8/23

Amanda Fish

All Ages | 7 pm

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Amanda Fish

Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda's signature 'from-the-gut' vocals locked into a sturdy groove.

In 2015, she released her first LP, "Down In The Dirt", on VizzTone Label Group, for which she was awarded the 2016 "Sean Costello Rising Star" Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.



    8/24

    Chuck Mead & His Grassy Knoll Boys

    Ricky Dean Sinatra

    All Ages | 7 pm

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    Chuck Mead & His Grassy Knoll Boys

    He‟s been known as the co-founder of the three-time Grammy nominated BR549, the honky-tonk
    heroes that almost single-handedly lit and carried the blowtorch for the mid-„90s alternative country
    explosion. He‟s been hailed as „The Hillbilly Renaissance Man‟ for his subsequent successes as a
    songwriter, performer, producer and musical theater director. Now after more than a decade as one of
    the most uncompromising and consistent talents in the American roots music movement, Chuck
    Mead at last emerges with the most anticipated role of his entire career: Solo Artist.
    With Journeyman’s Wager, Chuck Mead throws down the gauntlet with an album that defies all
    sonic expectations while re-defining his position as one of the hardest-working artists in the business.
    “I respect the term „journeyman‟,” Mead says, “because that‟s I what consider myself. I‟ve been living
    by my wits musically for more than 20 years now, going from job to job and doing them all pretty well.
    Certainly there‟s a hustle to what I do, but there‟s always been a gambling aspect to it, too. With this
    album, it‟s finally all me going all-in. It‟s a record that challenges listeners in a good way. Best of all,
    I‟ve challenged myself.”
    Produced by Grammy-winner Ray Kennedy, the eleven tracks on Journeyman’s Wager embody not
    only the core of country music, but also the pulse of pop, R&B, hillbilly rock, Gospel and beyond. “Why
    be confined by barriers or genres?” Chuck asks. “As far as I‟m concerned, it‟s all American Music.
    These are the sounds that made up my musical vocabulary. I still believe that American Music is
    about real things, good stories and unique songs. And I‟m willing to bet that most everyone else does,
    too.”
    “It‟s hard to believe that it‟s taken him this long to make a solo record,” says producer/engineer Ray
    Kennedy, best known for his work on classic albums by Lucinda Williams and Steve Earle. “What sets
    Chuck apart from so many artists is that he‟s a genuine hard-working, blue-collar performer. I hate the
    word „old-school‟ but we didn‟t want this album to sound like a lot of modern records where everything
    is over-tweaked and perfect. We knew we had to make it intimate and real.” Kennedy recorded the
    entire album analog on two-inch tape, in a studio full of both state-of-the art and vintage equipment
    that included „60s tube microphones, a Vox Continental organ, and a badass band that featured
    Kenny Vaughn (Marty Stuart), Audley Freed (The Black Crowes), Mark Miller (BR549), Mark Horn
    (The Derailers), Dave Roe (Johnny Cash), Mike Henderson (The SteelDrivers), Pat Sivers (The
    Everly Brothers) and Jen Gunderman (The Jayhawks). “Chuck is the same in the studio as he is on
    stage,” Kennedy explains. “He loves working without a net. There are a lot of multiple voices singing
    into one microphone and the band playing together in one room. Most of all, it‟s an album that really
    represents his worldview song-wise. It has humor, intelligence, sarcasm, a bit of politics and a lot of
    spontaneity. Plus he‟s singing his ass off. Chuck doesn‟t have a model; he really is a journeyman in
    that songwriting and entertaining is his life.”
    For Mead, life and music have always been irrevocably intertwined. “I joined my first band at 12 years
    old,” he explains with a laugh. “Ruint me forever.” Throughout his 20s, he led several groups in and
    around his hometown of Lawrence, Kansas, including the popular Mid-western cult band The
    Homestead Grays. By the early „90s, Chuck found himself as an itinerant musician on Nashville‟s
    then-seedy Lower Broadway. It was a place in time where a performer armed with only the vision of a
    sonically relentless hillbilly band with nothing to lose could try anything. Within months, Mead cofounded
    a quintet that began playing must-see marathon sets in the front window of bar/bootery
    Robert‟s Western World. Seven albums, three Grammy nominations and millions of worldwide fans
    later, BR549 would become one of the most improbable success stories of the past decade.
    “BR549 is on extended hiatus,” Chuck now says. “We were – and remain – a family, and taking a
    break from each other will make us miss each other more. We survived the highs, the lows and all the
    hype, and we still had fun making music we love. But it was also time for me to do my own thing.”
    With the exception of occasional reunions on Prairie Home Companion (at the behest of longtime fan
    Garrison Keillor) and benefits for favorite charities, Mead‟s post-BR career soon became known as
    much for its continued integrity as for its eclecticism. He founded the touring collective The Hillbilly All-
    Stars featuring members of The Mavericks, co-produced acclaimed tribute albums to Johnny Cash
    and Waylon Jennings, guest-lectured on „The Sociology of Modern American Culture‟ at Vanderbilt
    University, and became a staff writer at one of Nashville‟s top song publishers. In 2007, he was
    named Musical Director of Million Dollar Quartet, the new hit stage musical based on the night in 1956
    that Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley came together for an impromptu
    jam session. “It‟s been incredibly liberating to do all these things I‟ve never done before,” Chuck says.
    “But most of all, I wanted to call my own shots and make a record that mattered.”
    Ten of the eleven tracks on Journeyman’s Wager are co-written by Mead, who‟d spent the past year
    working with such idiosyncratic and award-winning songwriters as Tia Sillers, Bobby Huff, Greg
    Crowe, Patrick Davis, Angeleena Presley, Mark Collie and Jon & Sally Tiven. The album roars out of
    the gate with the twanging highway stomp of “Out On The Natchez Trail”, and runs head-on into the
    sinister mystery of “Gun Metal Grey”. The horn-powered “She Got The Ring (I Got The Finger)” is a
    sly nod to Jerry Reed‟s “She Got The Goldmine (I Got The Shaft)”. There‟s classic country-pop
    wisdom in “Albuquerque”, gentle insight in “Up On Edge Hill”, and hard-driving good times in “I Wish It
    Was Friday”. “A Long Time Ago” is a paean of pedal-steel regret, while “After The Last Witness Is
    Gone” is a bold testimonial that‟s equal parts honky-tonk and roadhouse rocker. “In A Song” may be
    the album‟s genuine showstopper, a gloriously sanctified testament to the Everlasting Church Of
    Music. The disc‟s sole cover is a fiery version – complete with yodeling – of George Harrison‟s “Old
    Brown Shoe”, the obscure Beatles b-side from “The Ballad Of John & Yoko”. The album closes with
    the assured shuffle-funk of “No Requests”, a song whose chorus is a potent statement of purpose
    from an artist who is now truly his own man.
    “Even when BR549 were being called a throwback act, we never allowed ourselves to be classified,”
    says Chuck. “The key was to always bring something new to everything we did. Today my slate is
    cleaner than ever before. This album is all me, doing what comes naturally.” For Chuck Mead, the
    time has come for one of Americana‟s most uncommon artists to finally step out, step up and be
    heard on his own unique terms. And in a game where sure bets are rarely the real deal, one
    singer/songwriter/performer is again unafraid to lay it all on the line. “I mean everything I say on this
    album,” Chuck Mead says. “You can tell it with a wink and a smile, but it‟s still the truth. And the truth
    is that Journeyman’s Wager is the culmination of everything I‟ve learned. These are my decisions.
    This is my music.”

    OUR LINKS


    Ricky Dean Sinatra

    MORE INFO COMING SOON!



      8/27

      Gutter Demons

      Ghost of Grandads Past

      All Ages | 7 pm

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      Gutter Demons

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        Ghost of Grandads Past

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          8/30

          Unmerciful

          Gravehuffer
          Bleed The Victim

          All Ages | 8 pm

          Unmerciful

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            Gravehuffer

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              Bleed The Victim

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                8/31

                Una Walkenhorst Band

                Teri Quinn and Friends
                Hannah Norris & The Band

                All Ages | 8 pm

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                Una Walkenhorst Band

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                  Teri Quinn and Friends

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                    Hannah Norris & The Band

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                      9/6

                      The Phantastics

                      with special guest
                      Duncan Burnett x RIOT

                      All Ages | 8 pm

                      The Phantastics

                      The Phantastics are a eight member musical ensemble that specializes genre-blending hip-hop. Expect to hear rock, rap, dance, funk, jazz and soul in our music. We were formed in December of 2010 and have been trying to save live music ever since.

                      thePhantom*- Lead Spokesman/Vocals / Bowties
                      Leigh Gibbs - Vocals/ Soul Sista lovin'
                      JJ Cantrell- Lead Guitar/ Vocals/ Nipples
                      Danny Florez- Elictric Bass/ Vocals/Kill Streak
                      Ashley Thompson- Drums / Twizzlers
                      DJ Mitchell- Saxophone/ Karate chops
                      Tim Pistone- Percussion / loaded brownies
                      ZSonic Bailey- DJ / busted ear drums
                      Austin Quick-Keyboard / Bee Gee

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                      with special guest

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                        Duncan Burnett x RIOT

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                          9/7

                          Fruition

                          TK & The Holy Know-Nothings

                          All Ages | 7 pm

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                          Fruition

                          Fruition
                          Jay Cobb Anderson (vocals, lead guitar, harmonica) / Kellen Asebroek (vocals, rhythm guitar, piano) / Mimi Naja (vocals, mandolin, electric & acoustic guitar) / Jeff Leonard (bass) / Tyler Thompson (drums, banjo)


                          On their fifth full-length, Watching It All Fall Apart, Fruition transform pain and heartache into something truly glorious. With their songwriting sharper and more nuanced than ever before—and their sonic palette more daringly expansive—the Portland, Oregon-based band’s full-hearted intensity ultimately gives the album a transcendent power.

                          “The songs are mostly breakup songs,” says Asebroek. “There was love and now it’s gone—we fucked it up, or some outside circumstance brought it to an end. It’s about dealing with all that but still having hope in your heart, even if you’re feeling a little lost and jaded.”

                          In a departure from their usual DIY approach, Fruition teamed up with producer/mixer Tucker Martine (My Morning Jacket, The Decemberists, First Aid Kit, case/lang/veirs) to adorn their folk-rooted sound with delicately crafted elements of psychedelia and soul. Showcasing the sublime harmonies the band first discovered during an impromptu busking session in 2008, Watching It All Fall Apart also finds Fruition more fully embracing their rock-and-roll sensibilities and bringing a gritty vitality to each track. “We’ve been a band almost ten years now, and we’re at the point of being comfortable in our skin and unafraid to be whatever we want as time goes on,” Anderson notes.

                          Recorded in ten days at Flora Recording & Playback in Portland, Watching It All Fall Apart came to life with the same kinetic urgency found in Fruition’s live sound. “It’s kind of an impossible task, this idea of transmuting the live energy into something you can play on your stereo, but I feel like this record comes close to that,” says Asebroek. At the same time, the band pursued a purposeful inventiveness that resulted in their most intricately textured work to date. “Tucker helped us push ourselves to create something that glistens in subtle little ways that you might not even pick up on at first,” says Asebroek. “We got to play around with all this analog gear and these weird old keyboards we wouldn’t ordinarily use, like a bunch of kids in a toy store where everything is free.”

                          On lead single “I’ll Never Sing Your Name,” that unrestrained creativity manifests in a fuzzed-out, gracefully chaotic track complete with sing-along-ready chorus. Built on brilliantly piercing lyrics (“And all those kisses that you were blowing/Somehow they all got blown right out”), the song echoes the album’s emotional arc by painfully charting the journey from heartache to acceptance. “It’s about going through a breakup, moping around, and then finally getting to the point where it’s like, ‘Okay—I’m done with feeling this way now,’” says Anderson.

                          Throughout Watching It All Fall Apart, the band’s let-the-bad-times-roll mentality reveals itself in ever-shifting tones and moods. On the stark and sleepy “Northern Town,” Naja’s smoldering vocals channel the ache of longing, the track’s twangy guitar lines blending beautifully with its swirling string arrangement. One of the few album cuts to have already appeared in Fruition’s setlist, “There She Was” sheds the heavy funk influence of its live version and gets reimagined as a shimmering, soulful number documenting Asebroek’s real-life run-in with an ex at a local bar. Meanwhile, “Turn to Dust” emerges as a weary but giddy piece of psych-pop chronicling the end of a failed romance. The song’s opening lyric also lends the album its title, which partly serves as “a commentary on the general state of the world today,” according to Asebroek. “Even if you’re mostly an optimistic person, it’s hard not to feel down when you look at all the insanity happening right now,” he says.

                          While those unflinchingly intimate breakup songs form the core of Watching It All Fall Apart, Fruition infuse an element of social commentary into songs like “FOMO” as well. Written on the Fourth of July, with its references to wasted white girls and cocaine cowboys, the mournful yet strangely reassuring track unfolds as what Anderson calls “an anti-party party song.” “It’s about one of those situations where you said you’d go to party but you really don’t want to go, because you know it’s going to be the same old bullshit,” he says. “The song is a call to defuse that guilt in your brain.” And on the sweetly uplifting “Let’s Take It Too Far,” the band offers one of the album’s most purely romantic moments by paying loving tribute to music as solace and salvation (“But don’t you worry ’bout dyin’/’Cause there’s no better way to go/We’ll sing until we’re out of honey/Then pour the gravel down our throats”).

                          From song to song, Fruition display the dynamic musicality they’ve shown since making their debut with 2008’s Hawthorne Hoedown LP. Through the years, the band has evolved from a rootsy, string-centric outfit to a full-fledged rock act, eventually taking the stage at such major festivals as Bonnaroo and Telluride Bluegrass (a set that inspired Rolling Stone to praise their “raucous originals filled with heartfelt lyrics and stadium-worthy energy”). Following the release of 2016’s Labor of Love, Fruition again made the rounds at festivals across the U.S., prompting Rolling Stone to feature the band on its “8 Best Things We Saw” at DelFest 2016.

                          In choosing a closing track for Watching It All Fall Apart, Fruition landed on “Eraser”—a slow-building, gently determined epic delivering a quiet message of hope in its final line: “Let it help you heal.” “Because there’s so much heartbreak on this album, we wanted to end on Kellen singing that last line very sweetly,” explains Anderson. “The whole point of having all these sad songs is helping people to let those emotions out—and then hopefully when they get to the end, they feel a little better about everything they’ve gone through along the way.”

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                          TK & The Holy Know-Nothings

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                            9/13

                            Matt Wilson & His Orchestra (from Trip Shakespeare)

                            All Ages | 7 pm

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                            Matt Wilson & His Orchestra (from Trip Shakespeare)

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                              9/14

                              Kublai Khan

                              Orthodox

                              All Ages | 6:30 pm

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                              Kublai Khan

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                                Orthodox

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                                  9/15

                                  Vein

                                  Soft Kill
                                  Higher Power
                                  Modern Color

                                  All Ages | 7 pm

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                                  Vein

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                                    Soft Kill

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                                      Higher Power

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                                        Modern Color

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                                          9/20

                                          jackLNDN

                                          Jeffery Bass

                                          All Ages | 8 pm

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                                          jackLNDN

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                                            Jeffery Bass

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                                              9/21

                                              Radkey

                                              with special guests:
                                              Wick & the Tricks
                                              The Many Colored Death
                                              PLUS MORE (SEE BELOW)

                                              All Ages | 7 pm

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                                              Radkey

                                              It wouldn’t be hard to make the argument that rock and roll in its purest form is pretty much a teenage fantasy writ large. Like a blacklight poster sprung to life, the lure of picking up a guitar that will transform your adolescent bedroom into an arena filled with screaming fans and pot smoke is the myth that keeps rock and roll forever young, and it’s a kind of dream narrative that has keeps getting re-told, whether it’s The Byrds’ “So You Want To Be A Rock-N-Roll Star” or about half the tracks on Weezer’s blue album, the burning adolescent desire to nothing less than fucking rock is the very thing that makes rock music a constantly renewable resource—and it’s also what makes Radkey—a trio of power riffing brothers—such a classic kind of rock and roll phenomenon.

                                              Formed in the quiet enclaves of St. Joseph Missouri, the trio of 20 year-old Isaiah Radke (bass), 18 year-old Solomon Radke (drums), and 22 year-old Dee Radke (vocals/guitar) began making music together in 2010. Fueled by a steady diet of Nevermind and small town boredom, Radkey’s music quickly went from a bedroom hobby into a full-time pursuit. The band opened for Fishbone in 2011 – less than a year after first playing together – and eventually headed out on the road to play shows with the likes of Red Fang, Against Me, and Touche Amore. Given that the band members were homeschooled (and thanks to their incredibly supportive parents), the idea of jumping in the family van and hitting the road gradually morphed from a kind of surreal fantasy into a much-celebrated reality. In 2013 the band unleashed two EPs (Cat And Mouse and Devil Fruit) and knocked out tons of big-ticket live appearances (including Riot Fest, Download, and, in 2015, Coachella and Japan’s Punksping) in addition to taping a memorable spot for Later with Jools Holland. Though early press on the band often focused on their unconventional backstory—a rock band comprised of three homeschooled African-American teenagers from Missouri—the band’s backstory was always eclipsed by their incendiary live sets: balls-to-the-wall garage punk that is messy, explosive, and crazy loud.

                                              “The last couple of years have been really crazy,” says Isaiah, the group’s most outspoken member. “Traveling in England in Europe was really cool for us. It’s incredible—and such a weird feeling—that you are doing something that is actually important to people. To travel to other countries and see people singing along with us is just…it’s really strange. I never thought our music would become a thing that could take us to all of these places.”

                                              After nearly five years of playing and touring together as a band, all of the Radkey’s hard work comes full circle on Dark Black Makeup—the band’s full-length debut. Recorded primarily in the UK alongside producer Ross Orton (Arctic Monkeys, The Fall, Jarvis Cocker), the album is a blistering punk opus—13 tracks that show off the band’s knack for combining stadium-sized riffs with surprising pop sensibilities. Tracks like “Love Spills” and “Evil Doer” rank among some of the best—and hookiest—songs the band has ever written, while tracks like “Le Song” and the album’s title track show just what an unstoppable live juggernaut the band has become. The songs are both tightly wound and explosively huge-sounding “We wanted to show people that you can still make a proper rock record,” explains Isaiah, “Something that is both super catchy and super heavy. We want people to hear it and think Fuck Yeah! Mostly we just try and only write songs that we love—that we love the shit out of—and that way it never gets boring and it never feels like a drag to play them live even if we’ve been playing them for years. It seems like a simple thing, but we really just want to make the music that we want to hear.”

                                              Dark Black Makeup tackles more than a few teenage tropes—boredom, anger, girl problems, broken friendships—but does so in a way that is not only clever, but also refreshingly honest. No where is this more evident than on the record’s title track, which itself is a kind of high-decibel wake up call for young people to take ownership of their own lives: a sort of punch in the face for teen angst that is made all the more visceral coming from three musicians just barely out of their own teen years. “That song is about how much of your teenage years can just be such a waste,” says Isaiah, “If you spend all of your time not caring about anything just because you think you’re not supposed to then you’re probably leading such a boring life. You could be partying or making something, as opposed to just spending all your time worrying about what other people think. It’s like, wake up. Hang out. Do something. It’s annoying that you can’t necessarily change the fucking world at that age, but you can make your own situation better. Stop wasting time”

                                              Five years in and the brothers Radkey are happy to be making a musical statement that will hopefully put to rest a few of the preconceptions that have followed them throughout their career thus far—namely those based around their age, their hometown, and race. “Surprisingly that—the racial thing—hasn’t been a factor for us,” says Dee. “Honestly, it’s never been about that. Mostly we get given a hard time about our age, but that’s also something we can’t really change. We might walk into a venue and feel like people are taken a little bit by surprise when they see us, but usually after we play all of that stuff kind of goes away. We get a lot of questions about being brothers—like, do we argue?—and it’s a good question I guess, but the answer is no, we don’t really argue very much. And yes, we all write the songs together—everyone writes—so it’s not a thing we really spend too much time thinking or talking about it.”

                                              The ambition of Dark Black Makeup is evidenced by the heightened songwriting and broadened sonic palette, but the energy behind the music remains the same—visceral, urgent, and raw. It is the sound of three people doing what they love…loudly. “Our only ambitions have ever really been to make a record that people will love and to be able to play as many shows as we can,” says Isaiah, “It’s also a personal journey. We’ve been living this for years now. This is literally all that we do and the record is the evidence of that. I stop and think, man I’m 20 years old and I’ve been doing this since I was basically 14. We’re still making the same kind of music we were when we started, but we’re better at it now. Thankfully, we’ve had the opportunity to actually go out into the world and experience some real shit, which gives us something to write about now. We just want people to listen. And play it really loud.”

                                              OUR LINKS


                                              with special guests:

                                              MORE INFO COMING SOON!



                                                Wick & the Tricks

                                                MORE INFO COMING SOON!



                                                  The Many Colored Death

                                                  The Many Colored Death is a hard rock trio based out of Columbia, Missouri. With influences ranging from Sabbath and King's X to Muse and RATM, they've forged a sound uniquely theirs, while not wholly unfamiliar. Described by one fan as "a silky mixture of 70's rock and early 90's grunge", The MCD are driven by a desire to make real, honest rock music for real rock music fans. Featuring a thundering rhythm section that would make Bonham and John Paul Jones proud, and a guitarist/vocalist who is equal parts Robin Trower, King Buzzo, and David Gilmour, their brand of rock is both quiet and loud, dark and light. A veritable yin yang of sound and emotion. Soulful lyrics and melodies float effortlessly over the pounding surf of complex polyrhythms and groove laden riffs.

                                                  To paraphrase Jimi Hendrix, we don't play loud so you can hear the music.

                                                  We play loud so you can feel it.

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                                                  The Sluts

                                                  The Sluts are a two-piece garage rock/punk/grunge act from Lawrence Fucking Kansas.

                                                  OUR LINKS


                                                  9/23

                                                  Horse Jumper of Love

                                                  Slow Mass

                                                  All Ages | 7 pm

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                                                  Horse Jumper of Love

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                                                    Slow Mass

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                                                      9/25

                                                      Supersuckers

                                                      All Ages | 7 pm

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                                                      Supersuckers

                                                      You’ve heard our name, you’ve seen our records, our t-shirts and our stickers. We’re probably the favorite band of someone you know and yet we’re still a mystery to you. Well my friend, that’s okay, I’m here to fill you in and help you to get to know the greatest rock-n-roll band in the world, The Supersuckers.

                                                      Our story is almost impossible to believe. This band is literally a human cartoon. We all grew up among the dead-ends and cactus needles of Tucson, Arizona and have known each other since grade school. We graduated from the same high school together at the same time (a school immortalized in our song “Santa Rita High”) and we chose to play in a band together because we liked to hang out together, not because we were great musicians or anything. I truly believe that a band is defined by their limitations, that what they can’t (or won’t) do is just as important as what they can do. I guess that, in this era of pre-fabricated, put-together-to-have-a-hit bands, we’re kind of an aberration and I gotta tell ya that that makes us smile a little every day.

                                                      We formed the band in 1988 and we were initially a five piece called The Black Supersuckers ( a name found in some quality “adult literature” we had laying around in our impeccably clean band house!), with me on bass, Dan “Thunder” Bolton and Rontrose Heathman on guitars, Dancing Eagle on drums and a lead singer by the name of Eric Martin. After firmly proving ourselves to be the best band in town we decided it was time to get out of Tucson and try our luck somewhere else. So we tossed a coin with heads as New Orleans and tails as Seattle. Tails it was and in May of “89 we packed up and went north.

                                                      We had no idea that Seattle was about to become “Rock Mecca USA”, we just wanted to go somewhere where we could wear our leather jackets a little more often. It was exciting and encouraging to see all of the great bands there, doing their own thing and making some kick-ass, aggressive rock-n-roll that we could relate to, so we started recording immediately. After some classic “creative differences” with our lead singer, we decided to try it as a four piece with yours truly as the singer (I was the only one who knew all the words) and The Supersuckers, as you may or may not know them today, were born.

                                                      Our first recordings as a four-piece wound up on various singles for small labels and then were compiled for a C.D. called The Songs All Sound The Same. (For the full story on these recordings I highly recommend picking up the re-issued version on our own label, Mid-Fi Recordings). But it was our live shows that caught the eyes of the good people at Sub-Pop Records and, after a particularly scorching show one night, they offered to put out our records. We said ,“Buy us some beer and you got a deal!” And our long and enduring rock-n-roll ride was officially under way.

                                                      Starting with 1992,s “The Smoke Of Hell”, we released a total of three rock records, one country record, split singles with Steve Earle and The Rev. Horton Heat, countless singles and a “best-of” double album (all on Sub-Pop,) then we put out what is considered to be our finest recorded moment to date “The Evil Powers Of Rock-n-Roll”(Koch/Aces & Eights) in late 1999. We’ve also been touring our asses off all over the world with bands like Mudhoney, Social Distortion, Bad Religion, The Ramones, Motorhead, The Toadies, The Butthole Surfers, The Reverend Horton Heat, The Dwarves and White Zombie. We’ve played a couple of Farm Aid shows and backed Willie Nelson on The Tonight Show. Our music has appeared in T.V. shows (Beverly Hills 90210), Movies (Baseketball, Hype) and commercials (Mountain Dew) as well as countless snow and skateboarding video compilations.

                                                      Throughout this entire time, our sole mission has been to create and perform timeless, quality music and get as many people as possible to hear it. That goal has never changed. The pursuit of that perfectly imperfect rock-n-roll moment is all we’ve ever been after. We’ve been doing this for well over a decade now and we’re just getting started.

                                                      2001 found us starting our own label; Mid-Fi Recordings. We’ve finally decided to take control of all of our affairs and have become a lean, mean, self managed, totally independent rock-n-roll machine. We’ve got the greatest fans in the world and no one cares more about them and our music than we do. Having our own label gives us the freedom to make more of our music available to them without the hassles of “the middle-man” worrying about things like “marketing” or “demographics”. Hell, these are just hard words. All we want to do is get some kick-ass music out to the people and with Mid-Fi we have been able to do just that. Our first release was a live country record entitled “Must’ve Been Live”, that came out in March, 2002. Since then, we have dug into our “private reserves” and released several singles of some our finest outtake stock (a habit we intend to keep). We’re also planning some split singles with other great artists, the first one being “Never Go Home” by The Hangmen b/w “Flyin’ Into The Mid-Day Sun” by the ‘suckers.

                                                      But, by far the most exciting thing we’re doing now is gearing up for the release of our new rock record, Motherfuckers Be Trippin’. It’s the perfect follow up to The Evil Powers Of Rock-N-Roll and will be available to rock your ass on April 22, 2003. We feel better about this record than any we’ve done to date, which is amazing for a band that has been around as long as we have, and we know you’ll dig it as much as we do. It truly seems like we’re just getting the hang of this music making thing!

                                                      So, the next time you see The Supersuckers name, whether it’s in the record store or on the marquee at your local nightclub, know that there’s some quality, honest, ass-kicking, hard working individuals in there, trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country of course) and we’d love nothing better than to have you there with us. Just remember to wear you clean underwear, because we’re gonna rock your pants right off of you.

                                                      Rawkously Yours,
                                                      Eddie Spaghetti

                                                      Crowning achievements of rock-n-roll glory
                                                      •Performed on “The Tonight Show with Jay Leno” backing Willie Nelson
                                                      •Played Woodstock 2000
                                                      •Played Reading/Leeds festivals
                                                      •Toured extensively throughout the world including Russia, Japan, Australia, etc...
                                                      •Recorded with Eddie Vedder of Pearl Jam, Steve Earle, Willie Nelson, Kelley Deal of The Breeders

                                                      OUR LINKS


                                                      9/26

                                                      Joecephus and the George Jonestown Massacre

                                                      All Ages | 8 pm

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                                                      Joecephus and the George Jonestown Massacre

                                                      MORE INFO COMING SOON!



                                                        9/27

                                                        Reverend Horton Heat

                                                        Delta Bombers

                                                        All Ages | 7:30 pm

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                                                        Reverend Horton Heat

                                                        It’s true that the Reverend Horton Heat have been called a great many things over the course of their storied career: Perpetual Carriers Of The Rockabilly Flame, Genre-Shattering Problem Children, Filthy Drunks, and The Most Electrifying Live Act In America (150 shows every year can’t be wrong). But whatever you happen to call them, their country-flavored punkabilly and onstage antics have brought the Reverend Horton Heat a strikingly diverse fan base and a devoted cult following. The Rev himself, aka Jim Heath, leads the way with signature guitar riffs, while pounding out the bottom notes (often on top of) his upright bass is Jimbo Wallace, while Scott Churilla keeps time on the drums.

                                                        OUR LINKS


                                                        Delta Bombers

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                                                          10/2

                                                          Weyes Blood

                                                          Helena Deland

                                                          All Ages | 7 pm

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                                                          Something to Believe Tour

                                                          Weyes Blood

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                                                            Helena Deland

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                                                              10/3

                                                              Knocked Loose

                                                              Rotting Out
                                                              Candy
                                                              SeeYouSpaceCowboy

                                                              All Ages | 6 pm

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                                                              Knocked Loose

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                                                                Rotting Out

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                                                                  Candy

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                                                                    SeeYouSpaceCowboy

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                                                                      10/6

                                                                      Joyce Manor

                                                                      Stef Chura
                                                                      Strange Ranger

                                                                      All Ages | 7 pm

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                                                                      Joyce Manor

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                                                                        Stef Chura

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                                                                          Strange Ranger

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                                                                            10/9

                                                                            Chase Makai

                                                                            All Ages | 7 pm

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                                                                            Chase Makai

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                                                                              10/10

                                                                              Pretty Pink

                                                                              All Ages | 8 pm

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                                                                              Pretty Pink

                                                                              PRETTY PINK·FRIDAY, MAY 10, 2019
                                                                              Emerging from the woods of the Harz in Germany, Pretty Pink has made her mark with her natural distinctive sound and self-made empire.
                                                                              The versed German DJ, artist and producer captivated people’s attention on a global scale with her relentless drive and passion for her craft. With an ever-changing yet consistent sonic delivery, she is always trying to find a way to take her artistry to the next level. Her recording debut arrived in 2013 with an unforgettable edit of Daft Punk’s ‘Get Lucky’, which demanded the attention of the deep house scene with her uncanny ability to create instantly astounding dancefloor records.
                                                                              With releases on Armada, Found Frequencies, Suara, and more, Pretty Pink’s impressive discography boasts a variety of sounds bound to please electronic music lovers across the board. She has taken her sound on stage to over a hundred cities worldwide and is planning to extend her journey into North America soon. Playing alongside respectable tastemakers at a myriad of revered venues in her homeland and enchanted the crowds - Nature One, Sonne Mond Sterne, Airbeat One, New Horizon, World Club Dome and more - her loyal fanbase and bookings began to skyrocket.
                                                                              Her rise to the top is a result of her ever-present work ethic. Having acquired millions of streams across all streaming platforms, along with a self-launched record label WANDERLUST, bi-weekly Radioshow DEEP WOODS, and her own event brands, Pretty Pink has made her work a never-ending party.
                                                                              With support from distinguished publications like Dancing Astronaut, EARMILK, WARP, Magnetic Magazine, or DJ Mag Mexico, Pretty Pink has cemented her position as one to watch. Her summer record ‘PURE’ in 2018 landed support from industry heavy-hitters, Lane 8, The Mambo Brothers, Lost Frequencies, and WhoMadeWho and still climbes the Beatport Top 100. Her latest track “OVERRATED” (Found Frequencies Records), gained over 500k streams just after one month on Spotify! So, there’s no question that Pretty Pink will continue to command the scene, not just domestically but on a global scale.



                                                                                10/11

                                                                                Soccer Mommy

                                                                                All Ages | 8 pm

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                                                                                Soccer Mommy

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                                                                                  10/12

                                                                                  Magic City Hippies

                                                                                  LUTHI

                                                                                  All Ages | 8 pm

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                                                                                  Magic City Hippies

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                                                                                    LUTHI

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                                                                                      10/18

                                                                                      Harvest of Doom Night 1

                                                                                      Coven
                                                                                      Mothership
                                                                                      Liege
                                                                                      PLUS MORE (SEE BELOW)

                                                                                      All Ages | 6 pm

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                                                                                      Harvest of Doom Night 1

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                                                                                        Coven

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                                                                                          Mothership

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                                                                                            Liege

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                                                                                              They Watch us from the Moon

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                                                                                                Gravehuffer

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                                                                                                  10/19

                                                                                                  Harvest of Doom Night 2

                                                                                                  Wo Fat
                                                                                                  Hyborian
                                                                                                  Droids Attack!
                                                                                                  PLUS MORE (SEE BELOW)

                                                                                                  All Ages | 5 pm

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                                                                                                  Harvest of Doom Night 2

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                                                                                                    Wo Fat

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                                                                                                      Hyborian

                                                                                                      An age of violence and magic, a world of uncertainty, a soundtrack to a time forgotten by man.

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                                                                                                      Droids Attack!

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                                                                                                        Horned Wolf

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                                                                                                          Custom Black

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                                                                                                            Grass Giant

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                                                                                                              Pit Hag

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                                                                                                                10/21

                                                                                                                Brick + Mortar

                                                                                                                Dentist

                                                                                                                All Ages | 7 pm

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                                                                                                                Brick + Mortar

                                                                                                                Brick + Mortar is a two-piece indie pop outfit from Asbury Park, NJ. The duo consists of Brandon Asraf (guitars/vocals/programming) and John Tacon(drums/programming). Best described as controlled chaos, the band combines choppy rhythms, smooth bass lines, tempestuous drumming and honest lyrics, all of which culminates in something that is just as likely to show up on an indie up-and-comers list as it is to show up on a DJ’s playlist – something that is evidenced in the band’s role as a remix magnet for artists such as Baauer. Brick + Mortar is one of the few bands who can conjure up images of both carousels and cocaine, combining dancy with dark and pop with despair.
                                                                                                                Speaking in an article with VICE Magazine, Asraf says of their most recent music video for Bangs, “The story is my chance to be in [my father's] world and tell a conglomerate of a bunch of stories I’ve heard.” The result is a gripping video reflective not only of Asraf’s father’s violent past as an international fugitive, but also of the sometimes ominous and abrasive tone of the new EP.
                                                                                                                Coming off of the release of their EP, “BANGS,” Brick + Mortar is touring relentlessly, opening for Imagine Dragons, Icona Pop, and Jimmy Eat World, as well as performing in the summer festival circuit at mainstays including Made in America, Loufest, and Lollapalooza.
                                                                                                                In a time where purists patiently await the return of rock and roll, Brick + Mortar is gifted enough to combine exciting elements of each genre with their no-bullshit approach to songwriting.

                                                                                                                OUR LINKS


                                                                                                                Dentist

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                                                                                                                  10/25

                                                                                                                  Goddamn Gallows w/Scott H Biram

                                                                                                                  All Ages | 8 pm

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                                                                                                                  Goddamn Gallows w/Scott H Biram

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                                                                                                                    10/26

                                                                                                                    Rings of Saturn

                                                                                                                    Enterprise Earth
                                                                                                                    Angelmaker
                                                                                                                    Brand of Sacrifice

                                                                                                                    All Ages | 6 pm

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                                                                                                                    Rings of Saturn

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                                                                                                                      Enterprise Earth

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                                                                                                                        Angelmaker

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                                                                                                                          Brand of Sacrifice

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                                                                                                                            11/1

                                                                                                                            Tauk

                                                                                                                            All Ages | 7:30 pm

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                                                                                                                            Tauk

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                                                                                                                              11/9

                                                                                                                              John 5

                                                                                                                              with special guest
                                                                                                                              Jared James Nichols

                                                                                                                              All Ages | 7 pm

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                                                                                                                              John 5

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                                                                                                                                with special guest

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                                                                                                                                  Jared James Nichols

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                                                                                                                                    11/14

                                                                                                                                    Yak Attack

                                                                                                                                    All Ages | 8 pm

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                                                                                                                                    Yak Attack

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                                                                                                                                      11/23

                                                                                                                                      Monolord

                                                                                                                                      Blackwater Holylight

                                                                                                                                      All Ages | 8 pm

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                                                                                                                                      Monolord

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                                                                                                                                        Blackwater Holylight

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                                                                                                                                          12/1

                                                                                                                                          With Confidence

                                                                                                                                          Seaway
                                                                                                                                          Between You & Me
                                                                                                                                          Doll Skin

                                                                                                                                          All Ages | 6 pm

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                                                                                                                                          With Confidence

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                                                                                                                                            Seaway

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                                                                                                                                            OUR LINKS


                                                                                                                                            Between You & Me

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                                                                                                                                              Doll Skin

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                                                                                                                                                The Bottleneck Interview with Jamie Laurie of Flobots

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                                                                                                                                                Flobots (image via http://liveloudmedia.com/flobots)

                                                                                                                                                Denver-based alternative hip hop band Flobots play The Bottleneck October 28th. Jamie Laurie recently discussed artists that inspired him to love hip hop, creative process and his passion to create music without boundaries.

                                                                                                                                                What first got you starting out in music? How’d you get going? What was your first musical memory?
                                                                                                                                                I remember in 5th grade people making fun of me like, “Hey, what kind of music do you like? Why don’t you listen to music?” It wasn’t in my world. I wasn’t thinking about who my favorite band was. Once I did start listening, the first tape ever, honestly, was Willie Nelson. My dad had this tape of Willie Nelson and I liked the songs on there, then I got into the stuff that was on the radio. The first hip-hop I was into was J.J. Fad and Supersonic. Just stuff on the radio that still I think holds up pretty well.
                                                                                                                                                I like Young MC and some of that pop stuff, but before long I got really into more They Might Be Giants and R.E.M. and some of the alternative radio stuff. I think it was really De La Soul and Native Tongues were some of the first hip hop artists I was into. Pretty soon after that, I was into more revolutionary hip hop like the Coup. They are still some of my favorite or most formative, influences for that.
                                                                                                                                                The early ’90’s was a pretty great time for hip hop with Hieroglyphics, Outkast, the Roots and all those groups expanding what the music could be. I fell in love with West Coast underground. Quantum, Living Legends, Soulsides, all that stuff.

                                                                                                                                                Quantum is really something else. Those beats are so fresh.
                                                                                                                                                It’s amazing. It was an experience actually going into the industry, making the music myself. It was amazing getting a chance to meet some of those folks and have them, for a second, treat me like a peer when I’m still just looking at them like a fan.

                                                                                                                                                Your music, it goes beyond styles. You’re not boxed in at all. You’re doing your thing.
                                                                                                                                                Right. That’s one of the things I always admire. Especially about West Coast underground at the time. I always felt like people on the East Coast, because that’s where hip hop sort of lived in the ’90s. It’s like “Oh, that’s where the real hip hop is” people. In my little mind, it was like those people sound more similar, but I would listen to the range between E-40 and the Grouch. We were exploring. They’re just doing absolutely completely different things.
                                                                                                                                                I fell in love with the ability of artists who really find their own personal style and that became an ambition for me. When Flobots really got going, we thought, at that point there were no barriers, even musically. What do we have to sound like? What does the music have to sound like? The Roots had shown that we could be a live band and be an authentic hip hop group. I think, for us, it was like, “Look, we’re coming out of Denver, Colorado. We’re coming out of very different social conditions than many other artists. We have things to say that we could say, that are unique to us and that’s why every one of us are on this Earth is just express our own truths most fully.” So we thought, there’s no boundaries anymore. Let’s have a viola. If there’s a viola player that’s excited about this band and wants to be part of it, let’s start there. Let’s bring in live musicians. Let’s just be ourselves as fully as we can be and that’s what music’s all about.

                                                                                                                                                flobots2

                                                                                                                                                Flobots (image via http://www.facebook.com/theflobots)

                                                                                                                                                Don’t you feel like having a live band with you, doesn’t that push you lyrically? It gets you fired up as well.
                                                                                                                                                It does and it also forces you to think responsively to the music. There’s songs where it’s like, “Alright. This music’s really busy, so I need to be simple.” Or, “Hey, this one is a whole lot of space, so now I can fill it in.” It’s definitely a lot more to think about in the creative process, because it’s not just put on the beat and I’ll do a rap. it’s what is the emotional journey of this song going to be and how can I contribute to that with my lyrics.

                                                                                                                                                Kind of like adding to the sound or pulling away from the sound? Contrast?
                                                                                                                                                Right, absolutely. I think, hip hop is doing very well these days because so many people have thought about so many different things. You look at Kanye, who was a producer first for at least a decade and then starts bringing in the lyrics and it’s no surprise that his lyrics feel like they’ve been put together by a producer. Like, “Alright, where do I want to take people? How clear do I want to be? How cryptic do I want to be? What’s the crescendo of this verse?” He’s thinking about those things. I think that makes better music when people pay attention to, how does the emotional arc of the verse match the emotional arc of the music and vice versa?

                                                                                                                                                Taking people on a full journey with a song.
                                                                                                                                                Right. It challenges you to think, maybe, more in depth. I revise way more than I ever did before. I used to go, “Okay, what’s the music? Cool? I wrote a verse. Alright, I’m done.” Now it’s like, “Wait, maybe that verse isn’t everything it could be. Let’s try a new verse.” On the new album we have, I have probably written 3-4 verses for every song and I love where it ended up.

                                                                                                                                                Basically, you’ve gotten better at drafting ideas.
                                                                                                                                                Exactly. Honestly, it took me a while to not be stubborn because I’d be like, “What are you talking about? I already wrote a verse for that. It’s done. No, I can’t change that word because then I’d have to change that other word.” I’ve just learned to have more confidence in the finished product. I think of it like a sculpture where you, you know there’s something that already lives in that rock and your job is to remove the parts that are obstructing it. By the end, it’s like I’ve peeled back all the layers and revealed what the song really is. It’s taken a while, as an artist, to be humble enough to realize that the first thing I did wasn’t necessarily the work of genius that I thought it was in that moment.

                                                                                                                                                That’s got to be a fun challenge, looking over your past work and trying to expand all the time. You never want to stagnate.
                                                                                                                                                Right. Exactly. There’s lots of ways to move forward. You can move forward by just creating a whole lot of things or you can move forward by saying, “Alright, let’s keep wrestling with this song until it is so undeniably compelling that you know it’s finished.”

                                                                                                                                                You never want to put anything unfinished out there. You have a certain standard of what you want. How often do you find yourself writing songs? How often do you find yourself writing lyrics? Is it every day or is there a certain time of day that works for you?
                                                                                                                                                It’s fun to do in the morning. It’s fun to just get up and write but, honestly, it’s all over the map. There was a year, 2010, where I actually made a commitment that every day I would put a new verse up on YouTube and so I did this thing called “The Rhyme of the Day.” It basically meant I wrote a new verse every day. Sometimes, I used old ones that I’d never put out. That was really as a creative exercise. As a artist you can have this feeling, “I have all these ideas. When am I going to get to try them?” In the course of a band where a song is a big production that involves a lot of people, it was easy to think like, “I never get to write a verse that just speaks to what happened that day in the news, or whatever whim I had that day,” so it’s the little idea factory needed to be satiated. Taking a year to just indulge in that was pretty gratifying.
                                                                                                                                                In the process of the last two years of writing this album, it was kind of a back and forth. Someone would come with a bass line and it’s, “Alright, let me react to that bass line. Here’s a verse that reacts to that bass line. Now, based off that verse, we want to do a new bass line. Okay, cool. Let’s bring in this guitar, this. Oh, look the song has evolved and now it’s not really about what it was about. Now, it’s more about this. Alright, let’s do a new verse, let’s try that out.” I don’t know if you ever worked with a t-shirt designer or someone who’s like, “Here’s some potential logos. Here are seven ideas. I like this one, can you take that and expand it?” It kind of feels cool to be a craftsman like that too and also to reach back into that crafts place back into the soul place and see what I’m doing. Let’s go back to what I’m trying to say and what is authentic to me about the song.

                                                                                                                                                Everything is tied into each other, connected, like in the creative process.
                                                                                                                                                Exactly and songs reveal themselves. We have a song on the new album called “Carousel.” I’m trying to remember what we thought it was about in the beginning, but now it’s very clear. It’s a song about that feeling when you’re just playing with your phone, looking for something that you will never find. Whether it’s laying in bed late at night or in the early morning before you get out of bed, just being stuck in this little swirl of this pretend world of likes and follows and instant approval from other people that you’re seeking. I think it consumes so many of us. The song’s about that. The Carousel is that. It took a while to figure that out. First, it was just this chorus, this other set of ideas. It’s exciting when you listen to the song and let it reveal itself to you.

                                                                                                                                                Yeah sure. We should definitely talk about that too. How do you approach a live show differently than your work in the studio? How do you go about it?
                                                                                                                                                For us, the way we came up in Denver was because of our live show. My grandpa used to say, “Your audience is like a greased pig. If they can get away from you, they will.” We think of it from the audience perspective. If I was standing out there, what would I want? What would hold my attention? What would I actually feel good about if I paid and came to a show, brought some friends and told them to trust me, this is going to be good? What are the things that I would want to see happen? How would I want to feel? Were there elements of the show that would actually engage me?
                                                                                                                                                We put a lot of energy into the live show. It’s great having a live band because if you have a bad ass viola solo right before lyrics that captivate people, all of those things go a long way. We really look at our shows as almost like church for a secular world. Come here, we want you to move your ass, want you to intellectually be on board but we want to touch your soul too. We try to send people on a journey that at the end of the night they’ll be like, “Hey, I’m satisfied, I feel good.”
                                                                                                                                                With the election and the climate in the country, it’s really easy to sit at your computer, look at Facebook and just be like, “Hey, we all hate each other. Everyone’s a horrible person and there’s no hope for anything.” Actually, that’s not true and the best way to remind ourselves it’s not true is just to be in a community of people where we can actually celebrate just getting together. It doesn’t mean there’s not things that need desperately to be transformed, because we do. We need social movements. We need to confront hard questions about police violence or climate change. Those need to be transformed. Those systems need to be transformed to be more human things. We can do that in a way that invites everybody into the process and to the solution.

                                                                                                                                                Music, live especially, is the catalyst for positive change.
                                                                                                                                                Yeah, I think it definitely can be. It can be a lot of things, it can be catharsis, it can rally, be a place to pour out our anger, pour out our pain but the over all effect of doing that in a group of people is that we remember that we are not alone. I think that’s the problem where you sit at your computer and you have all these feelings, but you have them by yourself. There’s no affirmation of ultimately moving towards something because there’s other people that feel the same way and we can do something about it. The concert is a shortcut to that feeling. That’s why it was important for us to go out on a show where we’re doing this, really, because we just looked at the situation right now and we need to be out there talking to people.

                                                                                                                                                Making something happen.
                                                                                                                                                It reminds us that we’re not alone, you know?

                                                                                                                                                Yeah, of course. It benefits everybody.
                                                                                                                                                Right, exactly. Anyway, thank you to whomever is reading this. If you’re not sure about coming to the show, come to the show. We promise you it’ll be a good time. Even if you never listen to our music or think you don’t agree with our politics or something, come to the show. We want to see everybody there.

                                                                                                                                                The Bottleneck Interview with Evan Hawkins of Through the Roots

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                                                                                                                                                Through the Roots (image via http://www.throughtheroots.com/ )

                                                                                                                                                Through the Roots is a California-based band. They are playing The Bottleneck October 27th. Lead singer and guitarist Evan Hawkins recently discussed how he became interested in reggae, his songwriting approach and the beginnings of Through the Roots.

                                                                                                                                                Did you come from a musical family? Were your parents musical?

                                                                                                                                                I did come from a musical family, my father was a musician, he played guitar and bass for ?Marvin Gaye and other Motown acts in his day. My brother was a singer, so I guess I just found my abilities naturally.

                                                                                                                                                What was your earliest musical memory?

                                                                                                                                                My earliest musical memory was spending countless hours at my best friend’s house playing all of the instruments that his father had collected. I think that is really where I found my obsession with playing them.

                                                                                                                                                What was the first album you bought?

                                                                                                                                                I honestly can’t remember, but it was probably Hanson or Offspring Americana or something. 

                                                                                                                                                What first got you interested in reggae?

                                                                                                                                                My mom used to play reggae for me around the house when I was very young. At that young age I really found a love for the grooves and easy listening.

                                                                                                                                                What do you remember most about your first time onstage?

                                                                                                                                                I just knew that was where I belonged. I never felt insanely nervous or anything. The stage is my comfort zone.

                                                                                                                                                How did Through ?the Roots first get started?

                                                                                                                                                Started writing songs in my first and second year of college. I had a close friend that influenced me who passed away, and I wrote a song for him, “man down.” Once I found that people were digging the music, I got some guys together and we started putting more music together and playing shows. 

                                                                                                                                                How does your creative process work when songwriting?

                                                                                                                                                Normally I just like to be in a quiet place with a good vibe. I normally make the music first and then find something to write about that fits the mood.

                                                                                                                                                How did “Bear With Me” come together?

                                                                                                                                                Eric Rachmany and I came up with the riddim for the song in 2013 on the “Give Thanks” tour. The song sat untouched and was revisited when I first toured solo with them on the “Count Me In Tour.” Eric came down to San Diego and we finished it in the studio together. 

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                                                                                                                                                Through the Roots (image via http://www.throughtheroots.com/ )

                                                                                                                                                What have been the biggest obstacles you’ve had to overcome in your career?

                                                                                                                                                I would say every day is a new obstacle, none bigger than the other. In this industry you have to learn to adapt, while maintaining the grind. We’ve had our bus burn down, switch our members, tour for countless years not making a dime. Starting a band is no joke. However, it is one of the most rewarding things I have ever been a part of. We are very fortunate to have this outlet. 

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                Never give up, even when it seems impossible. You’re hardest day, might make someone’s greatest day. 

                                                                                                                                                The Bottleneck Interview with Max Doucette of Skydyed

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                                                                                                                                                Skydyed (Image via https://www.facebook.com/Skydyed/ )

                                                                                                                                                Skydyed is a Colorado-based band. They play The Bottleneck September 28th. Guitarist and keyboardist Max Doucette recently discussed how he became passionate about music, the evolution of Skydyed’s sound and their creative process.

                                                                                                                                                Did you come from a musical family? Were your parents musical?

                                                                                                                                                To a certain extent yes. My dad is also a guitar player and though he never took it to a fully professional level, he was certainly the one who first got me started as musician. My guitar that I tour with was actually handed down to me from him from his musician days which I’m very grateful for. My great-uncle was also a big influence on me guitar-wise and many other members of my family have sung or played piano as a hobby. Shane’s family had no musical background before him, but they supported him from a very early age giving him the resources he needed to grow. Andrew’s dad on the other hand made a lifelong career as a professional musician and was a huge influence on him too.

                                                                                                                                                What was your earliest musical memory?

                                                                                                                                                Honestly it’s probably from the old VHS tapes my parents have of me as a little kid dancing to various children’s songs, although I don’t actually have the memory. Earliest memory I can remember would probably be the first time I tried playing my dad’s guitar just whacking on the strings having no idea what I was doing, but being absolutely mesmerized by it.

                                                                                                                                                How did Skydyed first come together?

                                                                                                                                                Skydyed really started as a reggae-rock band between a couple friends and myself in high school. Andrew and I were already friends then and it was around the time he joined that we both started dabbling in electronic music that he joined the group. After we moved to Colorado post-graduation our original lineup kind of fell apart and it was there we met Shane who eventually joined us once we started developing our new sound.

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                                                                                                                                                Skydyed (Image via https://www.facebook.com/Skydyed/ )

                                                                                                                                                How does your creative process work when writing a song?

                                                                                                                                                It often starts out as one of us just making a simple demo in Ableton and then if everyone likes it we’ll start building upon that as we go, but sometimes two of us or everyone will sit down and start something together. For example, Andrew and I will often both leave the drums open for Shane, or I’ll leave a lot of the bass parts and arrangement open for Andrew, or Andrew will give a lot of room in his compositions for Shane and I to add on to. It’s really just writing on the fly between the three of us so that we can end up with something we all like and think others will like as well.

                                                                                                                                                Your songs have a really great flow to them. Do you try and record tracks as live as possible?

                                                                                                                                                Not necessarily, we do a lot of the writing within Ableton itself but we try to approach it in a way that we can replicate live after the fact. Every now and then an idea will be something someone comes up with on the spot, but usually we spend a lot of time tinkering with various sounds and trying new things out to see what sticks. Something Andrew really brought to the table is putting an emphasis on making sure our arrangements are really solid and not too repetitive feeling, so I think he deserves a lot of credit for that. Shane is also quick to change up the beat a lot which gives everything a lot of movement I think.

                                                                                                                                                How do you go about writing a setlist?

                                                                                                                                                We usually first consider the tempo and key changes first as we try to be as fluid as possible and not spend to much time in silence on stage. We’ll also consider what kind of instruments begin and end each song. Something I’ve started dabbling in is figuring out what songs blend together well so we can mix things up live a bit more a like a full on jam band would per say. Even though we often extend out songs out live in improv/solo sections we have yet to really dial in those kind of changes that you often see in the big names of the scene, something I personally look forward to seeing us develop with our sound.

                                                                                                                                                Do you have a favorite quote or motto that you live by?

                                                                                                                                                I can’t think of anything that the whole band together would say, but I’ve always been a big fan of the phrase from the philosopher Jiddu Krishnamurti that is, “Truth is a pathless land” which I often look at from an abstract point of view not just the literal meaning.

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                There is no final plateau as a musician, so always look to improve your craft. Never become arrogant no matter how far you get. Always show respect and appreciation to your fans and musical peers. Also, be sure to remember professional music is not just an art, it is also a business whether you like it or not. Most importantly of all never forget that music is beyond ourselves and to never lose sight of the the underlying importance it has to this world and the people in it.

                                                                                                                                                Lawrence Locals The Dear Misses Rock The Bottleneck Stage for Lawrence Field Day Fest on Friday, July 15th

                                                                                                                                                The Dear Misses

                                                                                                                                                Todd Anderson/Vocals and Rhythm guitar, Cody Stapleton/Lead guitar and Backup Vocals, Bret Collins/Drums, Shane Berggren Bass/Backup Vocals

                                                                                                                                                 

                                                                                                                                                If you love vocal hooks and thick rhythm, then you’ll love alternative, indie-rock band The Dear Misses. This Lawrence-based band rocks The Bottleneck stage for Lawrence Field Day Fest on Friday, July 15th. Catch them live at 8:15PM.

                                                                                                                                                How did you pick your band name? When did you form The Dear Misses?

                                                                                                                                                The band name started as Dear Misses and it was designed to be an acoustic project whose songs were geared toward love, lust and all of that mushy stuff. Dear Misses is like Dear Mrs. but leaving the last name open-ended. Love songs to my future someone.

                                                                                                                                                After Cody and Todd made the decision to plug in the electric guitars and make a full band project it eventually turned into THE Dear Misses which then created a sort of double meaning.

                                                                                                                                                All the musicians in this band have been plugging away for the better part of a decade and a half trying to “make it” in this business and all of the opportunities that we missed along the way lead us to this. So you could say that those misses are dear to us.

                                                                                                                                                How would you describe your musical style?

                                                                                                                                                Our musical style is hard to pin point to one genre as most musical endeavors are these days.  There are some tones of the early 2000 emo movement, some colors of progressive alternative, and some throw back elements of 90’s alt deriving from British and American groups alike, harnessing open standard chords with some dirt on the top with lead lines that sow them together. All of the songs try and grab you by the vocal hooks and thick rhythm section.

                                                                                                                                                Where do you usually gather songwriting inspiration? What is your usual songwriting process? Are there any reoccurring themes in your songs?

                                                                                                                                                Inspiration comes at you at all different times of day no matter where you are. Most of us carry around cell phones with recording capabilities so we can record any melody or any riff that comes to mind as we go. Most riffs are put together on our own time and brought to the practice space to be given a test run. The overall song inspiration comes from the feeling that we get from the music that we love. We try and convey that in our riffs and vocals alike. Our mission is to really hook the listener. We really want these songs to stick in our listeners head and make them feel inspired themselves to do something great in their own lives. We are trying to create something beyond ourselves. As far as themes go We have touched on subjects about love, passion, and anxiety.

                                                                                                                                                What’s your music making process?  

                                                                                                                                                Making music starts at home in our respective home studios. We put together riffs when they come to our heads and if they stick, we end up shaping the song and putting into a form that we can bring to the practice space.  If they vibe well, we will finalize the song as best we can. Vocal melodies come first and the words to the lyrics usually come last. Songs can derive from a vocal melody all the way to a drum beat. The beautiful thing about this is that our songs are coming from every which way which is allowing us to grow at a speedier pace.

                                                                                                                                                Has your music evolved since you first started playing music together?

                                                                                                                                                Our music has very much evolved. We have the same spirit we started with in that we just want to create. Any success that comes from that will make that much more pure of an experience. The music has always been rock based but we have explored all ends of the rock music that is in our hearts whether that be clean guitars and poppy melodies all the way to distorted low tuned guitars with gritty and loud vocals.

                                                                                                                                                What’s your favorite thing about the music scene in Lawrence?

                                                                                                                                                Our favorite thing about the Lawrence music scene is how eclectic and open minded musicians and music fans are alike. It’s such a family vibe that a show could consist of 4 or 5 bands all with different styles and everyone would have the same amount of fun no matter who is playing

                                                                                                                                                dear misses2What other bands inspires your band musically?

                                                                                                                                                Each member has a slightly different music taste, but for the most part we all meet in the middle. If you were to have us throw different bands into a hat you might find, Thrice, Manchester Orchestra, Brand New, Jimmy Eat World, Ben Folds, Early Radiohead and Say Anything.

                                                                                                                                                Does The Dear Misses have any rituals/traditions you do before/after performances?

                                                                                                                                                As far as a pre-show ritual, we just try to stay loose not drink too much before we get on stage. We are usually as social as we can be, which leads to drink drink drink. So to answer your question. Stay sober. (just kidding) We try and stretch, get into a huddle and say a few positive things before we start the rock.

                                                                                                                                                Besides music, what do you guys like to do in your spare time? 

                                                                                                                                                Todd likes to golf, Bret likes to work out, Shane like to play Frisbee golf, and Cody likes to play music and take selfies.

                                                                                                                                                What have been the biggest challenges you’ve guys had to overcome in your career?

                                                                                                                                                The biggest challenge we are running into is honing into a very specific style. right now we are still very broad in what our style actually is. We could take this project in any different direction and have personal success with it, but are wanting to make this band count as much as we can, so picking the right direction to go is very delicate at this moment.

                                                                                                                                                Any advice to other bands starting out on the music scene?13606500_898471793594724_4363945182159391034_n

                                                                                                                                                Stay true to yourself and never make it about business. Make sure you are happy in your personal life because all of your shit will follow you into the band which should be a positive and healthy experience for anyone that tries it.

                                                                                                                                                What’s in store for the future of The Dear Misses? Anything you would like share, from new merch to upcoming shows/tours or songs/albums?

                                                                                                                                                We have a run of shows starting in July 1st and 2nd in our hometown, Hutchinson, KS, coming back to play Lawrence Field Day Fest the 15th and playing The Riot Room in KC on July17th and ending in late August as well as promoting our as of yet untitled E.P. Our main focus in the spaces between are to write as special of music as we can so we can hopefully get into the studio and on to the radio. We want to be heard more than we want to be seen.

                                                                                                                                                What are you look forward to most playing at the Lawrence Field Day Fest at The Bottleneck?

                                                                                                                                                Lawrence Field Day is a huge opportunity to get to know and enjoy our musical peers as well as show them what we are about so we can hopefully develop new and awesome relationships with the bands that are playing and The Bottleneck alike.


                                                                                                                                                For more info on The Dear Misses, have a listen on their website.

                                                                                                                                                Looking for tickets to the show? Get yours today!

                                                                                                                                                 

                                                                                                                                                Coral Creek Hits The Bottleneck July 2nd

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                                                                                                                                                Coral Creek (Image via http://www.coralcreek.net)

                                                                                                                                                Coral Creek is a Colorado-based band. Vocalist Chris Thompson recently discussed how he became interested in bluegrass, the beginnings of Coral Creek and advice to musicians just starting out.

                                                                                                                                                What first got you interested in bluegrass?

                                                                                                                                                Like many Deadheads, I found bluegrass music through Jerry Garcia and Old & In the Way during high school (this was in the late 80’s, I should add). My interest in bluegrass first peaked in college. I bought a banjo, got some lessons and starting copying every Flatt & Scruggs album I could find at my local library. I mostly just liked the fast banjo tunes. I wasn’t really into the county singing and all that when I was young. I just wanted to hear that banjo played real fast! So, I guess you could say “the banjo” got me interested in bluegrass. These days I’m more of a dobro junkie though and the pickin’ parties at the festivals keep me coming back.

                                                                                                                                                How did Coral Creek get started?

                                                                                                                                                The current configuration of Coral Creek got started at the end of 2014 as a collaboration between Bill McKay and me.  We were both playing a lot around Colorado and we crossed paths a few times, so after my wife Susannah (who’s a terrific singer/songwriter and co-founder of the band) decided to step down, I was looking for a new collaborator. We gathered up Rob Garland and Jack Watson and launched Coral Creek 2.0 at the UllrGrass Music Festival in Golden in January of 2015, where we were joined by Luke Bulla as a guest on the fiddle. Luke was a great fit, so we’ve been touring and recording with Luke as much as possible ever since.

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                                                                                                                                                Coral Creek (Image via http://www.coralcreek.net)

                                                                                                                                                How does your creative approach work when songwriting?

                                                                                                                                                For our first album, we did not do a lot of collaborative songwriting as a band. Bill and I are the primary contributing songwriters and for the most part we bring completed works to the band. The song arrangements may get tweaked a bit, but not a lot.

                                                                                                                                                For myself, I tend to draw inspiration and content from people, places and life experiences. My life is hectic and I’m a bit ADD, so my approach is to grab good ideas, musical or lyrical, when the pop into my head and try to keep track them in notebooks and voice memos until I can find some time to sit down and complete a song. It’s a bit haphazard, but time can be a pretty good filter. When I listen back, there is plenty of garbage that seemed clever in the moment, but doesn’t hold up to sober scrutiny. But then there are the little nuggets that make for great lyrical content, musical motifs or even concepts for an entire song. Every so often I’ll steal a few days of isolation and complete the songs working from my notes.

                                                                                                                                                What inspires you lyrically?

                                                                                                                                                I draw inspiration from people, places, current events and random life experiences.

                                                                                                                                                Do you have a quote or motto that you live by?

                                                                                                                                                Not really, but I am a fan of the Golden Rule. That one serves us all well.

                                                                                                                                                What have been the biggest challenges you’ve had to overcome in your career?

                                                                                                                                                We’re making music here, so life is good. The challenge for all aspiring musicians is figuring out how to get the music out to where people can hear and appreciate it. There is so much great music in the world, that’s always going to be a challenge, but how you measure success is relative, so I’m not sure if we’ve overcome that one or not. The new album’s getting pretty good radio play, but I don’t think we’re there yet.

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                My advice would be to concentrate on the music/product and the promotion/business in equal parts. In rare cases, an artist can be successful with one and not the other. But most will need to build both to have success.

                                                                                                                                                Frogleg Brings Their Jams to The Bottleneck July 13th

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                                                                                                                                                Frogleg (Image via Frogleg’s Facebook page)

                                                                                                                                                Frogleg skillfully blends funk, reggae and bluegrass to create their sound. Guitarist and vocalist Joe Dunn recently discussed how Micro Jammers began his musical obsession, how Frogleg got started and the band’s songwriting approach. Frogleg plays The Bottleneck July 13th.

                                                                                                                                                What was your earliest musical memory?

                                                                                                                                                My first musical memory would have been these mini guitar toys called Micro Jammers with different buttons that played short songs when I was a young tot. I was obsessed with them. That was probably the first thing that got my eyes set on becoming a guitar player.

                                                                                                                                                How did Frogleg first come together?

                                                                                                                                                It first started out as an acoustic trio with Demitri and Will Effertz, who is no longer in the group. Toward the end of the summer, in 2012, Demitri got a call to put a band together and be the Thursday night house band at Bunkers Bar and Grill in Minneapolis. We went for it! Almost 4 years later, we’re still holding down Thursday’s and having a blast.

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                                                                                                                                                Frogleg (Image via Frogleg’s Facebook page)

                                                                                                                                                You incorporate so many different styles of music to create your sound. What is your creative process when songwriting?

                                                                                                                                                Originally it went where Demitri and I would write songs outside of the group and would bring them to the rest of the band and we’d work them out. Recently Demitri, Elliott, Sam, Jimmy and I have been getting together at a practice space and doing collaborative writing sessions. It’s been working out really well having more brains to give input. We’re excited about the new music.

                                                                                                                                                How often do you find yourself writing songs?

                                                                                                                                                I varies between the members of the band but we’ve been trying to get together at least once a week whether it’s writing lyrics or just piecing the music together for something to write to later.

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                Not only try to get out and play as much as you can, but also go out to shows and support and meet other musicians and artists. Networking with your peers is key when first creating your musical brand.

                                                                                                                                                After Funk Funks Up The Bottleneck June 29th.

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                                                                                                                                                After Funk (Image via http://wwwafterfunk.ca)

                                                                                                                                                After Funk is a Toronto, Canada-based funk band. They are playing The Bottleneck June 29th. Bassist Justin Bontje recently discussed the beginnings of After Funk, his lyrical inspiration and the band’s musical creative process.

                                                                                                                                                Did you come from a musical family? Were your parents musical?

                                                                                                                                                My parents were never musicians, but always had music in their lives. They grew up in the 70’s and 80’s, a great time for music that is directly linked to the kind of music After Funk creates.

                                                                                                                                                How did After Funk first come together?

                                                                                                                                                After Funk came together at a university in southwestern Ontario, Jaime and Justin were randomly paired up as room mates where they were free to construct a beat laboratory for all to come and collaborate. That’s where Yanick came into the picture, he came to jam with them on keys. After winning multiple battle of the bands they decided to keep on making music!

                                                                                                                                                It really just kind of happened. Justin and Jaime were paired as room mates at university where they met Yanick. After a couple jams we decided to enter a battle of the bands just for kicks. We needed a name to enter the contest and thus After Funk was born.

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                                                                                                                                                After Funk (Image via http://wwwafterfunk.ca)

                                                                                                                                                What is your creative approach when writing a song?

                                                                                                                                                ?We try a mixture of approaches. A big one is listening before we play?. Because writing can be such a delicate process, we find it helpful to visualize before we make a bunch of noise with our instruments.

                                                                                                                                                What inspires you lyrically?

                                                                                                                                                ?Stories! People are interesting and awesome, and everyone has something great worth sharing. I also like to put a fantastical twist on things because I find the imagery evocative and imaginative.

                                                                                                                                                Do you have a favorite quote or motto that you live by?

                                                                                                                                                ?Chuffy. It means anything you want it to.

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                ?When the ground starts to get steep, you know you’ve reached the base of the mountain. Work hard and keep chuffin it.

                                                                                                                                                Rolling Foliage Rolls Into The Bottleneck June 18th

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                                                                                                                                                Rolling Foliage (Image via https://www.facebook.com/RollingFoliage )

                                                                                                                                                Rolling Foliage is a Lawrence-based band. Guitarist, vocalist, and songwriter Leaf recently discussed how he became passionate about bluegrass, his love of the Lawrence music scene. Rolling Foliage plays The Bottleneck with the Ragbirds June 18th.

                                                                                                                                                What was your earliest musical memory?

                                                                                                                                                My earliest memory musically is old Motown playing while momma cleaned house. She was always dancing around and my dad would say “easy momma, you’re gonna throw a hip out.” As far as live music, it was Cain Robberson and Joel Brummett playing guitar and washtub bass on Mass street. Cain with his eyes closed, on his knees, singing his heart out while Joel thumped that weed eater line. It was moving and inspiring for me.  

                                                                                                                                                What got you interested in bluegrass?

                                                                                                                                                Split Lip Rayfield got me into bluegrass. I used to live across from The Bottleneck and would always go in for free pool early in the day and get to watch the bands warm up and discuss band stuff. New Years every year was SLR and had never seen acoustic instruments played with such power and passion. You follow Split Lip and end up meeting all the die hard Winfield Bluegrass crew.  

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                                                                                                                                                Rolling Foliage (Image via https://www.facebook.com/RollingFoliage )

                                                                                                                                                How did Rolling Foliage get started?

                                                                                                                                                Rolling Foliage started a few Junes ago. I had been building stages and throwing a festival called Festy Fest and the production took up all my time. I used to tour with Deadman Flats all across the country and Europe and used to open up as a solo/loop act. Decided I wanted a band to play with and ended up with Sonny and Paul, two friends that have played in all sorts of bands (primarily bluegrass) and my music seemed to be a way that both of them could stretch out a bit and not be bound to standard bluegrass rhythms and chord transitions. We actually have a hard time classifying our sound and try not to be stuck in a single genre.

                                                                                                                                                What do you enjoy most about the music scene in Lawrence? 

                                                                                                                                                The music scene is amazing. I remember listening to “The Band That Saved The World” CD and thinking they are my favorite band for three years and found out they were local! Let alone, I knew a couple of the members. The amount of musicians is staggering and the quality and variety of bands is impressive. I love being able to go out any night of the week and catch a band. I thought it was primarily a bluegrass scene and I was happily mistaken.  

                                                                                                                                                What is your creative approach when writing tracks?

                                                                                                                                                My creative approach is probably all the other monotonous work I do. When I’m welding I like to listen to music that’s around 100 bpm and get a steady groove going. I listen to the words and generally find my own groove and topic. When I sit and pick alone I generally find a simple lick and kinda freestyle the topic I’ve been thinking of while working. I figure most of the rhymes and melody at work. Paul and Sonny especially can jump in with ease once they hear it a time or two. I’ll sit and try to write a song sometimes and end up writing a completely different one. Your mood also has a lot of impact. It’s really tough to pinpoint when you can be inspired by so many different things.  

                                                                                                                                                What have been the biggest challenges you’ve had to overcome in your career?

                                                                                                                                                The biggest challenges have collaborating schedules. I work a lot and love to build and try to accommodate music with my projects while the other guys have other bands they play with and work as well. As much as we all would like our band to pay our bills, it’s just not doable unless you’re always on the road. I think I am ready to start putting more time into the band and am eager to write new material. It’s just hard to feel it when you’re overworked.  

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                The advice I’d give to musicians would be to prioritize your moves. Get good at your material. You shouldn’t have to think about what chord you’re playing next or how the lyric melody should go. It should be natural and each word/note should be deliberate. When you half-ass play a song it gets awkward and people don’t feel it. Play a song enough times where you nail it every time and play it like its the first time anyone has heard it and have fun. Even if you’re not that good, but are having fun doing it, people will like you. Bring the energy.

                                                                                                                                                Vela Brings Their Indie Rock to The Bottleneck June 17th

                                                                                                                                                Vela at The Bottleneck

                                                                                                                                                Vela (Image via http://www.velakc.com)

                                                                                                                                                Vela is a hard-hitting, Kansas City-based indie rock band. The band features Jonas Birkel on guitar and vocals and Sean Cedillo on drums. Birkel first became interested in music when his parents got him involved with playing classical music. “As far as being moved by music, I was about 4. Our family had a cassette tape called Peter and the Wolf and listening to that was mind altering. I would sit on my bed and blast it. I loved the dynamics between the heavy tones of the brass and the light woodwinds and strings. It still today is a huge influence for me,” he says.
                                                                                                                                                The members of Vela first met in 5th grade. “Sean and I had always talked about starting a project and we tried it with a bunch of different people. But it never really worked out until we started playing as just a two piece,” Birkel says. Staying true to their vision, the band produces all of their own music.

                                                                                                                                                Vela at The Bottleneck

                                                                                                                                                Vela (Image via https://velakc.bandcamp.com/

                                                                                                                                                Striving to create quality music keeps Vela focused. “Everything always ever and forever in music is a challenge. That’s why I feel that every musician carries a blessing and a curse. I see many people solely try to make money off of music or show how great they are at it. But I think that if just playing music isn’t enough fulfillment then don’t do it because the gratification will never inversely relate to the amount of time and effort you put in,” Birkel says about being a musician. Vela plays The Bottleneck June 17th with Fallopian Fire, Good Ole Fashion and Trauma Parlor.

                                                                                                                                                 

                                                                                                                                                The Ragbirds Take Flight at The Bottleneck June 18th

                                                                                                                                                The Ragbirds at The Bottleneck

                                                                                                                                                The Ragbirds (Image via http://www.theragbirds.com)

                                                                                                                                                Catch The Ragbirds at The Bottleneck

                                                                                                                                                The Ragbirds combine world music, bluegrass and more to create their sound. Their latest release is the album The Threshold & The Hearth. The Michigan-based band’s music has been described as infectious global groove. Vocalist and violinist Erin Zindle recently discussed the band’s beginnings, her personal mantra and advice for musicians just starting out. The Ragbirds play The Bottleneck with Rolling Foliage June 18th.

                                                                                                                                                How did you become interested in music?

                                                                                                                                                My early experiences with music start with my family and the church we grew up in. My mother always sang with my brothers and I as we went about our day – at meals, in the tub, as we played, etc. My parents also sang in the choir at the Baptist church we attended.  The church used hymnals so I grew up following along in the music from a very early age which helped me be an early reader and my dad always sang the tenor parts so I grew accustomed to hearing the harmony. At Christmastime my dad’s 8 brothers and sisters would gather and sing carols in harmony with guitars. I think it is because of this climate that It was always very natural for me to sing. I started violin lessons at the age of 9 and piano a few years later.  

                                                                                                                                                How did the Ragbirds first get started?

                                                                                                                                                In 2005, I had written more than an album’s worth of songs that were tugging at my sleeves so I decided to record them. I asked my boyfriend, percussionist Randall Moore (who is now my husband) to record the rhythm tracks. The early songs were very much centered around the world rhythms that Randall and I laid out. We found a guitarist and bassist to record those parts and we cut the record before we even played a single show together, then we hit the ground running and haven’t stopped since. We’ve had a few lineup changes over the years, but my brother TJ Zindle joined the band in 2008 and our current drummer Jon Brown and bassist Dan Jones joined a little over 2 years ago.

                                                                                                                                                What is your creative approach to songwriting?

                                                                                                                                                I am a lifelong student of the songwriting process and I could talk about it for days, so I’ll try to answer this as concisely as I can. I try to approach songwriting from many different angles to keep the process fresh and to challenge myself, but my most natural way of writing is to sit down in a quiet place with a pen and paper. For me, the words are at the center of my songs and I put a lot of blood, sweat and tears into the words before they are ever even sung. It is like a puzzle and once the words are “just right” they practically sing themselves. This is the greatest thrill and in these moments when a song lifts off the page into my throat I feel more alive and complete than ever. I usually rush to record the melody at this point and quickly find an instrument to sketch out the harmonic structure, experimenting and editing as I shape the song into being.

                                                                                                                                                What inspires you lyrically?

                                                                                                                                                Working through struggles. One of the lyrics on our new album is “I’m a self-improvement junkie” (from the song “Sometimes Honestly”) and it’s so true. I’m always striving for self-awareness through my songwriting, and seeking out the message of wisdom that the song wants to teach me. I’m trying to express my trials and sorrows by finding my way through them into hope and joy.  Songwriting is the best tool in the world to help me do that. My greatest hope is that other people who hear the songs when they are in a dark place can find their way out too.

                                                                                                                                                The Ragbirds at The Bottleneck

                                                                                                                                                Erin Zindle, of the Ragbirds (Image via http://www.theragbirds.com)

                                                                                                                                                How did the song “Six Wheels” come together?

                                                                                                                                                Oh, gosh. I wrote that song about 6 years ago I think. We were in the middle of one of our busiest touring years and we were constantly on the road. Touring can be exhausting and the lifestyle tends to be dominated by masculine energy. So, I was on the road with 5 boys (4 band members + our merch guy) in a van and trailer (that’s the 6 wheels) and was writing songs about our experiences which eventually were recorded for our 2011 album Travelin’ Machine. “Who’s got sugar who’s got spice?” was something I wrote in my journal one evening as I was reflecting on my need for femininity. It’s easy to lose touch with yourself in a sense when you are surrounded 24/7 by people who are very different from you.  I was so grateful on the road every time I’d get a little “girl time” – like if we’d stay with a friend, or even just the little hospitable touches that women would bring to the show experience – like home-cooked meals in a clean green room, etc. Those little moments were so refreshing and those human connections mean the world to all of us who live a traveling lifestyle.

                                                                                                                                                Do you have a favorite quote or motto that you live by?

                                                                                                                                                I have a mantra that I repeat each morning.  It’s an acronym for the word EMBRACE, which reminds me to embrace each day.

                                                                                                                                                E – Enjoy the day

                                                                                                                                                M – Magnify the positive

                                                                                                                                                B – Be the strongest version of yourself

                                                                                                                                                R – Rise above the petty stuff

                                                                                                                                                A – Accept responsibility (+ apologize effortlessly)

                                                                                                                                                C – Control your tongue

                                                                                                                                                E – Empathize with others

                                                                                                                                                What advice would you give to musicians just starting out?

                                                                                                                                                This new music business is full of many possibilities so it’s important to go into it knowing your own personal definition of success. If you are genuine (both vulnerable and humbly aware of what makes you unique) and always striving to learn and improve then you will succeed. It’s just that success doesn’t look anything like the old model – and it usually is not the same as fortune and fame. Know yourself and plan for the long game. If there’s anything else you can see yourself just as happily doing then do that thing, because this way, this business is a hard way to go. It’s also worth every bit of the hard work and disappointment. It’s the only job I’ve ever had. I’ve been touring in bands for almost 20 years! I always remind myself how lucky I am though, because what else could I be doing with my life that would make so many people happy? I know that this is exactly what I’m supposed to be doing, and if you know that about yourself too, then the sky is the limit.

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