Lawrence Field Day Fest 2019

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Stick To Your Guns

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Stick To Your Guns is a 5 piece melodic hardcore band from Orange County, CA. The group began in the summer of 2003 when vocalist Jesse Barnett was inspired to form a band that would provide him with a medium to project his view points and reflect his musical influences. STYG blends melody, heaviness, and sincerity into one solid sound that will cater to fans of Comeback Kid, Throwdown, Ignite, and Rise Against.

When Ash Avildsen of Sumerian Records first noticed the band, he put them on as the opener for Ignite's Anaheim House of Blues show that did over 850 people. After the incredible response and passionate performance, he immediately signed the band for booking and the hype began to spread all of the country. STYG recently completed a Westcoast tour w/ Caliban and The Acacia Strain in October, as well as a 7 week co-headline tour in Nov/Dec w/ Too Pure to Die and As Blood Runs Black. STYG headlined all of the Texas and California shows with all of the turnouts being between 300 and 500 kids. STYG also holds the record for the highest attendance ever at the Chain Reaction in Anaheim, Orange County's premier all ages venue. Even before signing to Sumerian Records, the amount of momentum behind the band was so powerful that they were chosen to open the upcoming Terror tour in January/February 2007 that also features The Warriors and All Shall Perish.

OUR LINKS

• Stick To Your Guns Homepage
• On MySpace

Counterparts

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TERROR

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Sanction

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Year Of The Knife

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Shawn James

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Shawn James’ voice is a force of nature, a musical preacher to a flock that accepts everyone, a combination of the gospel choirs he sang with as a youngster and his training in classical music and opera. Born and raised on the South Side of Chicago,
James’ timeless sound is steeped in blues legends like Robert Johnson and Son House, forever at the crossroads of damnation and redemption, the two inextricably woven into the fabric of his songs

Sophistafunk

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Fans across America are talking about Syracuse-based Sophistafunk, the product of three multi-talented musicians — Adam Gold, Jack Brown, & Emanuel Washington — who combine spoken-word artistry, old-school hip hop, & funky rhythms to create a unique live band experience.

The band met in 2007 and rapidly evolved into a national-touring live act. Known for their HUGE sound (created by only three members), the band has won over crowds with a captivating stage presence and tight musicianship. Rooted by old school funk / hip hop, the trio explores electronic dance grooves while infusing each tune with soul and positively charged lyrics. Sophistafunk is a multi-genre tour de force, jam packed with vintage tones and live instruments.

For six years, this road warrior band has been hitting the pavement and blowing minds across the United States. They’ve collaborated live with greats spanning Bernie Worrell (Parliament/Talking Heads) to Nikki Glaspie (Beyonce/Dumpstaphunk) and were featured on Diners, Drive-Ins and Dives when Gold’s restaurant and music venue, Funk n’ Waffles, was featured on the show on December 25, 2012. Host, Guy Fieri, dug the band so hard, they’ve since played his birthday party in Santa Rosa, CA and became the first band ever to play the International Home and Housewares Convention in Chicago, IL on March 3, 2013, by Fieri’s personal request.

Sophistafunk has played high-profile venues including The Blue Note Jazz Club (NYC), The Boom Boom Room (San Francisco), The Belly Up (Aspen), Brooklyn Bowl (NYC) and more and supported acts including Soulive, G. Love, Foreigner, Trombone Shorty, Ivan Neville’s Dumpstaphunk, EOTO, Marco Benevento and more. They’ve also gained attention from publications including New York City’s Village Voice and Beyond Race Magazine.

OUR LINKS

• Sophistafunk Homepage
• On Facebook

Empty Moon Album Release

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The Roseline

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OUR LINKS

• The Roseline Homepage
• On Facebook
• On Twitter

Toughies

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Afterlife Tour

Smrtdeath

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Lil Lotus

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guccihighwaters

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Summer Salt

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Dante Elephante

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Motel Radio

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Shaw Davis & the Black Ties

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Dust Devil Choir

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Crowbar

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Lo-Pan

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The Soiled Doves

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Kindo

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Kindo

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Erra

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Currents

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Barely Civil

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Mess

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Lost Dog Street Band

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Matt Heckler

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The Felice Brothers

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THE FELICE BROTHERS·FRIDAY, MAY 3, 2019
Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date.
“Many of the songs on the new album are motivated by a shift from private to public concerns,” says songwriter Ian Felice. “It isn't hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives. The hard part is finding simple and direct ways to address them.”
Undress follows the band’s 2016 album Life In The Dark, and finds the group in a very different place three years later. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. “Every song is a story,” said James Felice. “On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.”

Diane DeMuth

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Diana DeMuth is a powerful young singer-songwriter from Boston, Mass. She is currently working on her debut album with renowned record producer Simone Felice (The Lumineers, Jade Bird, Vance Joy, Bat For Lashes, The Felice Brothers).

Hannah Norris & The Band

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Final Girl and the Monsters

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They Watch us from the Moon

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Vedettes

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Turnip Head - Kansas

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Amanda Fish

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Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda's signature 'from-the-gut' vocals locked into a sturdy groove.

In 2015, she released her first LP, "Down In The Dirt", on VizzTone Label Group, for which she was awarded the 2016 "Sean Costello Rising Star" Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.

Chuck Mead & His Grassy Knoll Boys

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He‟s been known as the co-founder of the three-time Grammy nominated BR549, the honky-tonk
heroes that almost single-handedly lit and carried the blowtorch for the mid-„90s alternative country
explosion. He‟s been hailed as „The Hillbilly Renaissance Man‟ for his subsequent successes as a
songwriter, performer, producer and musical theater director. Now after more than a decade as one of
the most uncompromising and consistent talents in the American roots music movement, Chuck
Mead at last emerges with the most anticipated role of his entire career: Solo Artist.
With Journeyman’s Wager, Chuck Mead throws down the gauntlet with an album that defies all
sonic expectations while re-defining his position as one of the hardest-working artists in the business.
“I respect the term „journeyman‟,” Mead says, “because that‟s I what consider myself. I‟ve been living
by my wits musically for more than 20 years now, going from job to job and doing them all pretty well.
Certainly there‟s a hustle to what I do, but there‟s always been a gambling aspect to it, too. With this
album, it‟s finally all me going all-in. It‟s a record that challenges listeners in a good way. Best of all,
I‟ve challenged myself.”
Produced by Grammy-winner Ray Kennedy, the eleven tracks on Journeyman’s Wager embody not
only the core of country music, but also the pulse of pop, R&B, hillbilly rock, Gospel and beyond. “Why
be confined by barriers or genres?” Chuck asks. “As far as I‟m concerned, it‟s all American Music.
These are the sounds that made up my musical vocabulary. I still believe that American Music is
about real things, good stories and unique songs. And I‟m willing to bet that most everyone else does,
too.”
“It‟s hard to believe that it‟s taken him this long to make a solo record,” says producer/engineer Ray
Kennedy, best known for his work on classic albums by Lucinda Williams and Steve Earle. “What sets
Chuck apart from so many artists is that he‟s a genuine hard-working, blue-collar performer. I hate the
word „old-school‟ but we didn‟t want this album to sound like a lot of modern records where everything
is over-tweaked and perfect. We knew we had to make it intimate and real.” Kennedy recorded the
entire album analog on two-inch tape, in a studio full of both state-of-the art and vintage equipment
that included „60s tube microphones, a Vox Continental organ, and a badass band that featured
Kenny Vaughn (Marty Stuart), Audley Freed (The Black Crowes), Mark Miller (BR549), Mark Horn
(The Derailers), Dave Roe (Johnny Cash), Mike Henderson (The SteelDrivers), Pat Sivers (The
Everly Brothers) and Jen Gunderman (The Jayhawks). “Chuck is the same in the studio as he is on
stage,” Kennedy explains. “He loves working without a net. There are a lot of multiple voices singing
into one microphone and the band playing together in one room. Most of all, it‟s an album that really
represents his worldview song-wise. It has humor, intelligence, sarcasm, a bit of politics and a lot of
spontaneity. Plus he‟s singing his ass off. Chuck doesn‟t have a model; he really is a journeyman in
that songwriting and entertaining is his life.”
For Mead, life and music have always been irrevocably intertwined. “I joined my first band at 12 years
old,” he explains with a laugh. “Ruint me forever.” Throughout his 20s, he led several groups in and
around his hometown of Lawrence, Kansas, including the popular Mid-western cult band The
Homestead Grays. By the early „90s, Chuck found himself as an itinerant musician on Nashville‟s
then-seedy Lower Broadway. It was a place in time where a performer armed with only the vision of a
sonically relentless hillbilly band with nothing to lose could try anything. Within months, Mead cofounded
a quintet that began playing must-see marathon sets in the front window of bar/bootery
Robert‟s Western World. Seven albums, three Grammy nominations and millions of worldwide fans
later, BR549 would become one of the most improbable success stories of the past decade.
“BR549 is on extended hiatus,” Chuck now says. “We were – and remain – a family, and taking a
break from each other will make us miss each other more. We survived the highs, the lows and all the
hype, and we still had fun making music we love. But it was also time for me to do my own thing.”
With the exception of occasional reunions on Prairie Home Companion (at the behest of longtime fan
Garrison Keillor) and benefits for favorite charities, Mead‟s post-BR career soon became known as
much for its continued integrity as for its eclecticism. He founded the touring collective The Hillbilly All-
Stars featuring members of The Mavericks, co-produced acclaimed tribute albums to Johnny Cash
and Waylon Jennings, guest-lectured on „The Sociology of Modern American Culture‟ at Vanderbilt
University, and became a staff writer at one of Nashville‟s top song publishers. In 2007, he was
named Musical Director of Million Dollar Quartet, the new hit stage musical based on the night in 1956
that Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley came together for an impromptu
jam session. “It‟s been incredibly liberating to do all these things I‟ve never done before,” Chuck says.
“But most of all, I wanted to call my own shots and make a record that mattered.”
Ten of the eleven tracks on Journeyman’s Wager are co-written by Mead, who‟d spent the past year
working with such idiosyncratic and award-winning songwriters as Tia Sillers, Bobby Huff, Greg
Crowe, Patrick Davis, Angeleena Presley, Mark Collie and Jon & Sally Tiven. The album roars out of
the gate with the twanging highway stomp of “Out On The Natchez Trail”, and runs head-on into the
sinister mystery of “Gun Metal Grey”. The horn-powered “She Got The Ring (I Got The Finger)” is a
sly nod to Jerry Reed‟s “She Got The Goldmine (I Got The Shaft)”. There‟s classic country-pop
wisdom in “Albuquerque”, gentle insight in “Up On Edge Hill”, and hard-driving good times in “I Wish It
Was Friday”. “A Long Time Ago” is a paean of pedal-steel regret, while “After The Last Witness Is
Gone” is a bold testimonial that‟s equal parts honky-tonk and roadhouse rocker. “In A Song” may be
the album‟s genuine showstopper, a gloriously sanctified testament to the Everlasting Church Of
Music. The disc‟s sole cover is a fiery version – complete with yodeling – of George Harrison‟s “Old
Brown Shoe”, the obscure Beatles b-side from “The Ballad Of John & Yoko”. The album closes with
the assured shuffle-funk of “No Requests”, a song whose chorus is a potent statement of purpose
from an artist who is now truly his own man.
“Even when BR549 were being called a throwback act, we never allowed ourselves to be classified,”
says Chuck. “The key was to always bring something new to everything we did. Today my slate is
cleaner than ever before. This album is all me, doing what comes naturally.” For Chuck Mead, the
time has come for one of Americana‟s most uncommon artists to finally step out, step up and be
heard on his own unique terms. And in a game where sure bets are rarely the real deal, one
singer/songwriter/performer is again unafraid to lay it all on the line. “I mean everything I say on this
album,” Chuck Mead says. “You can tell it with a wink and a smile, but it‟s still the truth. And the truth
is that Journeyman’s Wager is the culmination of everything I‟ve learned. These are my decisions.
This is my music.”

OUR LINKS

• Chuck Mead & His Grassy Knoll Boys Homepage

Gutter Demons

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Ghost of Grandads Past

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Unmerciful

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Gravehuffer

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Bleed The Victim

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Una Walkenhorst Band

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Teri Quinn and Friends

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Hannah Norris & The Band

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Matt Wilson & His Orchestra(from Trip Shakespeare)

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Kublai Khan

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Orthodox

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jackLNDN

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Supersuckers

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You’ve heard our name, you’ve seen our records, our t-shirts and our stickers. We’re probably the favorite band of someone you know and yet we’re still a mystery to you. Well my friend, that’s okay, I’m here to fill you in and help you to get to know the greatest rock-n-roll band in the world, The Supersuckers.

Our story is almost impossible to believe. This band is literally a human cartoon. We all grew up among the dead-ends and cactus needles of Tucson, Arizona and have known each other since grade school. We graduated from the same high school together at the same time (a school immortalized in our song “Santa Rita High”) and we chose to play in a band together because we liked to hang out together, not because we were great musicians or anything. I truly believe that a band is defined by their limitations, that what they can’t (or won’t) do is just as important as what they can do. I guess that, in this era of pre-fabricated, put-together-to-have-a-hit bands, we’re kind of an aberration and I gotta tell ya that that makes us smile a little every day.

We formed the band in 1988 and we were initially a five piece called The Black Supersuckers ( a name found in some quality “adult literature” we had laying around in our impeccably clean band house!), with me on bass, Dan “Thunder” Bolton and Rontrose Heathman on guitars, Dancing Eagle on drums and a lead singer by the name of Eric Martin. After firmly proving ourselves to be the best band in town we decided it was time to get out of Tucson and try our luck somewhere else. So we tossed a coin with heads as New Orleans and tails as Seattle. Tails it was and in May of “89 we packed up and went north.

We had no idea that Seattle was about to become “Rock Mecca USA”, we just wanted to go somewhere where we could wear our leather jackets a little more often. It was exciting and encouraging to see all of the great bands there, doing their own thing and making some kick-ass, aggressive rock-n-roll that we could relate to, so we started recording immediately. After some classic “creative differences” with our lead singer, we decided to try it as a four piece with yours truly as the singer (I was the only one who knew all the words) and The Supersuckers, as you may or may not know them today, were born.

Our first recordings as a four-piece wound up on various singles for small labels and then were compiled for a C.D. called The Songs All Sound The Same. (For the full story on these recordings I highly recommend picking up the re-issued version on our own label, Mid-Fi Recordings). But it was our live shows that caught the eyes of the good people at Sub-Pop Records and, after a particularly scorching show one night, they offered to put out our records. We said ,“Buy us some beer and you got a deal!” And our long and enduring rock-n-roll ride was officially under way.

Starting with 1992,s “The Smoke Of Hell”, we released a total of three rock records, one country record, split singles with Steve Earle and The Rev. Horton Heat, countless singles and a “best-of” double album (all on Sub-Pop,) then we put out what is considered to be our finest recorded moment to date “The Evil Powers Of Rock-n-Roll”(Koch/Aces & Eights) in late 1999. We’ve also been touring our asses off all over the world with bands like Mudhoney, Social Distortion, Bad Religion, The Ramones, Motorhead, The Toadies, The Butthole Surfers, The Reverend Horton Heat, The Dwarves and White Zombie. We’ve played a couple of Farm Aid shows and backed Willie Nelson on The Tonight Show. Our music has appeared in T.V. shows (Beverly Hills 90210), Movies (Baseketball, Hype) and commercials (Mountain Dew) as well as countless snow and skateboarding video compilations.

Throughout this entire time, our sole mission has been to create and perform timeless, quality music and get as many people as possible to hear it. That goal has never changed. The pursuit of that perfectly imperfect rock-n-roll moment is all we’ve ever been after. We’ve been doing this for well over a decade now and we’re just getting started.

2001 found us starting our own label; Mid-Fi Recordings. We’ve finally decided to take control of all of our affairs and have become a lean, mean, self managed, totally independent rock-n-roll machine. We’ve got the greatest fans in the world and no one cares more about them and our music than we do. Having our own label gives us the freedom to make more of our music available to them without the hassles of “the middle-man” worrying about things like “marketing” or “demographics”. Hell, these are just hard words. All we want to do is get some kick-ass music out to the people and with Mid-Fi we have been able to do just that. Our first release was a live country record entitled “Must’ve Been Live”, that came out in March, 2002. Since then, we have dug into our “private reserves” and released several singles of some our finest outtake stock (a habit we intend to keep). We’re also planning some split singles with other great artists, the first one being “Never Go Home” by The Hangmen b/w “Flyin’ Into The Mid-Day Sun” by the ‘suckers.

But, by far the most exciting thing we’re doing now is gearing up for the release of our new rock record, Motherfuckers Be Trippin’. It’s the perfect follow up to The Evil Powers Of Rock-N-Roll and will be available to rock your ass on April 22, 2003. We feel better about this record than any we’ve done to date, which is amazing for a band that has been around as long as we have, and we know you’ll dig it as much as we do. It truly seems like we’re just getting the hang of this music making thing!

So, the next time you see The Supersuckers name, whether it’s in the record store or on the marquee at your local nightclub, know that there’s some quality, honest, ass-kicking, hard working individuals in there, trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country of course) and we’d love nothing better than to have you there with us. Just remember to wear you clean underwear, because we’re gonna rock your pants right off of you.

Rawkously Yours,
Eddie Spaghetti

Crowning achievements of rock-n-roll glory
•Performed on “The Tonight Show with Jay Leno” backing Willie Nelson
•Played Woodstock 2000
•Played Reading/Leeds festivals
•Toured extensively throughout the world including Russia, Japan, Australia, etc...
•Recorded with Eddie Vedder of Pearl Jam, Steve Earle, Willie Nelson, Kelley Deal of The Breeders

OUR LINKS

• Supersuckers Homepage

Joecephus and the George Jonestown Massacre

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Reverend Horton Heat

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It’s true that the Reverend Horton Heat have been called a great many things over the course of their storied career: Perpetual Carriers Of The Rockabilly Flame, Genre-Shattering Problem Children, Filthy Drunks, and The Most Electrifying Live Act In America (150 shows every year can’t be wrong). But whatever you happen to call them, their country-flavored punkabilly and onstage antics have brought the Reverend Horton Heat a strikingly diverse fan base and a devoted cult following. The Rev himself, aka Jim Heath, leads the way with signature guitar riffs, while pounding out the bottom notes (often on top of) his upright bass is Jimbo Wallace, while Scott Churilla keeps time on the drums.

OUR LINKS

• Reverend Horton Heat Homepage
• On MySpace

Delta Bombers

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Something to Believe Tour

Weyes Blood

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Knocked Loose

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Rotting Out

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Candy

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SeeYouSpaceCowboy

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Joyce Manor

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Stef Chura

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Strange Ranger

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Chase Makai

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Pretty Pink

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PRETTY PINK·FRIDAY, MAY 10, 2019
Emerging from the woods of the Harz in Germany, Pretty Pink has made her mark with her natural distinctive sound and self-made empire.
The versed German DJ, artist and producer captivated people’s attention on a global scale with her relentless drive and passion for her craft. With an ever-changing yet consistent sonic delivery, she is always trying to find a way to take her artistry to the next level. Her recording debut arrived in 2013 with an unforgettable edit of Daft Punk’s ‘Get Lucky’, which demanded the attention of the deep house scene with her uncanny ability to create instantly astounding dancefloor records.
With releases on Armada, Found Frequencies, Suara, and more, Pretty Pink’s impressive discography boasts a variety of sounds bound to please electronic music lovers across the board. She has taken her sound on stage to over a hundred cities worldwide and is planning to extend her journey into North America soon. Playing alongside respectable tastemakers at a myriad of revered venues in her homeland and enchanted the crowds - Nature One, Sonne Mond Sterne, Airbeat One, New Horizon, World Club Dome and more - her loyal fanbase and bookings began to skyrocket.
Her rise to the top is a result of her ever-present work ethic. Having acquired millions of streams across all streaming platforms, along with a self-launched record label WANDERLUST, bi-weekly Radioshow DEEP WOODS, and her own event brands, Pretty Pink has made her work a never-ending party.
With support from distinguished publications like Dancing Astronaut, EARMILK, WARP, Magnetic Magazine, or DJ Mag Mexico, Pretty Pink has cemented her position as one to watch. Her summer record ‘PURE’ in 2018 landed support from industry heavy-hitters, Lane 8, The Mambo Brothers, Lost Frequencies, and WhoMadeWho and still climbes the Beatport Top 100. Her latest track “OVERRATED” (Found Frequencies Records), gained over 500k streams just after one month on Spotify! So, there’s no question that Pretty Pink will continue to command the scene, not just domestically but on a global scale.

Soccer Mommy

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Magic City Hippies

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LUTHI

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Harvest of Doom Night 1

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Coven

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Mothership

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Liege

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They Watch Us From The Moon

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Gravehuffer

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Harvest of Doom Night 2

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Wo Fat

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Hyborian

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Droids Attack!

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Horned Wolf

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Custom Black

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Grass Giant

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Pit Hag

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Goddamn Gallows w/Scott H Biram

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Monolord

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Blackwater Holylight

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