11/27

We are open!!

All Ages | 7 pm

We are open!!

MORE INFO COMING SOON!



    11/28

    Mouth

    3 Son Green

    All Ages | 8 pm

    Mouth

    "Kansas City band Mouth combines the elements of guitar, bass and drums to form a delectable musical stew... The band adds the fresh spices of jazz, funk, dance and hip hop to create an eclectic mix." - Ink

    Formed in late 2008 by guitarist Jeremy Anderson, bassist Zach Rizer and drummer Stephen Gunn, Mouth plays original "cyberfunk" music: bass-heavy, deep funk grooves that combine rhythmic elements from funk, house, dubstep and hip hop with the improvisational approach of a jam band.

    Having quickly established a name for themselves in their hometown with their exhilarating live shows, Mouth is now branching out with tour dates and festival performances throughout the Midwest.

    "Fans wanting to pigeonhole Mouth's music, do so at their own risk. The three-piece Kansas City band combines elements of funk, jazz, hip hop, electronica and progressive rock in their unique, dance-friendly instrumental songs." - The Daily Record

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    3 Son Green

    Since 2007, 3 Son Green has been interweaving their vast web of sound, sense, and solidarity into the ever‐evolving architect it has become. Their RockJamJazzFunk style breaks genre bylaws, and pulls crowds out of their seats everywhere they play. 3 Son Green’s intricate songwriting combined with their natural improvisation is guaranteed to satisfy every music lover’s palette. Their well fueled, expanding flame has, even now, lapped at the feet of the music world at all manner of festivals across the Midwest. These Kansas City grown virtuosos are vaulting to new heights, and leaving no slack behind.
    Jamie Anderson – Guitar/Vocals
    Evan Carlson – Guitar/Vocals
    Steven Pearson – Drums
    Trey Green – Bass/Vocals

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    11/29

    Panda Skare

    Undiskuvered
    GHIZA

    All Ages | 8 pm

    Panda Skare

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      Undiskuvered

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        GHIZA

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          11/30

          Smackdown Trivia

          18 & Over | 6:30 pm

          Smackdown Trivia

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            12/1

            Open Mic

            18 & Over | 8 pm

            Open Mic

            Open Mic is the Bottleneck's earliest contribution to the Lawrence music scene, offering a stage for up-and-coming bands and artists. This long-standing tradition has existed since the conception of this historic and renowned venue, and it continues to this day.

            Open Mic is generally held every Monday; however, it is subject to change due to previously scheduled acts.

            There are usually members of Pipeline Artist Management & Bottleneck Booking in attendance to see whose performing.

            To sign up, please email openmic@thebottlenecklive.com. Please include your Band Name, Genre and number of musicians along with your preferred time slots. These slots are booked on a first come basis, so specific times are not guaranteed.

            9:30- 10:10
            10:30-11:10
            11:30-12:10
            12:30-1:10

            You MAY NOT sign up any sooner than 2 weeks of the date you wish to play. You may not sign up for two consecutive weeks.

            OUR LINKS


            12/4

            MADE Urban Apparel Show

            All Ages | 8 pm

            MADE Urban Apparel Show

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              12/5

              Truckstop Honeymoon

              Brody Buster One Man Band

              All Ages | 8 pm

              Truckstop Honeymoon

              Truckstop Honeymoon play tough, funny, hi-octane songs about interstates, pinball arcades and true love. Katie Euliss pounds a doghouse bass while Mike West punishes a banjo mercilessly. Together they charm festival crowds and drive roadhouse drinkers to the dance-floor.

              Since hurricane Katrina washed them out of New Orleans, Truckstop Honeymoon have traveled to the ends of the Earth and back, performing in Australia, Holland, Germany, Britain and throughout the US. Their music tells a story so honest and strange you know they didn’t make it up.

              Katie learned whore-house piano and bucket bass in the streets of the French Quarter. There she met Mike, a banjo-slinging grifter who sold CDs he claimed cured hangovers and small-mindedness. After a court house wedding, the pair hit the road. They spent their wedding night in a truck stop somewhere between Lafayette and the Atchafalya Swamp. And so Truckstop Honeymoon was born.

              On August 29 2005, flood waters submerged their home base in the Lower 9th Ward of New Orleans. Truckstop Honeymoon were on tour when the storm hit and so on-tour is where they stayed. Mike and Katie played shows every night, lived out of their van and kept their two daughters entertained in convenience stores across America. But eventually, the road weary family parked their rig as far from any large body of water as they could get: Lawrence, Kansas.

              Truckstop Honeymoon continue to tour and build a loyal following from Illinois to Norway. They have put out four CDs on Baton Rouge label, Squirrel Records, and a full length documentary film by Nathan King Miller, “I Won’t Let The Angels Take You Away”, will soon be available on DVD.

              When they are not traveling, Katie and Mike run The 9th Ward Pickin’ Parlor, a small studio where they produce songwriters, bands and eccentrics from all over the United States

              OUR LINKS


              Brody Buster One Man Band

              MORE INFO COMING SOON!



                12/6

                Weaver

                Chase Compton
                Rashiyd Ashon

                All Ages | 8 pm

                Weaver

                MORE INFO COMING SOON!



                  Chase Compton

                  Chase Compton was born January 21, 1994 in Lawrence,Kansas. This rapper/songwriter started his musical aspirations at the age of 15. Chase has released three projects with another one on the way so far in his career and has been building his awareness throughout the Midwest region. Chase caught the attention of his peers with the release of "Midnight Music" in 2010. Fans were growing daily and more show opportunities came his way in a matter of months. Midnight Music propelled him into his first big show as the main support at the Section 8 music festival. Chase has blessed the stage with the likes of Juicy J, Chevy Woods, Problem, Dubo, Chris Webby, MGK, Currensy, Talib kweli, TimeFlies, Asher Roth, Berner, XV, T Mills, Kid Ink, Mac Miller, Big Krit, Wiz Khalifa, and Smoke Dza. During the fall of 2012 came the release of "Elevated Preview". The response was unbelievable and the first single "Acknowledge" visuals received over 40 thousand views via YouTube and 150 thousand views on gorilla leak hip-hop music site. The spring of 2013 took Chase to South by Southwest in Austin, Texas where he performed at 3 official showcases. One month later Chase was invited to accompany Chevy Woods as support on the Good Stock tour. Chase is now spinning on 14 major college radio stations throughout the country and has been named a headliner for the music festival “Dancefestopia” in Kansas City. Needless to say Chase is working his heart out to make good music. He is always saying that "this is for the fans." So, what started as a hobby has now turned into something special. His "Wake Up” project is coming soon. This Phenom ''CHASE COMPTON" is the Real Deal. Just you wait and see....

                  OUR LINKS


                  Rashiyd Ashon

                  MORE INFO COMING SOON!



                    12/7

                    Smackdown Trivia

                    18 & Over | 6:30 pm

                    Smackdown Trivia

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                      12/8

                      Blackalicious

                      Daniel Bambaata Marley
                      Approach & The Boogaloo Odyssey

                      $17 - $19 | All Ages | 8 pm

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                      Blackalicious

                      In a hip-hop career that has stretched past a decade, Blackalicious has earned respect the old-fashioned way–rising through honesty, commitment, and artistry. Blackalicious is an American hip hop duo from Sacramento, California made up of rapper Gift of Gab (born Tim Parker) and DJ/producer Chief Xcel (born Xavier Mosley). They are noted for Gift of Gab’s often “tongue-twisting”, multisyllabic, complex rhymes and Chief Xcel’s “classic” beats.

                      OUR LINKS


                      Daniel Bambaata Marley

                      MORE INFO COMING SOON!



                        Approach & The Boogaloo Odyssey

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                          12/12

                          Animals as Leaders

                          Monuments
                          Existem

                          $18 - $20 | All Ages | 8 pm

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                          Animals as Leaders

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                            Monuments

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                              Existem

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                                12/13

                                yojimbo

                                All Ages | 8 pm

                                yojimbo

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                                  12/31

                                  Split Lip Rayfield

                                  DeWayn Brothers
                                  Loaded Goat

                                  $26 - $28 | 18 & Over | 7 pm

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                                  Split Lip Rayfield

                                  The Kansas-based post-punk progressive bluegrass outfit Split Lip Rayfield was comprised of vocalist/banjoist David Lawrence, guitarist/dobroist Kirk Rundstrom, and one-string bassist Jeff Eaton, whose instrument was fashioned from the gas tank of a 1965 Ford. An outgrowth of the group Scroat Belly (though it didn't take long for them to outlive the band that spawned them), the trio debuted in 1998 with a self-titled LP issued on the Bloodshot label. In the Mud followed a year later; by this time, singer and mandolin player Wayne Gottstine had expanded the lineup to four pieces and Eric Mardis had replaced Lawrence on banjo. The new millennium saw the release of a third effort, Never Make It Home, which arrived in stores in late 2000. After three years of touring, which saw the group opening for everyone from Del McCoury to Nashville Pussy, Split Lip Rayfield recorded and released a fourth long-player, Should Have Seen It Coming, in 2004. In early 2006, Rundstrom (who had also released a few solo records) was diagnosed with cancer. He continued to perform with the band for months as he fought and underwent treatment, but Rundstrom ultimately succumbed to the disease in February 2007, just about a week after playing what would be his last show. ~ Jason Ankeny, All Music Guide

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                                  DeWayn Brothers

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                                    Loaded Goat

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                                      1/7

                                      Shes a Keeper

                                      All Ages | 8 pm

                                      Shes a Keeper

                                      She's A Keeper

                                      This five piece band with roots in KC has now stretched its audience to Lawrence, KS where part of the band attends KU and all the way down I-70 to Columbia, MO where part of the band attends MU.

                                      When they come together on stage, fun and energetic three part harmonies can be heard. The sound is a folk rock, Americana that at times sounds a wee bit Irish, thanks to one of the two frontmen being half Irish. Also in the mix, a powerful cello and a wiley banjo often played from behind the drum kit.

                                      Those harmonies come from Zac and Colin on vocals and guitar with Fritz on percussion, drum kit, banjo and vocals. Elliott on bass brings prowess in his genes as he is the son of one of The Elders. And then perched behind her cello is Kate adding a dynamic not found in young bands these days.

                                      When firing on all cylinders they can turn any room into a party. One of their first gigs at recordBar brought out 160 people. Since then they have played at Livestrong Sporting KC Stadium, Kanrocksas, The Country Club Plaza Art Fair and recently sold out The Brick in Kansas City.

                                      They are currently playing in support of their 2011 self titled, self released album, "She's a Keeper."

                                      In the near future they hope to begin work on a brand new EP as well as make their first music video.

                                      OUR LINKS


                                      1/16

                                      Play Dead

                                      All Ages | 8 pm

                                      Play Dead

                                      The Players
                                      Dylan Bassett - Percussion
                                      Brad Boerger – Guitar & Vocals
                                      Joe Comparato – Bass & Vocals
                                      Michael Hamm – Guitar & Vocals
                                      Bradford Hoopes – Keyboards & Vocals
                                      Colin Mahoney - Percussion

                                      As we approach the 50th anniversary of the Grateful Dead in 2015, this group of talented and eclectic musicians has come together to celebrate the remarkable repertoire and live experience of the Grateful Dead. More than what you’d expect from a typical tribute band, this group embraces the foundation of what made the Dead’s sound so unique by creating a landscape of masterful improvisation, rich harmonies and beautiful melodies across all genres of music.
                                      While this group of players has never before taken the stage together, they have all been in connection for more than 20 years and possess over a century of experience writing, teaching, performing and producing music. Boerger and Comparato have played and performed together in the L.A. Ramblers, The Deal, The Coyote Project and most recently Stranger Tractor. Additionally Boerger’s music roots include Tofu Teddy, The Red Zone, The Parlor Frogs, Diamond Eyed Jack & Flint Gray. Hoopes’ credits include The EZ Pieces, Ardys & Bradford, The Secondhands and with Mahoney, venture back into the 80’s with the east coast jam band MoonRocks. Hoopes and Hamm have played together in The Yards since 2003. Bassett and Mahoney are a seasoned and accomplished percussion duo with numerous credits for session work as well as their performances in their bands Sunu (in which both Bassett and Hamm play), Truckstop Honeymoon and 40 Watt Dreams (in which Mahoney play).
                                      Together Play Dead produces an uncanny rendition of a part of musical history that was genius, ahead of its time and may never be experienced again. To say the music and culture of the Grateful Dead had a profound effect on the course that music has taken over the years is a grave understatement. Whether you’re a card carrying Deadhead, a Hi-Fi music aficionado or just a music junkie who loves a good groove you will not want to miss Play Dead.
                                      Let The Music Play The Band!

                                      OUR LINKS


                                      1/21

                                      Captiva

                                      All Ages | 8 pm

                                      Captiva

                                      MORE INFO COMING SOON!



                                        1/27

                                        John Doe (of X)

                                        $16 - $19 | All Ages | 8 pm

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                                        John Doe (of X)

                                        John Doe was born in 1977 when he arrived in Los Angeles. His previous life in Tennessee, Wisconsin & Baltimore was a great & fertile time but new music and social changes led him to events that created a life in art. He graduated from Antioch College in Baltimore in 1975, worked as a roofer, aluminum siding mechanic, and ran a poetry reading series. Ms. Meyers was his landlord in the rural black community of Simpsonville , MD.
                                        John met Exene Cervenka at the Venice poetry workshop Nov 1976 and he started working with Billy Zoom around the same time. When DJ Bonebrake joined X in mid-1977 the line up was complete. They released six studio records, five or six singles and one live record from 1978-1993. Five of X’s records have been re-issued along with two compilations. The Unheard Music documents their lives and progress as a band from 1980-83. In 2009 the film was included in the Sundance UCLA Archive of greatest films of all time. They appeared several times on American Bandstand, Solid Gold and David Letterman. As one of the last original punk rock bands standing, they continue to tour. The day that X played a free noontime concert in Fullerton, CA, they caused Orange County’s greatest high school truancy rate to date.
                                        In 1988 John started a family and lived in the Tehachapi Mountains, near the “Grapevine” of Highway 5, which separates southern and central California. He has recorded 8 solo records w/ numerous renowned singers and players, more recently including Patty Griffin, Dan Auerbach, Aimee Mann, Don Was, Kathleen Edwards and Greg Liesz. He has appeared in over 50 films and television productions, with some of his most notable roles in Road House, Georgia, Roadside Prophets, Great Balls of Fire, Pure Country and Roswell. He continues to act these days but more sporadically as his touring schedule has become more demanding.
                                        Other musical side projects include work with the Knitters, Jill Sobule and The Sadies. He continues to write poetry and has even taught workshops from time to time. He currently lives north of San Francisco, California.

                                        OUR LINKS


                                        2/12

                                        That 1 Guy

                                        $13 - $15 | All Ages | 8 pm

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                                        That 1 Guy

                                        'What guy'? The inevitable question always comes up when That One Guy pops into town. Let's make this clear: That One Guy is the name of a kick-ass one-man band. There are many aspects that separate this musical act from others besides the line-up; one thing in particular is his unique musical apparatus, The Magic Pipe. Imagine, if you will, a massive plumber's pipe, six or seven feet tall, equipped with a long-ass bass string and a series of MIDI triggers routed to various sequencers and samplers. Now picture the top of the pipe elbowing downward, housing another bass string tuned to a higher pitch. "I'd say it (looks) like an elephant with a parrot sitting on its head," elaborated Silverman. Placed in front of the Pipe are two kick pedals that trigger drum loops, and surrounding the rig is an impressive array of effects pedals. I swear, Inspector Gadget has nothing on this musical mastermind. "I built it in a kinda jam. I was supposed to do this really big gig at the Troubadour. I was opening up for Fantômas, and I just couldn't tighten up my sound; there was a lot of different things I couldn't do. I had a few textures, but I needed more. I also couldn't turn up loud enough, 'cause all my stuff was feeding back. I couldn't push it as hard as I wanted to, so I built the pipe 'cause I needed to." After a whirlwind trip to Home Depot and a little brainstorming, The Magic Pipe came to fruition. The show is a big part of his music, but it is clear that there's more behind That One Guy than simply a big ol' mess of gear. "I had a ton of ideas back in the day to make the show bigger and crazier, but I've come around full circle because I'm really enjoying playing music on the instrument and you can really get lost in that stuff. If you're not really careful all the time, it goes in the wrong direction." His songs do nothing to envelop him in the world of pop conformity. Cameo covers aside, That One Guy prides himself on the ability to make music that meshes the diversity and technicality of his set-up with the core simplicity of a catchy, quirky song. Silverman learned the lesson that a good song should be "so simple that it stands on its own." "I record everything I think of; rhythmic ideas are the first things that hit me, and possibly melodic ideas. If I find a riff or an idea, I stockpile it 'till I have some time to work on it, and when I work on it, it inspires something else like a lyrical rhythm or melody. Once I start demo-ing things, it becomes really easy to finish the song." That One Guy's music lies somewhere between the not-too-distant future and the long forgotten past. Combining elements such as funk, rock, jazz, and sparse electronica may get you an interesting sound, but filter those influences through certain minds and you get something totally original. Growing up on the Bee Gee's version of "Sgt. Pepper's Lonely Hearts Club Band" may have also had some impact. "I saw the movie on Showtime and I loved it. This weird Bee Gees disco and Peter Frampton version of Beatles cuts, that was a total big influence on me in a weird way." Last year, That One Guy captured his sound on the self-recorded, self-produced album, Songs in the Key of Beotch. With swirling samples, amusing lyrics and multiple layers of music and rhythm happening all at once, it's hard to believe the album was recorded live in the studio. "People who haven't seen me play yet definitely always ask. Most people don't understand it. When they get to see it they realize it's all live. It's hard for me to explain it to them." That One Guy's musical exploits have recently been taking him places far and wide, including a brief stint in Hong Kong. Like he's done so many times before, he took the audience by surprise. "It was hard to judge their reaction at first; they were very curious, checking it out, but they were really genuinely into it," recalled Silverman. "By the second gig they were getting a lot more expressive, getting kinda wild and stuff, screaming, but for the first gig they were kinda subdued, checking it out. Getting his massive load of equipment overseas was a feat in itself. "Basically, every single piece of gear I have is too heavy to fly with, and I would have had to pay over-weight on everything. I completely deconstructed my rig and rebuilt it into these suitcases so I could carry some of them on and check some of them in. It was actually a total nightmare. I'm never going to do that again; I'm building a travel rig as we speak, just for flying purposes." Luckily, That One Guy understood the glories of caffeine. "I didn't sleep for three days straight. I kept rebuilding; I kept drinking Red Bulls, man. It really worked well for a long time, but then I just completely started freaking out. You gotta be careful with that shit." It is obvious from Silverman's laid-back attitude and keen sense of humor that he's a good spirit, and not in music for stardom and throngs of scantily clad seventeen-year-old girls (not that that's a bad thing). That One Guy exists for one reason: Mike Silverman needs it to exist. "It all stems from necessity. It's like somebody built a house 'cause they need something to live in. Music to me is the same way — it has to serve a purpose. Not like change the world or anything, but some kind of expression. It allows you to express something that you can't get out in words, or it reaches somebody on the same level." - Maurice Spencer Tellman

                                        OUR LINKS


                                        2/18

                                        The Wood Brothers

                                        $19 - $21 | All Ages | 7 pm

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                                        The Wood Brothers

                                        Ways Not To Lose, the 2006 debut from the Wood Brothers had, in a sense, been a lifetime in the making—the first public collaboration between vocalist and guitarist Oliver Wood, who fronts Atlanta-based blues band King Johnson, and upright bassist Chris Wood, of the long-running, genre-blasting trio Medeski Martin and Wood. As players, they displayed an easy-going virtuosity; as siblings, they had an extraordinary rapport. Their folk and acoustic blues tunes, tinged with gospel hopefulness and country melancholy, were welcomed like old friends by both fans and pundits. National Public Radio named their debut disc one of their top ten discoveries that year. Rolling Stone declared, “The flip, easygoing party music on ‘Lose’ disguises sneakily deep inquiries into what it means to be alive, struggle with temptation, and every once in a while seek some truth.”

                                        With the 2008 release of Loaded, the Wood Brothers engage in a more expansive musical dialogue that commenced well before they hit the studio; they collaborated for the first time on writing material together. John Medeski, returning as producer, got into the mix as the songs were just taking shape, and he plays keyboards on several tracks. The crew, working at a studio near Woodstock, New York, opened up the sessions to other musicians and friends—singers Amos Lee, Pieta Brown and Frazey Ford, steel guitarist Darick Campbell, violinists David Mansfield and Jennifer Choi, cellist David Eggar, drummers Billy Martin and Kenny Wolleson, and percussionist Donnie McCormick—making this a more fleshed-out, multi-layered band effort compared to the spare, live-in-the-studio approach of Ways Not To Lose.

                                        OUR LINKS


                                        3/2

                                        Houndmouth

                                        $13 | All Ages | 8 pm

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                                        Houndmouth

                                        That first November 2011 night, when it all fell together at the Green House, was nothing more complicated than four friends playing music, armed with something to drink and a curiosity about what might happen. They were the generation who has come of age in the new economy, already adept at shuffling jobs and get-bys, firmly acclimated to the diminished expectations that come with growing up somewhere the rest of the world assumes is nowhere. Which, in this case, is New Albany, Indiana.

                                        Houndmouth, then, knew each other from…around. Matt Myers and Zak Appleby had played in cover bands together for years, schooled in blues and classic rock and Motown, toughened by indifferent audiences and the clatter of empty bottles. Matt and Katie Toupin had worked as an acoustic duo for three years, when she wasn’t on the road tending to a straight job. Katie and Shane Cody had gone to high school together, before Shane disappeared off to Chicago and New York to study audio engineering. In the beginning it was Shane and Matt who’d started knocking around at first, just drums and guitar, once Shane got home and free of a brief bluegrass flirtation.

                                        The rest happened in a tumble, Zak and Katie switching from guitars to bass and keyboards, respectively. Four months later, their homemade EP in hand, Houndmouth made the pilgrimage to South By Southwest. Their booking agent convinced Rough Trade’s Geoff Travis to come have a listen. Of such things are dreams made. Months of conversation and a proper studio later, their debut album, From the Hills Below the City, will be released by Rough Trade.

                                        “We lucked out,” Matt says. “We knew we were making good music. We knew we had something. But we didn’t know it would escalate so quickly. Always the element of luck.”

                                        Before and after that bit of luck, Houndmouth have been on the road, building their audience. Working. Opening for the Drive-By Truckers, the Lumineers, the Alabama Shakes, Lucero, and Grace Potter and the Nocturnals. Headlining on their own. Turning heads.

                                        “You know good art when you see it,” says Newport Folk Festival booker Jay Sweet, an early adopter, “and you know good food when you taste it. Well, you also know good music when you hear it, and when I first heard Houndmouth it was like freshest tasting art I had heard in many moons. A true musical omnivore’s delight.”
                                        “I’m going down where nobody knows me,” they sing during the jaunty chorus of “On the Road.” The opening track to From the Hills Below the City, which is more or less the relationship New Albany has to Louisville, across the river: “I had a job had to leave behind me…I had to move to another city.” A two and a half minute slightly bent pop confection, conscious of all kinds of music which went before. Self-conscious about nothing, not even the neo-rap cutting contest that snaps across one break. A blues for now, then.

                                        The older heads are noticing, the ones who are hardest to convince. “Houndmouth is a great young band,” testifies Patterson Hood of the Truckers. “They toured with us last month and brought it each and every night. They were extremely popular with our fanbase and our band. I look forward to hearing what they do next.”
                                        Rolling Stone’s David Fricke joined the chorus of praise after seeing Houndmouth during SXSW ’13: “They are all singers, leading with individual character and harmonizing in saloon-choir empathy. The music is earthy melancholy with a rude garage-rock streak.”

                                        Houndmouth’s songs emerge with a loose-limbed swing, anchored by a sturdy rhythm and a cagey melodic sensibility. “Penitentiary,” revived from Matt and Katie’s acoustic days, is all dressed up as a rock anthem. It’s dark, yet fun, with all those voices singing, “come on down to the Penitentiary/oh mama, the law came crashing down on me.”

                                        Matt sketches the origins of his song, which became their song. “I met a guy in Reno on a road trip before we started the band, and he was super down on his luck,” he says. “We met him at a gas station, bumming money. He told me a few details that are probably in the song, but I made most of it up. I changed the setting to Texas, because it sounded authentic.” And then he mentions that he was listening to Jimmie Rodgers at the time.
                                        Hard-luck songs, to be sure, betraying a certain criminal bent. Not their stories, Katie is careful to note, but the world they’ve watched walk on by. “We grew up in Southern Indiana,” she says. “It’s not always the classiest place. So all that is not unfamiliar even if we haven’t personally been through the darkest parts of it.”

                                        And yet, as she also says, “No matter how much anyone wants to write a completely fictional or narrative song, there’s ALWAYS part of you in it. I think that it is important, even when writing narrative songs, that there is something real about them. That there is part of yourself in them.” Houndmouth’s truths, then, are emotional. For the most part.

                                        “The dealers and the bootleggers/Got me hooked on freebasing/And I can’t trust my government/So I looked into the other dimension,” Katie sings, tough and innocent. “And now they got me doing bad things.” “The song is a story,” Katie says. “I didn’t get hooked on freebasing. Yet there is part of me in it…It’s also maybe about me wanting to escape, loosen my morals, not opening my heart to people.”

                                        So are the songs. Deeply emotional, that weird, powerful, essential thing the blues does that makes you feel better through the tears. Especially the songs which are deeply personal, like “Halfway to Hardinsburg” or “Palmyra.” Or the sad, slurring loss of “Long as You’re Home,” on which they sing, “Who am I supposed to be?”

                                        Themselves, of course.

                                        Four musicians from New Albany, Indiana, across the river from Louisville. Where Will Oldham, Jim James, and Freakwater’s Catherine Irwin live. A fecund place, and place
                                        matters. Not a sound, not a scene, but a place. A real place. “There is a familiar element about My Morning Jacket that I can’t really pinpoint,” Katie says. “It’s kinda like what I can’t pinpoint about what Houndmouth is that we all sort of get. It just makes us feel at home.”

                                        OUR LINKS


                                        3/20

                                        Sylvan Esso

                                        $15 | All Ages | 8 pm

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                                        Sylvan Esso

                                        Sylvan Esso was not meant to be a band. Rather, Amelia Meath had written a song called “Play It Right” and sung it with her trio Mountain Man. She’d met Nick Sanborn, an electronic producer working under the name Made of Oak, in passing on a shared bill in a small club somewhere. She asked him to scramble it, to render her work his way. He did the obligatory remix, but he sensed that there was something more important here than a one-time handoff: Of all the songs Sanborn had ever recast, this was the first time he felt he’d added to the raw material without subtracting from it, as though, across the unseen wires of online file exchange, he’d found his new collaborator without even looking.

                                        Meath felt it, too. Schedules aligned. Moves were made. And as 2012 slipped into 2013, Sanborn and Meath reconvened in the unlikely artistic hub of Durham, N.C., a former manufacturing town with cheap rent and good food. Sylvan Esso became a band. A year later, their self-titled debut—a collection of vivid addictions concerning suffering and love, darkness and deliverance—arrives as a necessary pop balm, an album stuffed with songs that don’t suffer the longstanding complications of that term.

                                        OUR LINKS


                                        OUR CALENDAR

                                        November
                                        27
                                        Thursday

                                        DOORS AT 7:00 pm

                                        SHOW AT 8:00 pm

                                        All Ages
                                        November
                                        28
                                        Friday

                                        DOORS AT 8:00 pm

                                        SHOW AT 9:00 pm

                                        All Ages
                                        November
                                        29
                                        Saturday

                                        DOORS AT 8:00 pm

                                        SHOW AT 9:00 pm

                                        All Ages
                                        November
                                        30
                                        Sunday

                                        DOORS AT 6:30 pm

                                        SHOW AT 7:00 pm

                                        18 & Over
                                        December
                                        1
                                        Monday

                                        DOORS AT 8:00 pm

                                        SHOW AT 9:00 pm

                                        18 & Over
                                        December
                                        4
                                        Thursday

                                        DOORS AT 8:00 pm

                                        SHOW AT 9:00 pm

                                        All Ages
                                        December
                                        5
                                        Friday

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                                        December
                                        7
                                        Sunday

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                                        8
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                                        12
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                                        December
                                        13
                                        Saturday

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                                        31
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                                        January
                                        7
                                        Wednesday

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                                        January
                                        16
                                        Friday

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                                        January
                                        21
                                        Wednesday

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                                        27
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                                        18
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                                        2
                                        Monday

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                                        March
                                        20
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                                        Wednesday Happy Hour Specials
                                        $1 Domestic Mugs
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                                        Wednesday Night Specials
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                                        By @ac_braun "The Heard opening up for @orgonemusic tonight @thebottleneck. Heard them we did. Well ...
                                        posted 6 days ago
                                        By @hheeyyitsali "#orgone destroying it at the @thebottleneck"
                                        posted 6 days ago
                                        By @andrearose454 "The Heard #bottleneck #theheard" @theheard
                                        posted 6 days ago
                                        Head down to #Thebottleneck for @orgonemusic @gonbopsofficial #orgonefunk #livepercussion"
                                        posted 6 days ago
                                        By @will_phillips_percworld "Nuts and bolts of a gig!! Hitting in Lawrence, KS tonight with ...
                                        posted 6 days ago
                                        By @up_to_eleven "@davidbazan your voice is made for a string quartet. Thanks for makin the drive! ...
                                        posted 6 days ago
                                        By @thewerksofficial "#WERKSvsZOOGMA Ticket Contest! @thewerksofficial & @zoogmaofficial are ...
                                        posted 1 month ago