The Mighty Pines

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Saintseneca

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Black Belt Eagle Scout

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Wizardfest

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Never Shout Never

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OUR LINKS

• Never Shout Never Homepage
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sex ed

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Free State Fest After Party with /JC Brooks Band

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KrashKarma

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My Fathers Gun

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Krushendo

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Foxing

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Ratboys

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Kississippi

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Downhearted

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Fear My Name

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Makarah

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Maria the Mexican

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CS luxem

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A solo artist as well as a collaborator CS Luxem has performed all over the United States and Europe. He has also performed with/in asia and the flavors, Emily Jane Powers, Karma Vision, Lord and Lady Destroyer, Rockabilly Land Singers, Hand Sand Hands, Slime Detective, Yoda's Voice, and HUMAN+PLUS

OUR LINKS

• CS luxem Homepage
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Youngblood Supercult

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Typewriter Tim

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They Watch Us..From the Moon

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Slow Caves

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Mene Mene

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Kid Computer

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Eric Schwartz

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Eric Schwartz is a comedian, actor, voiceover artist, musician and content creator. In addition to television appearances on Showtime, the Tonight Show, Comics Unleashed, BET and his one-hour special, “Surrender to the Blender,” on Hulu, Eric is know for his popular digital stand-up clips, sketches and parody videos. He has been going viral long before social media existed and continues to deliver hit after hit to his growing and engaged online fanbase.

This multi-dimensional showman’s stand up, sketches, songs and characters have led to content collaborations with Grammy-winner Jason Mraz, Craig Robinson, Anjelah Johnson, Tiffany Haddish, Disney, Yahoo, HLN, Machinima, Maker Studios, MiTu Networks and more.

On stage, Eric is one of the most creative and original comedians working today, earning the description, “everything there is to love about entertainment” (First Order Historians). GQ India names him one of “5 International Comics You Must Catch.” “E! News Daily” host Ryan Seacrest said Schwartz is “rocking the web” with “video that’s got everyone Googling” and Forbes.com applauds him for having “a minor industry in pop music parodies.”

Ezra Furman

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Transangleic

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Exodus

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Rachel Mallin And The Wild Type

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The Hybrids

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The Rackatees

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The Rackatees hail from Lawrence, KS. Veterans of the Kansas basement/gutter scene, this trio plays fiery punk rock songs inspired by regrettable decisions, various animal critters and their best pal T.J. The group's debut album "In Crime We Trust" is in the works and should be out July 2011, so stay tuned!

OUR LINKS

• The Rackatees Homepage
• On MySpace

Arson Class

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Basement

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Elder Brother

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Plush

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Michigan Rattlers

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The Districts

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Westerners

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Cast from London and several cities up and down the east coast into Kansas City/Lawrence area, the 4 members of indie garage rock outfit Westerners may seem more like an accident than a form of perseverance paid off. Beginning with an arbitrary move to a farmhouse in nowhere, Kansas, and an almost decade long friendship, the band's songs and interests were slowly formed over a year of pleasurable purgatory out in the wilderness. Lots of whiskey. Lots of smoke. Lots of good times. Lots of distractions. Emerging from the haze around August of 2013 and enlisting friend and local band director who was then recently discharged from the coast guard to fill out the sound, they swarmed onto the local scene with a constant slew of high energy performances. Recent release of the ep "Westerners" is drawing midwest attention and praise, displaying a group who are paving a street to somewhere, brick by brick.

Recent release, Westerners EP, is a 4 song, get-straight-to-the-point record that introduces the bands unique blend of garage rock and pop. Recorded and produced at Element Recordings (kc) by Joel Nanos, the ep captures the bands intense , live energy that is displayed at every event.

OUR LINKS

• Westerners Homepage
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Shelby,TX

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Ryan Manuel & the Getaway

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Reverend Horton Heat

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It’s true that the Reverend Horton Heat have been called a great many things over the course of their storied career: Perpetual Carriers Of The Rockabilly Flame, Genre-Shattering Problem Children, Filthy Drunks, and The Most Electrifying Live Act In America (150 shows every year can’t be wrong). But whatever you happen to call them, their country-flavored punkabilly and onstage antics have brought the Reverend Horton Heat a strikingly diverse fan base and a devoted cult following. The Rev himself, aka Jim Heath, leads the way with signature guitar riffs, while pounding out the bottom notes (often on top of) his upright bass is Jimbo Wallace, while Scott Churilla keeps time on the drums.

OUR LINKS

• Reverend Horton Heat Homepage
• On MySpace

Unknown Hinson

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Delta Bombers

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The Goddamn Gallows

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The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; "Baby Genius") in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described "twanged-out punk rock gutterbilly".
In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location).
Though still officially Michigan-based, they have toured relentlessly since 2007, practically living out of their van and regularly performing as many as 200 dates a year. They've supported such acts as Nekromantix, Slim Cessna's Auto Club, Mad Sin, The Legendary Shack Shakers, and even the King of Surf Guitar legend Dick Dale. They continue to rapidly grow a devoted following built on their visceral and volatile blend of multiple American music styles, and frenetic live energy -but still with just enough hardcore and punk influence to make your parents hate it.

OUR LINKS

• The Goddamn Gallows Homepage

Koffin Kats

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Gutter Demons

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Avi Buffalo

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Haunted Summer

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The songs of Haunted Summer are dreamy and hypnotic, rich with orchestral strings and sultry electronic textures, and with their EP, Something in the Water, the group crafted a captivatingly-ethereal musical journey through a nostalgic world of young love and long-forgotten memories. Consisting of husband-and-wife Bridgette Moody and John Seasons, who share songwriting duties in a true collaboration, the Los Angeles duo have shared the stage and toured with groups and performers including Taken By Trees, Islands, Deafheaven, Coeur De Pirate, Olafur Arnalds, Carla Morrison, Meiko, Basia Bulat, Federico Aubele, Laura Stevenson and more. They have toured the country and played venues such as The El Rey Theatre, The Great American Music Hall, The Levitt Pavilion, Amoeba Hollywood, The Observatory OC, The Glasshouse, Crescent Ballroom, North Park Theater, The Chapel, The Beauty Bar Las Vegas, Pianos, The Casbah and many more. Having completed a tour with Islands and other tour dates with David J of Bauhaus, Geographer and more, multiple headlining tours across the country among other countless tour dates, plus a month-long residency in San Francisco and LA, Haunted Summer is poised to bring their psychedelic sound to the world.

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The five tracks on the Something in The Water reinforce the group's ghostly vibes, with Moody's ethereal vocals blending seamlessly with spaced-out and hazy orchestral dream-pop, allowing the music to take control of your headspace like a ray of light seeping in through the cracks of a long forgotten and rundown gothic mansion. -The Portland Mercury (CT)

The pair’s blend of experimental guitar riffs, ethereal orchestral features, and Moody’s trance-like vocals—plus a ton of oddball electronic sounds that add even more texture—creates a sound that sticks with you. -The Seattle Weekly (Azaria Podplesky)


Bridgette Eliza Moody and John Seasons are the group’s mainstays, but they have smartly added other musicians to the mix, taking their music to a bolder, higher level. The use of clarinet especially enhances and grounds their sound as Moody's augmented vocals and Seasons’ languid guitar licks add ethereal layers. -The Inlander (Laura Johnson)

OUR LINKS

• Haunted Summer Homepage
• On Facebook
• On Twitter

The Moose

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Kosha Dillz

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• Kosha Dillz Homepage

Feng $hui

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Geek$Squad

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Demvo

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Real Friends

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Boston Manor

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Grayscale

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Since forming in 2011, when its band members were only in high school, the Philadelphia-based quintet—composed of vocalist Collin Walsh, guitarist/vocalist Dallas Molster, guitarist Andrew Kyne, bassist Nick Ventimiglia and drummer Nick Veno—has emerged quickly from the Philadelphia punk scene, establishing a solid fan base and sharing stages with the likes of Cute Is What We Aim For, Knuckle Puck, Neck Deep, Seaway, and more. Working with producer Kyle Black (State Champs, Handguns, Hit The Lights) for their Fearless Records debut album, Adornment, Grayscale has honed their talent of constructing strong hooks, relatable lyrics and catchy riffs, all the while coming into their own distinguished sound. Through their unbarred emotion and unique blend of alternative rock and punk roots, Adornment, sees the band expand their sonic palette, further illuminating their skill of creating well-narrated stories paired with palpable emotion that urges listeners to dive in and craft their own narratives.

OUR LINKS

• Grayscale Homepage
• On Facebook

Eat Your Heart Out

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FreQNasty & David Starfire

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Dub Kirtan Allstars

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Titus Andronicus

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In July of 2005, the rock band Titus Andronicus made their first live appearance, performing for a few friends in an unfinished basement. The ensuing decade would see nearly 800 shows, 18 members, and the release of three full-length albums and 14 7-inches, as the group rose from their obscure beginnings in the tri-state DIY scene to the heights of international “indie stardom,” only to (nearly?) throw it all away in a vicious cycle of depression and decadence. The culmination of that ten-year journey is The Most Lamentable Tragedy.
The Most Lamentable Tragedy [hereafter TMLT] is the fourth studio album by Titus Andronicus [hereafter +@] and the band’s debut for Merge Records. A rock opera in five acts, it will see release on the 28th of July 2015 as a digital download, double CD, and triple vinyl LP. “[In July 2005] I turned 20 years old—I started the band and closed the door on my teenage years,” says singer/songwriter Patrick Stickles, “and on July 28th this year, I’m turning 30. Putting out this record is my way of closing the door on my twenties—sharing what I have learned, sorrowing what I learned too late.”
TMLT was produced by frequent collaborator Kevin McMahon and +@ lead guitarist Adam Reich. The core band is rounded out by the long-standing rhythm section of Eric Harm (drums) and Julian Veronesi (bass) plus hotshot rookie guitarist Jonah Maurer. Joining the lads throughout are veteran pianist Elio DeLuca and luminous Canadian violinist Owen Pallett, beside a colorful cast of special guests representing some of the New York scene’s most exciting bands (The So So Glos, Baked, Bad Credit No Credit, Lost Boy?, etc.).
The central narrative of TMLT (“a work of fiction,” Stickles says, looking away) concerns an unnamed protagonist whom we meet in the depths of his decrepit despair. Following an encounter with his own doppelgänger (an enigmatic stranger, identical in appearance though opposite in disposition), long held secrets are revealed, sending our protagonist on a transformative odyssey, through past lives and new loves, to the shocking revelation that the very thing that sustains him may be the very thing to destroy him.
Hardly the rambling mess its 29 tracks and 93:44 runtime might suggest, TMLT is a miracle of structural integrity and symmetry. The complete sequence of five “acts” will present a cohesive vision the likes of which few rock groups would have the self-esteem (let alone the chops) to even consider attempting, while the division of these acts, and the special care taken to give each its own sonic and thematic identity, will grant the listener the ability to ration or binge according to their pleasure. Across these five acts, we watch the passage of four seasons—the desolate desperation of winter melts away under the warm hope of approaching spring, just as the sticky fumes of the big city summer dissipate when autumn brings its comforting colors, and with them, the knowledge that they will fade, that all will fall and decay.
Still beyond the linear legibility of its seasonal motif, TMLT creates a universe that begs to be explored, an interlocking cycle of phases and recurrent events. “The first half is the second half in reverse—holding the first up to the mirror, we see the second,” explains Stickles, feverishly. “Like our universe, it expands outward in every direction. It contains our most ornate arrangements and our most spare, our most uplifting music and our most bleak. With equal fervor we strive to show you +@ at our most beautiful and our most brutal, our most polished and our most raw.” All these factors contribute to what Stickles identifies as “a certain bipolar quality.”
“It should always be the dearest hope of the Artist that the Art they create could have been created by no one else,” Stickles says suddenly, unprompted, “and that if it cannot be adored, it should be despised. Cast wide the poles! +@ is undaunted and TMLT will not be quietly abided.”
Nor can it be denied—TMLT is the pinnacle and the missing piece, both the crown jewel of the band’s discography and the legend that contextualizes their entire body of work. It reveals that +@ are what hardcore fans have said they are for years, and what the world must now recognize them to be: not merely the greatest rock and roll band of this era, but one of the greatest rock and roll bands of all time.

OUR LINKS

• Titus Andronicus Homepage
• On Facebook
• On Twitter

Ted Leo

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Mom Jeans

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Just Friends

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Awakebutstillinbed

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Retirement Party

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Russ Liquid Test

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Balkan Bump

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Colony House

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The New Respects

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Phantastics

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Highwesthus

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He is the artist, HighWesthus.

A freelance multimedia artist living in KCMO.

His skills include Illustrating, Animating, Graphic Designing, Video Editing, Sound Editing, Music Producing, Writing, and overall Storytelling.

DO NOT MISS (T)HIS SHOW!!!!

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• Highwesthus Homepage
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i Mayday !

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1 Ton of Potluck

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D U Ivan

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Watermelon Slim

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Dust Devil Choir

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Mewithoutyou

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After The Burial

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The Acacia Strain

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It can be said that some bands truly embody a certain spirit or emotion. Without a doubt, Massachusetts’ long running juggernauts, THE ACACIA STRAIN, truly embody anger. And that shows more than ever on their newest full length, “Wormwood.” The band’s actual sound and vibe are more ferocious than ever on this, their fourth full length for Prosthetic Records and fifth effort overall. Even the successes of their previous full-length, “Continent,” which debuted at #2 on Billboard’s “Heatseekers” chart in 2008 and their DVD, “The Most Known Unknown,” which debuted at #10 on Billboard’s Top Video Sales Chart in the February of its release, have not assuaged front man and lyricist Vincent Bennett’s turmoil. For “Wormwood,” the band returned to the scene of the creation of “Continent;” producer Zeus’ of Planet Z Studio in Hadley, MA, who has previously worked with the likes of Hatebreed, The Red Chord, All That Remains and more, engineered, mixed and mastered the slab of vitriol. This time around, we find guitarist, D.L. experimenting with 8 string guitars, adding further depth and low end to the band’s already stomach-turning low end sound. “Wormwood” peaked at #67 on the U.S. Billboard charts, signaling metal fans’ increasing affinity for the band’s sheer musical passion and vicious brand of heaviness. The band appeared on last year’s “Cool Tour” with As I Lay Dying, Underoath, Between the Buried And Me, Blessthefall, Architects, Cancer Bats and War of Ages. The band’s extensive tour history has them on the road with acts such as Whitechapel, Unearth, Bleeding Through, Killswitch Engage, Despised Icon and August Burns Red. They have also appeared on The Sounds of the Underground Tour and will be a must-see addition to this summer’s Vans Warped Tour. THE ACACIA STRAIN were formed in 2002 in Western Massachusetts, and have gone through a variety of line ups, even, at one point having three guitars, but have played in their current incarnation since 2006. That line up consists of vocalist Vincent Bennett, bassist Jack Strong, guitarist Daniel “DL” Laskeiwitz and drummer Kevin Boutot.

OUR LINKS

• The Acacia Strain Homepage
• On Facebook

Erra

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Make Them Suffer

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Turnover

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Movements

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Mess

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Mountain Sprout

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Mountain Sprout is a highly energetic hillbilly music machine, spitting original tunes and blowing minds with original whitty lyrics and face melting musicianship. The Sprouts are a full time working band and play shows all year round for anyone who will listen. Whether it be Grayson VanSickle playing his machine gun banjo, singing out the novel of our lives or guitarist Adam Waggs, who yanks up the melody up by the ear and keeps you kickin'. With a smile on his face, Daniel Redmond pulls out cannon fire notes pounding the stand-up, dog house bass, and Blayne Thiebaux gives the crowd a spectacular show, burnin' rosin and bendin' air, exploding the fiddle while bursting into flames. Together, they are MOUNTAIN SPROUT.

Playing around 250 shows a year, including music festivals, concert halls and backwood hole in the walls. They have performed in venues large and small. From opening up for national icons Willie Nelson and Leonn Russel to performing with jam band titans such as Yonder Mountain String Band and Wide Spread Panic. You can find them hanging out with home grown legends like Split Lip Rayfield, Randy Crouch and countless other amazing musicians. Always opening up another beer or a sheltered mind at the local and not-so-local bars, MOUNTAIN SPROUT is always truly a crowd favorite.

After forming several renditions, the band made a final pact in ‘06. Since then MOUNTAIN SPROUT has released multiple recordings preceded by the infamous “Pornobilly”(2005) that earned a place in everyones heart. Then officially releasing their original debut album "One More for the Ditch"(2007), followed by a collection of traditional tunes entitled "Fambilly Hour"(2008), and tapped from source with another CD of original songs called "Into the Sun"(2009). With there latest smash hit album for the collection “Habits to Feed”(2010).

Now with much more to come from the Mudstomp Records family and the Pipeline Productions power house, Mountain Sprout is here to push the limits! Just make contact with plenty of advance notice so that you too can enjoy the live supernatural performance of the Mountain Sprout and if you all just want to party, well thats we do best, so let us set the mood for an amazing experience anytime; every time.

OUR LINKS

• Mountain Sprout Homepage
• On Facebook
• On MySpace

Drunken Roots

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Like Moths to Flames

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Oceans Ate Alaksa

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Phinehas

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Novelists

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Cycles

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The Wrecks

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Badflower

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Deal Casino

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Just Juice

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Dax

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Truckstop Honeymoon

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In eleven years Truckstop Honeymoon have released eight CDs and a full length
documentary film on Baton Rouge label, Squirrel Records. They perform at International folk festivals, rock clubs, neighborhood bars, house concerts and hay barns from Nebraska to Tasmania.

Truckstop Honeymoon’s story begins in New Orleans, where Katie played wash-tub bass and blues piano in the streets of the French Quarter. There she met Mike, who slung a banjo and sold his CDs to tourists as a curative for hangovers and small mindedness. After a court house wedding, they hit the road together. They spent their wedding night in a trucks stop somewhere between Lafayette and the Atchafalaya Swamp. There Truckstop Honeymoon was born.

OUR LINKS

• Truckstop Honeymoon Homepage
• On MySpace

The Greatest Gen Khan

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The Greatest Generation is a Star Trek podcast by two guys who are a little bit embarrassed to have a Star Trek podcast.

What started for us as a joke on our show, turned in to something our viewers really wanted to happen. So we’re making #GreatestGenKhan🎉🎉🎉 happen.

This tour is going to be something special:

Khan?!
Yes! We’re creating a live show celebration of Star Trek II: The Wrath of Khan! We know it’s not TNG, but it’s one of our faves, and we want #GreatestGenKhan🎉🎉🎉 to be really special. Also, we’ve been saying Khan the whole time. It’s canonical GreatestGen.

What is a Greatest Generation Live Show Like?
"Much like the podcast you know and love, we play drops and clips, talk about what’s great, talk about what’s hilarious, and make tons of jokes.

The show is usually around 70-80 minutes long.

We do Priority One messages! Send a birthday wish or roast your loved ones in the audience! All proceeds from P1s go to support the National Center for Science Education.

Adam and Ben hang out after the show to chat, take pictures and laugh with the Friends of DeSoto!

Things You Can Take With You: We’re working on awesome #GreatestGenKhan🎉🎉🎉 tour-exclusive merch items, like:
Challenge Coins
Posters
Stickers

In Addition:
We will donate a portion of the proceeds from merch sales to the National Center for Science Education. Star Trek imagines an amazing future, but we won’t get there without science literacy!

OUR LINKS

• The Greatest Gen Khan Homepage
• On Facebook

Children''''s Mercy Hospital Christmas Benefit Show

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