cute Without the E' by Taking Back Sunday are really popular with the crowd," says the States' Quinn Brabender. If you're ready to shine, e-mail Brabender at sovereignstatesband@gmail.com before Monday, or show up at the Bottleneck (737 New Hampshire, Lawrence, 785-841-5483) a little early to sign up.
Formerly known as Brave The Shallows, My Marionette is an energetic hardcore band from Manhattan, Ks. With songs full of breakdowns, dancey synth parts, and the best stage presence around, we are sure to put on a show that you'll remember.
Austin Spring - Bass
Brandon McCann - Guitar/ Vocals
Kendall Burns - Synth/Keys/Vocals
Logan Peterson - Drums
Joshua Low - Vocals
Dead Ties is a four piece coming out of Kansas City, MO, that brings an aggressive yet passionate sound to the music scene. After the bands old vocalist decided to leave, they were in the market for a new vocalist. After a couple of try-outs from different people, they thought Spenser Cambron of Coronado left for dead would be a perfect match. With a new vocalist and a new sound, the band decided to start over and change there name from LaMurda to Dead Ties. Starting fresh, the band is excited to hit Kansas City hard with there aggressive sound. Pulling influences from the chariot, comeback kid, and stray from the path.
Low currents formed in late 2012. We are a group of musicians who have played or are currently in local bands. Our vision is to create music that creates emotion out of the listener. Soundscapes that tell stories and have complete connectivity. Every single one of the members contributes to each aspect of the songwriting process. Every idea is listened to and tried out. We are only just starting and be ready/open/excited for things to come because we have plenty in store for you.
We're four guys that came together to make some form of rock music because it's more enjoyable than anything else. Let us play shows with you.
Schuyler Bates - Vocals/Bass
Josh Legler - Guitar
Lucas Carpenter - Guitar
Trent Utley- Drums
KANSAS CITY, MO
The Many Colored Death is a hard rock trio based out of Columbia, Missouri. With influences ranging from Sabbath and King's X to Muse and RATM, they've forged a sound uniquely theirs, while not wholly unfamiliar. Described by one fan as "a silky mixture of 70's rock and early 90's grunge", The MCD are driven by a desire to make real, honest rock music for real rock music fans. Featuring a thundering rhythm section that would make Bonham and John Paul Jones proud, and a guitarist/vocalist who is equal parts Robin Trower, King Buzzo, and David Gilmour, their brand of rock is both quiet and loud, dark and light. A veritable yin yang of sound and emotion. Soulful lyrics and melodies float effortlessly over the pounding surf of complex polyrhythms and groove laden riffs.
To paraphrase Jimi Hendrix, we don't play loud so you can hear the music.
We play loud so you can feel it.
Starting at 9pm and running until 2 in the am...SUPER NERD NIGHT is back! Right around the corner from Astrokitty itself, the Bottleneck is the new venue for an expanded and even more awesome night of drinking, drawing, video-games, movie-watching, music, singing, Magic, and more!
Drink & Draw: There will be a theme, there will be prizes, and you will have access to cheap markers, crayons, and pieces of chipboard to draw on! Enter our theme contest and win stuff (prizes awarded at midnight) or just draw for fun! All drawings will end up in our online gallery! :)
Geekaraoke: Try your best to do your very own version of a randomly-chosen theme song or geek anthem. Prizes will be awarded based on applause!
SINemascope: Take a drink every time you witness one of the 7 Deadly Sins playing out on our selected (and mostly muted) films! How do you win? Well, if you finish your drink, you win the chance to buy yourself another! Plus, who needs all those pesky brain cells? Goes throughout the night!
The Magic Seal: If you show up at 7pm, you can play in our MAGIC SEALED DECK event! $20 to play! Keep what you open! We'll have sleeves and deck boxes for purchase as well. The event will be multiple rounds swiss pairing if we have enough players! Bring a friend! Winner goes home with a FAT PACK! (NOTE: entry fee for remainder of the night will be waived if you play in the Magic event)
Electric Bar: 8 monitors & 8 different old-school video-game systems, for all to play! Want to try a different game? Just ask the Electric Bartenders to switch it up!
Smackdown! Trivia
Think you’re smarter than everyone else? Now you have the chance to prove it.
Smackdown! Trivia began in 2000 and is the brainchild of Andy Morton, who also hosts local Channel 6’s “1 On 1 Trivia”, and was a recent contestant on VH1’s “Pop Culture.”
The premise is simple: answer the most questions right, and your team wins the cash prize. So gather your smartest friends, and head down to the Bottleneck where you have a chance to put your money where your mouth is. You know what else goes where your mouth is? $1.50 draws and $2.50 wells.
Sunday nights at 8 pm. $5 entry fee per person. In the event that there is a show that night, Smackdown! relocates to Conroy’s Pub (3115 W. 6th St.).
Karaoke Sundays
Don't miss the fun Sundays at the Bottleneck with our own twisted version of KARAOKE.
Deriving its name from two words, kara "empty/void", and okesutora "orchestra", karaoke has been taking the world by storm since it became popular in Japan in the early 1970's.
Come show off your singing skills (or lack thereof!) with your friends as you belt out "Back in Black", sing to your sweetie or test your vocal range with a little Nina Simone.
With our vast catalogue of music, there's something for everyone's taste and range. And don't worry, we'll help loosen those lips with cheap drink specials that'll have you crooning in no time! (Sundays at 11, after Smackdown! Trivia, unless previously scheduled event has been booked.)
Sunday is also our Service Industry Night. So all bartenders, waitresses, cooks, dishwashers, doormen & hostesses are encouraged to join in the FREE fun.
Karaoke is FREE for over 21 year olds and only $3 for under 21.
Drink specials: $1.75 draws, $2.50 well drinks
Live karaoke full of Emo and Pop Punk Music hosted by, SOVEREIGN STATES.
The Bottleneck's Monday-night house band, Sovereign States, remembers '90s rock for you — and with you. If you've ever wanted to sing a 10- or 15-year-old pop-punk hit in person with musicians, write the words on your hand and get up there. " 'Devotion and Desire' by Bayside, 'My Friends Over You' by New Found Glory and 'Cute Without the E' by Taking Back Sunday are really popular with the crowd," says the States' Quinn Brabender. If you're ready to shine, e-mail Brabender at sovereignstatesband@gmail.com before Monday, or show up at the Bottleneck (737 New Hampshire, Lawrence, 785-841-5483) a little early to sign up.
"The Defibulators (not defibrillators) hail from Brooklyn, New York’s thriving indie scene and they’ve developed a funky, rootsy, out-of-control sound that’s all their own. The six-man, one-woman band blends bluegrass, country, honky tonk, rockabilly, Dixieland jazz, punk, and maybe a touch of anti-folk into an intoxicating, good-time mélange that’s guaranteed to slap a smile on your face. Roots-heavy, post-punk music that reinvents the conventions of country music with a CBGB-meets-Grand Ole Opry feel."
Big Medicine Gang’s high energy original sound is a stiff-cocktail of Blues, Funk & Reggae. They conjure an ol' school sound reminiscent of Peter Green’s Fleetwood Mac, Sam & Dave, and Led Zeppelin. As well as a healthy dose of reggae fueled by Sublime, the Wailers, and the Skatalites.
While not a “Jam Band”, followers of the genre will find BMG has a great vibe and sound, especially when joined by their HORN SECTION!!! Jamming may ensue, but these jams are Rock-Steady, Blues, & Funk.
Formed in Breckenridge, Colorado, the BMGang’s members include:
-guitar/vocals Seth Strickland (Indica Gypsys, Subdudes family & side projects)
-Grammy winning engineer and keyboard player/vocals Gragg Lunsford
-bassist/cellist/vocals Mathew Crumbley(Hollywood Farmers)
-drummer/vocals Matt Coddel (Skullfunk, Swampkoolers, the Funguys)
-percussion/vocals Alex Shuldt
-trombones Johannes Wiig and Ted Kelly (The Alcapones, Weapons of Mass Creation, Foot SoulJahs)
COME TAKE YOUR MEDICINE!!
Live electronic trio with influences spanning dub reggae, funk, and EDM. After a slew of successful winter shows throughout the Front Range Lost Optical is gearing up for their first national tour, hitting ten festivals across the US including Summercamp, EDC Chicago, Electric Forest, and Wakrarusa! They are currently recording their third EP "Passage" to be released in the coming months. Download their entire catalog for free at www.soundcloud.com/lostoptical
Cartel is an American pop punk band from Conyers, Georgia that formed in 2003.
"A lot has transpired since we last put forth a full length album. This band has gone through many tumultuous yet exciting experiences that have brought us to this point - the release of our 4th album, Collider. The title is a representation of those aforementioned experiences that shaped the continuing career of Cartel. When juxtaposed forces collide in the arena of physics many things can happen: destruction, creation, and metamorphosis, to name a few. We feel as though all of those things and more have shaped the career arc of this band. But most of all, they have had a direct impact on the way we create the music that you'll hear on this record.
We found ourselves without a label and marched forward to experiment with the idea of self-releasing and self-producing our music. That experiment was the In Stereo EP. The unintentional discovery in that process was that there is an honesty that is imperative to the making of our music that is necessary to create the best possible sonic experience. That is to say, we're at our best when we are not concerned with anything but making an album that we WANT to make. It was evident in Chroma. We strove for it despite the spectacle perceived in our self-titled album. We tried to find it again on Cycles. And now, with all other distractions and deterrences aside, we've found it again.
Some may describe the feeling as magical or effortless. I assure you there were no spells or rituals (of the magical nature anyway), and it certainly was not effortless. This painstaking and self reflecting effort yielded something that we are incredibly proud of and that we stand by 100%. Collider is the culmination of 3 years worth of life, love, and reflection. We can't wait for all of you to experience it with us and enjoy it like we do. Expect us on the road in the US and international destinations playing heart-filled shows that display our passion for the energy and essence put forth in the making of these songs - this album. This is Cartel in all its forms. This is Collider."
New York, Pop Punk
The Strive is breaking ground with a fiery, infectious spin on today’s power-pop vibe that simply must be heard. They named their band The Strive after the fun but intense, forward thinking aesthetic they brought to their 2011 debut EP Anything Goes, the subsequent standalone single Sleepless, and their new EP Design The Road – produced by Matt Noveskey, bassist for the rock band Blue October and rising star in the world of production.
For a group that’s only been around since the winter of 2010 – and debuted its current lineup featuring charismatic frontman Brendan Stevens in March 2011 – The Strive has lived up to its name big time, making spectacular inroads on the indie scene. Besides their formal releases, the home recorded demo track Caught Inside quickly rose to the top of the charts on Purevolume.com’s Top Unsigned Bands playlist. In addition to developing a passionate following via explosive performances at KC hotspots like the Beaumont Club and Uptown Theatre, they have performed on bills with Hawthorne Heights, Ivoryline, Madina Lake and Hey Monday; shared the stage with All Time Low and Yellowcard at The Rave in Milwaukee, played shows in Dallas, Austin, the Springboard South Festival in Houston; were featured at the Red, White & Boom concert, put on by hit radio station Mix 93.3 at KC’s Starlight Theatre, that also included performances by superstars Colbie Caillat and Gavin DeGraw. Lastly, their more recent gig in Kansas City on the Warped Tour, one day before the release of Design The Road.
Considering that Stevens, band founders Luke Davis (lead guitar) and Nick Stacy (drums), Greg Dowd (rhythm guitar) and Michael Zenk (bass) are only 19 and 20 years old, one of the things that pleasantly surprises people is how mature and polished they are as songwriters and performers. With heartfelt, very personal lyrics by Stevens and music by Davis, Dowd and Stacy, the songs on Design The Road reveal writers that are deep thinkers and artists whose powerhouse performances are genuine and original, but have an irresistible commercial appeal. While they worked on Anything Goes with producer Kevin Gates (Nevershoutnever, The Ready Set) from Engaged Audio in Springfield, Missouri, they opted this time to head to Test Tube Audio in Austin to work with Noveskey.
Stacy notes, “All the guys believe that it’s always good to change up who you work with in the studio on different releases, which leads to a fresh approach. We like our first EP a lot, but we didn’t want Design The Road to sound the same. We’re all big fans of Blue October and you can definitely hear their influence on some of these new tracks. Matt took the demos we had and brought them to the next level. We like the sonic ideas we came up with when we first wrote the songs, and he put the delectable icing on the cake. Sometimes it’s even more than that … Luke and I created the essential sonic experimentation and ambience on the closing track On Top of the World, but the big beefy outro was all Matt’s idea. He took our sound, developed it, and helped us to mature. Our time with Matt in Austin was a turning point for the band.”
In addition to Stevens’ soaring, emotional vocals, the two things that immediately hit listeners who are new to The Strive experience are Davis’ blistering electric guitar fire and Stacy’s deep and versatile drum grooves, which are propulsive to the point of wild hypnosis. The band goes for the jugular from the get go in the song, On My Own – a super high energy power-pop explosion which finds Stevens being haunted by naysaying ghosts, but finally declaring his place by himself at the front of the stage after a transitional time in the band’s brief but colorful history.
The spatial and atmospheric intro to Design The Road – the EP’s first single and soon to be shot video – gives way to a speedy percussive groove and scorching chorus punctuated by Dowd’s jangly rhythm guitar. The third track Hold Me Back brings more energy and intensity to the table after a mid-tempo mainstream pop/rock start; it finds Stevens entangled in troubled romantic relationships, trying not to make irrational decisions. The sonically diverse, atmosphere and effects rich closer, On Top of the World is … well, not only a great place to strive for, but a distinct possibility for a young band on the creative move.
The Strive’s origin story is one that could only take place in the later 2000s. In his early-teens, Stacy had amassed over 10,000 subscribers on his YouTube page recording drum covers of contemporary Top 40 hits. To date, he has over 5,082,432 hits and is approaching 15,000 subscribers. One of the early fans of this page was guitarist Davis, and the two began corresponding, becoming friends over their mutual musical goals, and ultimately starting a band when they were around 15 years old. There were some hiccups on the personnel end in the early stages, but ultimately the chemistry the two shared extended to the other Kansas City natives who joined forces to create The Strive.
Stacy notes, “It started out with Luke and I just writing and recording demos that were intriguing and catchy. We had a certain writing chemistry that allowed us to knock out demos one after the other. We basically lived in my studio in the basement during high school. A few years later, we got in touch with Brendan, through a friend of ours, and the rest just sort of fell into place. Brendan has been a performer his whole life and definitely has the charisma of a commanding frontman, but has an approachable presence. He came up with the name based on the idea that everyone should be striving for something – and it’s how the band operates. If we don’t constantly have new goals and new plans, we wouldn’t be able to keep up the momentum.”
Stacy adds, “What’s fun and cool is that up until recently, there was still a lot of development going on because we were working toward locating our musical niche. The drive to constantly evolve is so ridiculously strong that it’s just never going to stop. The songs on Design the Road, however, reflect the band in many ways because musically, we feel like we have a sound and identity we can call our own and further develop. We’re looking forward to touring and sharing our love for music with as many people as possible.” Lastly, he says, “We have new stuff in the works. We just wrote a new song last night … that’s three this week.”
MARMALAKES is a rock band from Austin, TX. Dynamic and lyrically-attentive, their songs carry folk-pop sensibilities. Since 2008, they've released 3 EPs and a 7-inch.
They have played with Portugal. The Man, Shearwater, Sondre Lerche and Black Taxi and have sold out venues such as Rockwood Music Hall, The Parish and The Mohawk Austin.
Wild Child is a band from Austin, TX.
2013 Austin Music Award winners for Best Indie Band and Best Folk Band
Shakey Graves is a gentleman from Texas
Smackdown! Trivia
Think you’re smarter than everyone else? Now you have the chance to prove it.
Smackdown! Trivia began in 2000 and is the brainchild of Andy Morton, who also hosts local Channel 6’s “1 On 1 Trivia”, and was a recent contestant on VH1’s “Pop Culture.”
The premise is simple: answer the most questions right, and your team wins the cash prize. So gather your smartest friends, and head down to the Bottleneck where you have a chance to put your money where your mouth is. You know what else goes where your mouth is? $1.50 draws and $2.50 wells.
Sunday nights at 8 pm. $5 entry fee per person. In the event that there is a show that night, Smackdown! relocates to Conroy’s Pub (3115 W. 6th St.).
Karaoke Sundays
Don't miss the fun Sundays at the Bottleneck with our own twisted version of KARAOKE.
Deriving its name from two words, kara "empty/void", and okesutora "orchestra", karaoke has been taking the world by storm since it became popular in Japan in the early 1970's.
Come show off your singing skills (or lack thereof!) with your friends as you belt out "Back in Black", sing to your sweetie or test your vocal range with a little Nina Simone.
With our vast catalogue of music, there's something for everyone's taste and range. And don't worry, we'll help loosen those lips with cheap drink specials that'll have you crooning in no time! (Sundays at 11, after Smackdown! Trivia, unless previously scheduled event has been booked.)
Sunday is also our Service Industry Night. So all bartenders, waitresses, cooks, dishwashers, doormen & hostesses are encouraged to join in the FREE fun.
Karaoke is FREE for over 21 year olds and only $3 for under 21.
Drink specials: $1.75 draws, $2.50 well drinks
Often descriptions of bands fall into the equation of “this well known group plus this other established act plus a few adjectives.” But some bands defy this shorthand, offering something so pure & true that its roots aren't apparent. Everest is this sort, taking us down to foundational rock truths with an easy glide and expansive vision. While one can draw some clues from the folks they’ve toured with – Neil Young, Wilco, My Morning Jacket – ultimately Everest is simply a great rock ‘n’ roll band in the classic, open-minded mold, something boldly apparent on their sophomore release, On Approach (arriving May 11th) on Warner Bros. Records / Vapor Records).
Formed in Los Angeles in 2007, Everest is comprised of Russell Pollard (vocals, guitar, drums, lyricist), Jason Soda (guitar, keys, vocals), Joel Graves (guitar, keys, vocals), Elijah Thomson (bass, vocals) and Davey Latter (drums, percussion). Their 2008 debut, Ghost Notes, drew strong critical marks and comparisons to primo Topanga Canyon, California country rock. However, none of this quite prepares one for On Approach, which finds the group in a full-tilt creative charge.
“We weren't a band for very long when we made Ghost Notes. I had songs, we recorded them in just two weeks, then immediately toured. On Approach has been a completely different experience,” says Pollard. “Now it’s guys who've actually struggled together and survived some tight spaces, cramped hotel rooms, some arguments and some really, really good times. There was a lot of collaboration, and we weren’t afraid to do anything.”
On Approach is a bold album that bolts out of the gate with an enveloping sound capable of filling large spaces, both in the outside world and between one’s ears. In broad strokes, it hits the sweet spot between stratospheric, stadium size rock and gorgeous, emotionally charged pop craftsmanship. From infectious and thumping opener “Let Go” through heavy rocker “I’ve Had This Feeling Before,” the sweet humming, “Keeping The Score,” the naked romance of “Dots,” the haunting, spacious roots rock of “East Illinois” and “Fallen Feather,” and culminating in the boiling over cascade of closer “Catalyst,” On Approach moves with a focused, switched-on intensity that announces the arrival of one of the most engaged rock units today.
On Approach isn’t just an assemblage of random tracks, but a classic two-sider vinyl kind of album, where the full resonance and weight of it can only be felt by taking the full ride. Everest is this sort of band, too, one that strives for something more than three-minutes in the spotlight. These guys are lifers and the music they make is built for lifetimes, maintaining some elusive core that rewards one with each new spin.
“On Approach has all the good things that make a great record,” says veteran producer/mixer Rob Schnapf who mixed Everest’s latest, and who’s impressive credits include such modern classics as Beck’s Mellow Gold & Odelay, Elliott Smith’s XO & Figure 8, as well as Foo Fighters’ eponymous debut. “This record has a familiarity yet doesn’t copy anything. It’s expansive, and it doesn’t sit in one place. Listening back to the final version, I realized it was like an old-time record experience, one you don’t get any more.”
With guitars that range from bright and chiming to tense and meandering, harmonies that are both delicate and pastoral, and Pollard’s gentle, hazy vocals, On Approach is indeed reminiscent of a bygone era, a time before the Internet, when albums were still an art form and stories were told on vinyl. But as it exudes timelessness, as it ebbs from rustic grooves into hushed lullabies, it also asserts itself as something very of the here and now – something that is more than the sum of its parts.
“One of the things that's intriguing about this album for me, is hearing the moments where we started to transcend,” reveals Pollard, “where those moments and the music became something beyond ourselves.”
Romanticizing pain is a sucker’s game. Heartbreaks are a part of life, and writing sad songs isn’t going to change that immutable fact. But if there is a relationship between personal trauma and great art, David Beeman has found a way to invert the traditional formula. As the leader of St. Louis, Missouri’s Old Lights, Beeman has catalogued his faults, fixations, fumbles and fuck-ups with bright, surging pop music that refuses to lie down. The lyrics may make you flinch, but the music keeps you rapt and swaying.
The melodic opulence of Wings, the dark-cornered and sweetly sung pop of Fleetwood Mac, and Brill Building piano pomp get jostled by joyful synthesizer bursts, jagged guitar freak-outs and choir-sweet harmonies. Beeman’s fluency on guitar and piano frame his high tenor voice, which is able to deliver an emotional payoff without sacrificing the many sweet spots in his songs.
For those ready to Bop to Hip shakin' soul: Ask for a white port & lemon juice, strip down to your socks, and hop with DEAN MONKEY & the Dropouts!
From the west side of Chicago, brandUn DeShay, the rapper/producer was born with a future no one could have guessed. Brandun started out a quiet, sports focused kid raised in the suburbs of Chicago and became the already innovative musician that we know today.
Brandun's style blends current trends with a passionate love for rapping. He has a worldwide fan base without even having a record deal. For example, his "World Famous" music video has had over 100,000 views in less than three months, and his featured music video "Why You Gotta Zodiac Like that" was featured on MTV and has almost 200,000 views on YouTube to date.
Brandun's educational background includes being a Pharmacy student in college, but he had a strong desire to create music, even without any formal training. Generating all artwork, production, and music himself, Brandun began creating songs without ever writing down a single lyric. Through this he has produced music for the likes of Curren$y, Mikey Rocks, Mac Miller & Tyler the Creator.
Brandun has been praised by some of the most prolific musical artists in the field such as Q-Tip of A Tribe Called Quest and Yasunori Mistuda, the premier Japanese film and video game composer of the Chrono Trigger series. Additionally, many of his inspirations come from the movie Donnie Darko, The Smiths, childhood video games, summer time Chicago, all things celestial, the beach, and love from his fans.
His work has been featured in numerous media outlets including most notably the October 2011 issue of XXL and a nomination for the XXL Freshman 12 list.
Ultimately, Brandun has gained immeasurable experience working in the music field and is known across the industry for his youth, wit, positivity, and encouraging nature. He lives within the mindset known as Seven7Ceven, being aware of who you are right now and how your affect the world. His self-reflective nature comes across in his music, one of the many reasons why his fan base is growing so rapidly.
After many months of perfecting his craft, this multi-talented artist is now focusing on growing his fan base. He is well qualified to become successful in this, as he has now spent a considerable amount of time coming to understand the intricacies of the music business.
In comparison to other mid major cities the Kansas City hip hop scene is still rather young and burgeoning. Amongst the list of talented performers who have risen from the land of the waving wheat, the Midwestern Mecca for all things jazz, has slowly developed a reputation for the caliber of Emcees it helped to develop. The struggle in past years amongst those already established Kansas City artists is in who should they pass the proverbial torch to from the up and coming generation. Les Paul, the 22 year old Kansas City native, has been patiently preparing his craft and sound for the last few years with the pretense of gradually climbing the ranks of his fellow peers and mentors. His latest release,L.I.F.E., is a collaborative effort with 16 year old French-born Producer Elias Abid, and is aimed to show both the progression and potential of both of their respective musical levels. Pushing the bar lyrically, creatively, and conceptually, Les Paul, is a far cry from that of the counter culture influenced minds of his generation through their mutual love for skateboarding. With a rebellious spirit that lends itself well to the energetic vibe of his music, L.I.F.E., and upcoming releases from the young wordsmith should have no problem in assisting in his rise to great things The future is indeed NOW.
Kansas City, Hip Hop
Kansas City, Hip Hop
Smackdown! Trivia
Think you’re smarter than everyone else? Now you have the chance to prove it.
Smackdown! Trivia began in 2000 and is the brainchild of Andy Morton, who also hosts local Channel 6’s “1 On 1 Trivia”, and was a recent contestant on VH1’s “Pop Culture.”
The premise is simple: answer the most questions right, and your team wins the cash prize. So gather your smartest friends, and head down to the Bottleneck where you have a chance to put your money where your mouth is. You know what else goes where your mouth is? $1.50 draws and $2.50 wells.
Sunday nights at 8 pm. $5 entry fee per person. In the event that there is a show that night, Smackdown! relocates to Conroy’s Pub (3115 W. 6th St.).
Karaoke Sundays
Don't miss the fun Sundays at the Bottleneck with our own twisted version of KARAOKE.
Deriving its name from two words, kara "empty/void", and okesutora "orchestra", karaoke has been taking the world by storm since it became popular in Japan in the early 1970's.
Come show off your singing skills (or lack thereof!) with your friends as you belt out "Back in Black", sing to your sweetie or test your vocal range with a little Nina Simone.
With our vast catalogue of music, there's something for everyone's taste and range. And don't worry, we'll help loosen those lips with cheap drink specials that'll have you crooning in no time! (Sundays at 11, after Smackdown! Trivia, unless previously scheduled event has been booked.)
Sunday is also our Service Industry Night. So all bartenders, waitresses, cooks, dishwashers, doormen & hostesses are encouraged to join in the FREE fun.
Karaoke is FREE for over 21 year olds and only $3 for under 21.
Drink specials: $1.75 draws, $2.50 well drinks
PARTY ROCK
from Beaumont, Texas
The Dead Girls (formerly Dead Girls Ruin Everything) is the white-hot super group formed from the molten ashes of Ultimate Fakebook and Podstar, two defunct bands that were staples of the Lawrence and Kansas City power-pop sound. Guitarists/singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar driven attack and blissful vocal harmonies with the precise rhythmic assault of drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook, creating a raw and infectious rock sound with as much of an emphasis on melody as there is on rip-roaring guitar licks.
Live karaoke full of Emo and Pop Punk Music hosted by, SOVEREIGN STATES.
The Bottleneck's Monday-night house band, Sovereign States, remembers '90s rock for you — and with you. If you've ever wanted to sing a 10- or 15-year-old pop-punk hit in person with musicians, write the words on your hand and get up there. " 'Devotion and Desire' by Bayside, 'My Friends Over You' by New Found Glory and 'Cute Without the E' by Taking Back Sunday are really popular with the crowd," says the States' Quinn Brabender. If you're ready to shine, e-mail Brabender at sovereignstatesband@gmail.com before Monday, or show up at the Bottleneck (737 New Hampshire, Lawrence, 785-841-5483) a little early to sign up.
ALL KILLER, NO FILLER
If you're a fan of obscure horror films, then you've experienced extreme boredom. You've sat through lame red herrings, endless chase scenes, shower scenes with NO nudity, and all the talking and talking and talking... just for those very rare magical moments that only these films can provide.
Horror Remix takes forgotten horror classics and slices them down to a power-packed themed anthology. We dig through hours and hours of cinema boredom to find those magical moments that make obscure horror so amazing.
Smooth Steady and Cool best Decribes the sounds of Lex Norwood! Kansas Born, Lawrence native brings mellow sounds to you with debut album "Behind The Shadows".
The Phantastics are a eight member musical ensemble that specializes genre-blending hip-hop. Expect to hear rock, rap, dance, funk, jazz and soul in our music. We were formed in December of 2010 and have been trying to save live music ever since.
thePhantom*- Lead Spokesman/Vocals / Bowties
Leigh Gibbs - Vocals/ Soul Sista lovin'
JJ Cantrell- Lead Guitar/ Vocals/ Nipples
Danny Florez- Elictric Bass/ Vocals/Kill Streak
Ashley Thompson- Drums / Twizzlers
DJ Mitchell- Saxophone/ Karate chops
Tim Pistone- Percussion / loaded brownies
ZSonic Bailey- DJ / busted ear drums
Austin Quick-Keyboard / Bee Gee
Kansas City, Hip Hop
During the sumer before our 7th grade year Sam, Griffin and, Cooper met through mutual friends. We didn't really take it seriously until around March 2012. Then we got serious about it and played our first show in May that year. Since then we've become a lot better and even changed our genre. We started as a pop-punk band and slowly changed our genre into what it is now.
Although we are a band of young members (all of us are 14) we've been complimented many times by strangers on how good we are for our age. So don't judge a band by their age! The one thing that makes us madder than anything else is when people assume we suck because of our age and don't ever give us a chance to prove that we aren't too bad (no arrogance intended). We have an ep entitled "You're No Better" available for $3. And this summer we will be recording a full length album!
LFDF 2! at Bottleneck (737 New Hampshire)
Thursday Jul 11 / Friday Jul 12 / Saturday Jul 13
Lawrence, KS
Schedule & Ticket info coming soon!
Full lineup:
Radkey
Cloud Dog
BaioWolf
Y[our] Fri[end]
Bloodbirds
Pale Hearts
Black on Black
Brain Food
Schwervon!
Many Moods of Dad
Millions of Boys
Histories
Going to Hell in a Leather Jacket
Gentleman Savage
Man Bear
JOCKS
Something and the Whatevers
The Travel Guide
Scruffy and the Janitors
Musicians:
* Sean Wilson: Keyboard, Vocals
* Rob Schulte: Keyboard, Vocals
* Zach Clancy: Drums, Guitar
Formed:
2006 in Lawrence, KS
Influences:
Stevie Wonder, Kenny Loggins, Cannibal Corpse
LFDF 2! at Bottleneck (737 New Hampshire)
Thursday Jul 11 / Friday Jul 12 / Saturday Jul 13
Lawrence, KS
Schedule & Ticket info coming soon!
Full lineup:
Radkey
Cloud Dog
BaioWolf
Y[our] Fri[end]
Bloodbirds
Pale Hearts
Black on Black
Brain Food
Schwervon!
Many Moods of Dad
Millions of Boys
Histories
Going to Hell in a Leather Jacket
Gentleman Savage
Man Bear
JOCKS
Something and the Whatevers
The Travel Guide
Scruffy and the Janitors
Radkey is a punk band from St. Joseph, Missouri made up of three teenage brothers: Dee, Isaiah, and Solomon. Inspired by the music they grew up listening to such as the Misfits, Ramones, the Who, and Death, the self taught trio decided to form a band. They had the pleasure of opening for Fishbone, Local H and Supersuckers and performed at the 2012 Afro-punk Festival in Brooklyn NY as well as playing an official 2013 SXSW showcase.
LFDF 2! at Bottleneck (737 New Hampshire)
Thursday Jul 11 / Friday Jul 12 / Saturday Jul 13
Lawrence, KS
Schedule & Ticket info coming soon!
Full lineup:
Radkey
Cloud Dog
BaioWolf
Y[our] Fri[end]
Bloodbirds
Pale Hearts
Black on Black
Brain Food
Schwervon!
Many Moods of Dad
Millions of Boys
Histories
Going to Hell in a Leather Jacket
Gentleman Savage
Man Bear
JOCKS
Something and the Whatevers
The Travel Guide
Scruffy and the Janitors
AN EXPERIMENTAL DIY MUSICAL VENTURE through Psychedelic Electronic Tribal Dance Pop Euphoria. We're alive and you're alive, that's something to celebrate.
Since forming in 2007, The Revivalists have earned their standing among the best original bands in New Orleans. The group's blend of soulful, syncopated rock and earnest songwriting comes to life through a meticulously crafted ever-evolving live performance. In 2011 they were named Best Emerging Artist at Gambit Magazine's Big Easy Awards. The band is proud to be a part of New Orleans' growing independent, original music scene.
For more go to: http://www.therevivalists.com/about.html
Emerging from the Pennsylvania music scene, from the outskirts of the City of Brotherly Love, is the phenom band known as Flux Capacitor.
Their fiery, distinct sound has catapulted the group with lightning speed into the National Music Scene.
This band of brothers consistently inspire and evoke a new and wildly addicting sound resonating with elements of rock, improvisation and electronica.
They redefine musicality with positive prophetic vocals, complex guitar work, innovative keys/synths/bass stylings, with feverish
syncopated drum rhythms. Performances at every show dubbed "Encounters" are filled with improvisation, musical segways, spontaneous covers, and teases creating a one of a kind experience. The brothers are clearly devoted to current affairs, the future of the world, their craft and their fans. Their intense playing feels almost effortless and is charged by a higher power. Their electric vibe transcends the stage and extends into the crowd creating a magical musical ambience of jamming on tribal proportions. Flux has adopted a freer sylistic element of music that embraces and engages their audiences.
Flux has traveled the east coast, mid-west, south-east and Canada. Headlining festivals, clubs and a plethera of venues. Their new cd "Monolith" was recorded with Jack Endino in Seattle Washington, famed for recording with many of the great acts of the last century, Nirvana, Pearl Jam, Soundgarden and more.
The band has shared the stage with Umphrey's Mcgee, Keller Williams, Railroad Earth, Rusted Root, Papadosio,The New MasterSounds,Tea Leaf Green, Karl Denson`s Tiny Universe, Conspirator, Stanton Moore,JGB, David Grisman Quartet, Ivan Nevilles Dumpstaphunk, Kung Fu, Splinterd Sunlight, DangerMuffin and Lukas Nelson to name a few!
Flux has an exploding and loyal fan base which confirms that "When your in Music--Your in Flux"
Check out the all new
www.fluxcapacitorband.com
Those familiar with the decades-spanning oeuvre of Bob Mould—from his pioneering early ’80s work with Hüsker Dü to his solo work in singer-songwriter, electronic, and rock modes, to the deafening pop sparkle of Sugar—might expect a new album bearing the title Silver Age to be a somber and reflective set in the mode of his last album, 2009’s Life and Times…and they’d be way off the mark.
Silver Age is an intense and concise ten song blast far more reminiscent of Bob’s latter-day Hüsker Dü output—first marked by the monumental sprawl of 1984’s Zen Arcade which then gave way to the short, sharp pop focus of 1985’s New Day Rising—and his early ’90s tenure with Sugar, whose classic debut Copper Blue marks its 20th anniversary this year. That said, Silver Age is no nostalgia trip. Aside from lyrical content that shows Bob as in-the-now as ever, Silver Age came together quickly and organically in the wake of a series of electric solo dates in 2011 supporting Foo Fighters (where he guested each night on “Dear Rosemary,” the track from the Foos’ Wasting Light on which Bob shares writing and vocal duties) as well as a solo acoustic/book tour around last summer’s publication of See a Little Light: The Trail of Rage and Melody, the autobiography Bob co-authored with Michael Azerrad (Come as You Are, Our Band Could Be Your Life). These events culminated in a tribute last November at Los Angeles’ Disney Hall that featured the likes of Dave Grohl, Ryan Adams, Spoon’s Britt Daniel, and Craig Finn and Tad Kubler of The Hold Steady celebrating the width and breadth of Bob’s body of work.
“I’d been batting around the idea of another aggressive pop record for some time,” Bob says, “especially as the 20th anniversary of Copper Blue kept getting closer. But it was really the shows with Foo Fighters that got me thinking when I started writing for this record: Did I just write a Sugar song? Or a Foo Fighters song? Or one of my own songs? And does it really matter? Once I got that out of the way, it freed me up to have some fun and set about making a simple rock record.”
It’s no surprise, then, that Silver Age careens out of the speakers with a sense of exhilaration that reflects the excitement with which Bob and his live band of bassist Jason Narducy (Spl:t S:ngle, Verbow) and drummer Jon Wurster (Superchunk, the Mountain Goats) cranked out the record in a tight whirlwind of a window from in early 2012. But that’s not to say that Silver Age is a lighthearted romp—as ever, there’s plenty of dark matter at the center of these sweet melodic nuggets. First single “The Descent,” for example, is one of those perfect moments that lands firmly in the Mould wheelhouse, with walls of luminescent guitars, phantom choruses, and infectious hooks all leading toward the concluding refrain of “My world, it is descending.” The opening one-two of “Star Machine” and “Silver Age,” on the other hand, pairs abrasive riffs with equally harsh meditations on fame, immaturity, and the lessons and consequences thereof. Other Silver Age highlights include the bittersweet romantic epic “Round the City Square” (“It feels like people always look to my songs to help define their own failed relationships,” Bob laughs); the upbeat and earnest celebration of “First Time Joy”; and the unabashedly literal “Keep Believing,” a rousing love letter to the records that shaped Bob’s personal and professional life. Listen closely and see how many of the references you can pinpoint:
Bring me thoughts and words, pass me the revolver
I can see for miles, and everything’s in color
Rock and roll all night until I feel the thunder
I got a handle on some complicated fun
We’re all sniffing glue, pleasures so unknown
A circle drawn in blue, the murmur baritone
Picnic on a Pedro lawn, heaven took that monkey song
Never mind the battle won, could you be the loveless one?
“I don’t know if there’s an arc to this record,” Bob says. “But if I had to boil it down to one core idea, it would be: I love music. I love my life. I love what I do for a living. It’s right there on the lyric sheet; it references itself, really. More than any other record I’ve made, this one gives a real glimpse into how much making music means to me as a means of expression, as well as what music means to me as a fan.”
And so has it always been the case for Bob Mould, the music he’s created defining every phase of his life, both cataloging memories and propelling him ever forward: Hüsker Dü’s formation in 1979 and the hardcore anthems, tight, melodic, hard-pop chestnuts, and sprawling double-vinyl conceptual opuses it churned out in equal measure up to its dramatic 1987 flameout; Bob’s solo works ranging from his landmark 1989 debut Workbook to Black Sheets of Rain (1990), Body of Song (2005), District Line (2008), and Life and Times (2009); his forays into electronic music, including 2002’s Modulate and his Blowoff collaboration with Richard Morel; and of course, the soon-to-be-reissued body of work that Sugar packed into its brief existence, featuring the 1992 debut Copper Blue which Bob and his band have been playing front to back at recent live shows. It seems to be Bob’s summations and reflections on these major creative periods of his life and career that open up new wellsprings while coming to terms with the old works—a natural process that has produced winning results yet again in the form of Silver Age.
“It’s no coincidence that this record came at this point,” Bob says. “In 1991, closing the door on a run of all-acoustic shows led right into the beginning of Sugar and Copper Blue. So you could state a case that the solo shows accompanying the book readings through 2011—plus the Disney Hall show and knowing the 20th anniversary of Copper Blue was right around the corner—wrapping that all up led me right into Silver Age. I’m well aware that there’s no way to get into a time machine and go back to being the person I was 20 years ago, but it is nice to get three musicians in the studio together and get back inside that three-minute pop song structure again.”
Elephant Revival is a soulful, seductive quiver of songwriters and multi-instrumentalists that reign from points all across America. Since Oct 06' Daniel Rodriguez, Bonnie Paine, Dango Rose, Sage Cook and Bridget Law have herded in a greatly applauded neo-acoustic gyptic revival at festivals, theaters, clubs and house concerts from the Pacific coast to the rolling hills of New England. The Revival plays entirely original music with a few carefully chosen traditionals and eclectic cover tunes but their precise genre is hard to pin down. As independent film director Mikey Eberle elaborates, "When I hear Elephant Revival I am struck by my inability to define it. I am forced to confront the music as it is, connecting to it with a virgin spirit of mind. Consequently it feels like I am experiencing music and all its joys for the very first time."
Each Elephant possesses remarkable vocal abilities which are highlighted during every performance. The individual members carry a vast amount of talent and are all multi-instrumentalists. Daniel Rodriguez plays a distinctive finger-style acoustic guitar and banjo. Bridget Law is a high elevation fiddle champion who regularly teaches and plays in Scotland. Dango Rose is solid as a rock on the upright bass and adds nice texture on the mandolin. Sage Cook is a shredding instrumentalist who plays the electric banjo, electric guitar, mandolin and upright bass. Bonnie Paine's innovative washboard and percussion style has inspired a new generation of folk-percussionists. Her playing transcends the Cajun, Bluegrass and Latin conventions usually associated with the instrument. Occasionally she will bow an eerie yet angelic line out of the musical saw. Her voice has been compared to the likes of Natalie Merchant and Grace Slick, but the calm power which fuels her voice is beyond explanation. Her vocal prowess is hauntingly beautiful.
Individually and collectively the band members have performed with some of the most prolific performers of our time including Bela Fleck, John Paul Jones, Michael Franti, Little Feat, George Clinton & Parliament Funkadelic, Yonder Mountain String Band, Leftover Salmon and Railroad Earth amongst countless other great and talented contemporaries. In 2008 Elephant Revival played a handful of great festivals including Joshua Tree Roots Festival, Yellowstone Music Festival, Yarmony Grass, Mulberry Mountan Harvest Fesival, Mackinac Island Festival, Oyster Ridge Bluegrass Festival, Sawtooth Music Festival, Desert Rocks, Nederland Music and Arts Festival, et al... In July 08' the band released their debut album produced by long-time collaborator and friend David Tiller (ThaMuseMeant, Taarka). The album has received high praise on an international level. Its new-age sound has garnered Elephant Revival the reputation as a "Transcendental Folk" outfit.
The Steel Wheels have captured audiences across the country with their heady brew of original soulful mountain music and their deep commitment to roots and community. Based in the Blue Ridge Mountains of Virginia, this dynamic four-piece string band marries old-time musical traditions with their own innovative sound and lifestyle, generating a truly magnetic revival.
The Steel Wheels is an amalgamation of hard work and easy rapport. The band is renowned for their raw energy and chemistry on stage, where they often cluster tightly around a single microphone to adorn Trent Wagler’s unmistakable tenor with bell-clear four-part harmonies inspired by their shared Mennonite heritage. Add to this Eric Brubaker’s lively and evocative fiddle, Brian Dickel’s grounded yet buoyant upright bass, and Jay Lapp’s signature mandolin style, and it’s no surprise that The Steel Wheels have enthralled the contemporary Americana scene.
Their breakout album, Red Wing, garnered critical praise and enjoyed tremendous success on the radio. It spent 13 weeks on the Americana Music Association’s Top 40 Chart, where it reached the number 15 slot, and cracked the Euro Americana Chart top 10. Red Wing ranked 70th out of the top 100 Americana albums of 2010 and second out of all independent releases (Americana Music Association). The Steel Wheels were nominated for five Independent Music Awards in 2010, with “Nothing You Can’t Lose” taking top honors as Best Country Song. The Steel Wheels continue to take the Americana scene by storm with their latest album, Lay Down, Lay Low, which lingered for 10 weeks on the AMA’s Top 40 Chart. NPR named “Rain in the Valley” their Song of the Day, marveling that the “heavy hymn […] is sparse and dense all at once.” Already celebrated as the darlings of Merlefest 2012, the band looks forward to further accolades during a phenomenal festival line-up.
As the band thrives, so do their partnerships with local businesses, artisans, and charitable organizations. The values portrayed in their music—devotion to roots, community, and family—are a way of life for The Steel Wheels, and this is reflected in everything from production process and booking agency to merchandise and touring. For the past three years, they have performed an annual SpokeSongs bicycle music tour, during which band members tow their instruments, equipment, and merchandise from one gig to another via bicycle and blog about their adventures. Last year’s tour spanned 11 days, 550 miles, and 10 shows. This year’s tour included multiple charity rides, such as Lose The Training Wheels, Charity Ride for Kids, and Wheels Up for Cory.
The band’s merchandise represents a host of grassroots connections to people and businesses. Lucas Roasting Company, located just outside of Harrisonburg, created “Halfway to Heaven” dark roast coffee in honor of their friends The Steel Wheels. Blue Mountain Brewery, located on Afton Mountain in Virginia, hosted the band when they were just getting started and now sells a “Steel Wheels ESB.” The Livery’s master brewer rode with the band on their second bike tour and, soon after, created their “Steel Wheels Stout.” The band’s T-shirts are made in downtown Harrisonburg, and a potter who is a childhood friend of Jay’s makes their mugs. Each business is local for the band, and each product is intimately woven into their narrative. The Steel Wheels are proof that music remains a viable and sustaining force for connection in our world.
Americana/Folk Rock band from Kansas City, MO
Drew Holcomb is an American singer and songwriter who grew up in Memphis, Tennessee, and now calls East Nashville, Tennessee home. Holcolmb's wife, Ellie, performs alongside him in the band, Drew Holcomb and the Neighbors. Holcomb earned a considerable following after his 2005 album, Washed in Blue, was released and had multiple TV placements on Lifetime's Army Wives and Showtimes's United States of Tara, and A&E's The Cleaner. Holcomb and his band, The Neighbors, joined by his wife and singing and songwriting partner Ellie Bannister Holcomb, daughter of Brown Bannister, then recorded 2008's Passenger Seat.
Holcomb has gained most of his following with a heavy touring schedule, headlining regionally in the Southeast, and opening for National acts such as Susan Tedeschi, Ryan Adams, Los Lobos, Jon McLaughlin, The Avett Brothers, Robert Earl Keen, Marc Broussard, Dave Barnes, and Matt Hires. Holcomb is signed to Brite Revolution, alongside other independent Nashville acts Katie Herzig, Matthew Perryman Jones, Griffin House, and was also featured on Paste Magazine's November 2009 Sampler CD. In the fall of 2009, Holcomb appeared alongside Pat Green, Billy Joe Shaver, and Darryl Worley on the TV show, Legends and Lyrics.
Hey everyone! This awesome new website allows for a lot more interaction! Just one way we want to talk with you is by inviting you Bottleneck fans to post your concert wishlists here.
To start, here are a few bands I can think of off the top of my head that I would love to see at the Bottleneck:
Just to name a few.
Tell us what bands you think should play at the Bottleneck! Can’t wait to hear from you!
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